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Movie Magic the Story of Special Effects in the Cinema Paperback – Apr 1983

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Product Details

  • Paperback: 302 pages
  • Publisher: New American Library (April 1983)
  • Language: English
  • ISBN-10: 0452253551
  • ISBN-13: 978-0452253551
  • Product Dimensions: 17.8 x 2.5 x 12.7 cm
  • Shipping Weight: 295 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #2,610,641 in Books (See Top 100 in Books)
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Most Helpful Customer Reviews on (beta) HASH(0xa8f9d3b4) out of 5 stars 2 reviews
2 of 2 people found the following review helpful
HASH(0xa852b8f4) out of 5 stars a unique time capsule Nov. 18 2006
By M. Teevan - Published on
This book is a great time capsule of movie making Special Effects, pre 'Star Wars' in 1977 when everything, including the attitiude toward special effects in movies changed!

The book focuses on a lot of movies which were in their day ground breaking, and are still vital in the history of visual effects today - Willis O'Brien's 'King Kong' being the most notable example.

There are many interviews and anecdotes from the Hollywood studios of the 30s, 40s and 50s, through to the legendary '2001: A Space Odyssey' and into the early 70's. Significant time is dedicated to stop-motion animation - which for many, many years was the only reasonable way to create decent creature effects.

Overall, the book is a little light on technical details. Techniques are described in concept and many of the processes and issues discussed are not relevant today. e.g. - The pros and cons of back-projection vs front projection which are barely used today.

Throughout though, there is a genuine love and respect for the craftsmanship, as well as the importance of the context for the work - the awe and wonder the images conjure up.

This is a book that I read at an early age and it got me really interested in how special effects were done, and while it did not provide all the answers, it certainly got the creative juices going.

Above all though, it's a great time capsule in that it does not look back fondly in light of what we know today, it literally was written before the rule book got a total overhaul (in 1977), and as such is pretty much unique.

For anyone really interested in the craft of Special Visual Effects - as I am - they should have a place for this on their shelf.
2 of 2 people found the following review helpful
HASH(0xa8424dc8) out of 5 stars A Forgotten Masterpiece Oct. 9 2006
By The Action Guy - Published on
Format: Paperback
In this era of viral Internet information, it's impossible for this generation to remember a time when instant access to special effects jargon wasn't always at our fingertips.

Years before "Cinefex" magazine became a staple for the FX hungry, THIS book was the repository -- the Bible -- of accumulated FX knowledge. The first proper authoritative tome of its kind.

In my childhood, I borrowed this book (along with Jerome Agel's "Making Of 2001" -- the book that influenced James Cameron to pursue a career in special effects) from my local library for well over a year. It fascinated me, and made me want to follow in the footsteps of the people I read about within.

It was my pleasure to become a drinking buddy with Mr Brosnan some years later in London's West End. When I told him this book made him a childhood hero of mine, he groaned and told me he'd lost count of the times that had been told him.

It was an appelation he deserved.

When Mr Brosnan died in 2005 -- I had to miss his funeral literally 5 minutes walk from my house because I had to give a lecture in Ireland. But, I thought of him that day.

I have a copy of this wonderful book that I purchased in a secondhand store in Burbank. Even now, it's an incredible repository of knowledge that anyone with a passing interest in the special effects field should seek out. They'll still learn a trick or two.

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