- Audio CD
- Publisher: Sound Library (December 2003)
- Language: English
- ISBN-10: 0792731069
- ISBN-13: 978-0792731061
- Average Customer Review: 4.1 out of 5 stars See all reviews (19 customer reviews)
Product Details
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When we first encounter Timothy, during the Christmas season of 1860, he's vexed by the discovery of two dead 10-year-old girls, each branded with the letter "G"--one found in an alley, the other fished from the Thames River by Cratchit and a voluble old salt who makes his money by finding (and then robbing, of course) errant corpses. Timothy's concern leads him to protect a third possessively marked waif, the frightened and suspicious Philomela--who, he soon realizes, is being sought by a knife-loving former Scotland Yard inspector and a moneyed, malevolent voluptuary. When, despite precautions, Philomela is kidnapped by her pursuers, Cratchit--assisted by a shrewd warbling urchin known as Colin the Melodious--resolves to fulfill his "great calling" in life by mounting a rescue. However, this mission will force the habitually uncourageous Timothy to not only defend himself against sexual molestation charges, storm a well-guarded mansion, and solve the puzzle of a coffin-filled basement, but also engage in a nightmarish final chase along London's docklands.
Authors employing real-life characters as detectives are often hampered by their adherence to historical fact. Bayard suffers no such limitations in imagining what fates awaited Dickens's now-famous fictional figures. Under his pen, Scrooge--whose rooms are decorated for Christmas year-round--becomes an eccentric collector of fungi and host to an interminable stream of charity solicitors, while Timothy Cratchit strikes out beyond his lonely young man status to become the head of an unconventional clan. Bayard's appreciation for the lurid exoticness of Victorian London rivals that of John MacLachlan Gray (The Fiend in Human), while his lyrical prose subtly suggests 19th-century influences. Mr. Timothy is at once a compelling Christmas crime yarn and an audacious literary endeavor. No humbug there. --J. Kingston Pierce --This text refers to the Hardcover edition.
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Most helpful customer reviews
4.0 out of 5 stars
touching and thrilling,
By A Customer
This review is from: Mr. Timothy (Hardcover)
Following the route of Gregory Maguire, Louis Bayard has taken a fairly minor yet memorable literary character and revisits him at another point in time. Entirely successful with a fun "DaVinci Code"-type caper (pacing not the puzzle), Mr. Timothy shines most with Bayard's Bob Cratchit ghost device/letters and depiction of filthy London. Ending is extremely touching and beautifully written a la Dickens; also loved clues of Tim's true sexual orientation: point did not dominate but made perfect sense. This one deserves the Masterpiece Theatre treatment--not the usual American-produced lard.A wonderful, multi-tiered read.
4.0 out of 5 stars
No Holiday Cheer, But Great Read,
By
This review is from: Mr. Timothy (Hardcover)
This was a very good book. It follows the story of a grown up Tiny Tim, as he struggles in his adult life. The author does a wonderful job describing England and the time they live in. It is dark and a little disturbing, but a great read. I really enjoyed it.
4.0 out of 5 stars
A successful parody,
By Dave Schwinghammer "Dave Schwinghammer" (Little Falls, Minnesota USA) - See all my reviews (REAL NAME)
This review is from: Mr. Timothy (Hardcover)
The market has recently been deluged with authors trying to out-Mitchell Mitchell, out-Fleming Fleming, or out-Conan Doyle Conan Doyle. Most of these are nothing more than pulp fiction. Bayard's Dickens parody, on the other hand, complements the original in many ways.MR. TIMOTHY does justice to Dickens in the way Bayard handles the grown-up Tim. Besides the limp, this Tiny Tim is nothing like the original. He's a cynical chap who's disappointed in himself for taking Scrooge's money. He's reduced to working in a bawdy house, teaching the madame how to read and write. The plot is rather predictable. Bayard has transplanted a repugnant 21st century curse to the 19th century, pederasty. A young girl is found dead, branded with the letter "G"; then another girl is found with the same brand on her upper arm. The cause of death is unknown but the dead girls have frazzled, bloody fingernails. A homeless waif, Philomela, seems a likely candidate to become the next victim, and Tim becomes her protector. Like Dickens, Bayard does his best work with minor characters. There's an Artful Dodger named Colin the Melodius, who serves as a sidekick to Tim. Then there's Gully, a retired sea captain who trolls the Thames for dead bodies. Timothy sometimes moonlights for Gully. Like Dickens, Bayard gives each of these minor characters a memorable characteristic. In Gully's case it's cats. His landlady is a cat lover; she has dozens of them, and they drive Gully crazy. But without a good villain you don't have much of a story and there's a good one here, in razor-wielding ex-policeman Rebbeck. Timothy is also haunted by the ghost of his father. He sees him everywhere, but when he tries to make contact the man transforms into a stranger. Philomela has the same affliction. It's nice to think that our fathers watch over us, even after death. Sure, some of this is a little hokey, but then again so was Dickens.
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