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Mountains of the Mind: Adventures in Reaching the Summit [Paperback]

Robert Macfarlane
4.7 out of 5 stars  See all reviews (6 customer reviews)
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Book Description

July 13 2004 Vintage
Combining accounts of legendary mountain ascents with vivid descriptions of his own forays into wild, high landscapes, Robert McFarlane reveals how the mystery of the world’s highest places has came to grip the Western imagination—and perennially draws legions of adventurers up the most perilous slopes.
His story begins three centuries ago, when mountains were feared as the forbidding abodes of dragons and other mysterious beasts. In the mid-1700s the attentions of both science and poetry sparked a passion for mountains; Jean-Jacques Rousseau and Lord Byron extolled the sublime experiences to be had on high; and by 1924 the death on Mt Everest of an Englishman named George Mallory came to symbolize the heroic ideals of his day. Macfarlane also reflects on fear, risk, and the shattering beauty of ice and snow, the competition and contemplation of the climb, and the strange alternate reality of high altitude, magically enveloping us in the allure of mountains at every level.

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Robert Macfarlane's Mountains of the Mind is the most interesting of the crop of books published to mark the 50th anniversary of the first successful ascent of Everest. Macfarlane is both a mountaineer and a scholar. Consequently we get more than just a chronicle of climbs. He interweaves accounts of his own adventurous ascents with those of pioneers such as George Mallory, and in with an erudite discussion of how mountains became such a preoccupation for the modern western imagination.

The book is organised around a series of features of mountaineering--glaciers, summits, unknown ranges--and each chapter explores the scientific, artistic and cultural discoveries and fashions that accompanied exploration. The contributions of assorted geologists, romantic poets, landscape artists, entrepreneurs, gallant amateurs and military cartographers are described with perceptive clarity. The book climaxes with an account of Mallory's fateful ascent on Everest in 1924, one of the most famous instances of an obsessive pursuit. Macfarlane is well-placed to describe it since it is one he shares.

MacFarlane's own stories of perilous treks and assaults in the Alps, the Cairngorms and the Tian Shan mountains between China and Kazakhstan are compelling. Readers who enjoyed Francis Spufford's masterly I May Be Some Time: Ice and the English Imagination will enjoy Mountains of the Mind. This is a slighter volume than Spufford's and it loses in depth what it gains in range, but for an insight into the moody, male world of mountaineering past and present it is invaluable. --Miles Taylor --This text refers to the Hardcover edition.

Review

"Wonderfully illuminating. . . . An exhilarating blend of scholarship and adventure, displaying dazzling erudition, acute powers of analysis, a finely honed sense of cultural history and a passionate sense of the author's engagement with his subject." --Los Angeles Times

“Fascinating stuff. . . a clever premise. . . . Goes back three centuries, showing how a few brainy opinion makers created the outdoor image.” —The New York Times Book Review

"A convincing book of historical evidence alongside his own oxygen-deprived experiences in an attempt to answer the age old question, 'Why climb the mountain?' "--San Francisco Chronicle

“Early mountaineers were lost for words to describe the splendor of the mountains, but Robert Macfarlane is not; in particular, he has a gift for arresting similes.” –The Times Literary Supplement

“Of all the books published to mark the 50th anniversary of climbing Mount Everest Robert Macfarlane’s Mountains of the Mind stands out as by far one of the most intelligent and interesting. . . in a style that shows he can be as poetic as he is plucky.”–The Economist

“At once a fascinating work of history and a beautifully written mediation on how memory, imagination, and the landscape of mountains are joined together in our minds and under our feet.” –Forbes

“A compelling meditation. . . Macfarlane is. . . the perfect mountain guide through blue crevasse fields, ice walls, prayer flags, Sherpas and Shangri Las. He’s been up there, and come back down through the foothills to offer us his thoughtful and gracious elegy, telling us eloquently the secret of it all, which is that no one can ever truly conquer a mountain.”–Benedict Allen, author of The Faber Book of Exploration

“Macfarlane, a mountain lover and climber, has a visceral appreciation of mountains. . . . He is an engaging writer, his commentary, always crisp and relevant, leavened by personal experience beautifully related.”–The Observer (UK)

“Macfarlane writes with tremendous maturity, elegance and control. . . . A powerful debut, a remarkable blend of passion and scholarship.” –Evening Standard (UK)

“Part history, part personal observation, this is a fascinating study of our (sometimes fatal) obsession with height. A brilliant book, beautifully written.” –Fergus Fleming, author of Ninety Degrees North: The Quest for the North Pole

“A new kind of exploration writing, perhaps even the birth of a new genre, which doesn’t just defy classification–it demands a whole new category of its own.”–The Telegraph (UK)

“There are many books on climbing and climbers, and this is one of the best and most unusual I have read.”–The Times (UK)

“An imaginative, original essay in cultural history–a book that evokes as well as investigates the fear and wonder of high places.” –William Fiennes, author of The Snow Geese

“A crisp historical study of the sensations and emotions people have brought to (and taken from) mountains. . . . Macfarlane intelligently probes the push/pull of the peaks. . . . Sharp and enticing.” –Kirkus Reviews


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Most helpful customer reviews
5.0 out of 5 stars Unique history of mountains and climbing Jun 19 2004
Format:Hardcover
Robert MacFarlane's book is the most original take on Mountains I have ever read. MacFarlane's book examines how our view of MOuntains has changed over the centuries. Today we regard them as things we have mastered but three hundred years ago they were regarded as fearful places ... a bit of hell on earth. He describes how our geological and cultural view of them evolved as science replaced superstition as the basis for knowledge of these places. He uses loads of interesting anecdotes to illustrate his story as well as personal reminiscence ... he's an amateur climber. He is also a dream of a writer. I usually devour books ... but this one was so original and so well written that t took me a couple of weeks ... I wanted to savour it in small bites excellent reading for a vacation in the mountains -- or the beach.
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5.0 out of 5 stars From the Ridiculous to the Sublime Jan 10 2004
Format:Hardcover
Just think that mountains were once seen as the wild pimples of the world, good for nothing blemishes, protruding from the arable and the habitable.

Macfarlane traces the change in attitude in Western conception of the mountains and how they became places to aspire to, to reflect upon, to escape to, to die for.

Macfarlane's personal climbing stories nicely intersesct with the historical narrative as he tries to find those key moments in time which changed things, and how interesting it is to see poets like Petrarch and Coleridge playing major parts in this transformation.

The growing appeal of the other-world, of places like Mount Blanc are beautifully described but I didn't think it needed the whole last chapter devoted to Mallory and Everest.

This book is eminently readable, detailed and interesting, and freely admits it owes more than a little to Schama's 'Lanscape and Memory'.

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3.0 out of 5 stars Preaching to the converted Sep 25 2003
By Megami
Format:Hardcover
Fortunately, this is not yet another egotistical man-against-the-mountain book in the style of Joe Simpson et.al. Rather, this book purports to be an exploration of the fascination with mountains that came to grip the Western mind-set. Therefore it is more of a cultural history of climbing than a pure 'tale of adventure'.

Macfarlane has obviously researched his subject thoroughly. Unfortuately, this shows due to the fact that there is so much in here that is not really required - more than once an addition read as though the author had come across yet another quote he found interesting and just 'had to' shoe-horn it into the book. Therefore we have endless references to people like Keats, who himself was never really into climbing mountains, but happened to say something about them. ... There is a lot of interest in this book, but you have to read through repetitive sections to get to them. There is also a lot of reliance on quotes - again and again we get someone saying 'Itis impossible to describe....' then attempting to describe it. It gets a bit boring after awhile, leaving this reader champing at the bit to get to the next chapter.

The inclusion of personal anecdotes is also a bit dry. I don't have anything against books where a historical/scientific and/or cultural exploration is interspersed with personal narrative or anecdotes. But these anecdotes seem to jump all over the place: perhaps they would have been much more useful if the author had referred to one climbing trip throughout, using examples from this to underline the points he is making. And the section on Mallory doesn't fit: I realise that the author is using him as an example of the ideas he has been exploring throughout the book, but really it is just a potted history. He continues to comment on the fact that Mallory was drawn to Everest, even though he knew there was a good chance that he wouldn't come back, and despite the fact he had a wife he loved very much and wanted to spend time with. Yet we never quite get an explanation of why, which was ultimately meant to be the point, I thought.

Not sure what market this book is trying to reach - if someone picks it up to read about climbing adventures, I think they will be bored quite quickly. If they are looking for an in-depth cultural history of climbing, they might find this book a bit 'bitty'. Which is a shame, as this is a book that obviously has had a lot of work put into it, and there are some very interesting ideas contained in it. If only you didn't have to wade through so much extraneous material to get there.

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