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Mumbo Jumbo
 
 

Mumbo Jumbo [Paperback]

Ishmael Reed
3.1 out of 5 stars  See all reviews (26 customer reviews)
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Product Description

Product Description

The Classic Freewheeling Look at Race Relations Through the Ages

Mumbo Jumbo is Ishmael Reed's brilliantly satiric deconstruction of Western civilization, a racy and uproarious commentary on our society. In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

Ingram

A preeminent African-American novelist, essayist, and activist takes an unorthodox look at black and white relations throughout history. Reprint. 15,000 first printing. NYT.

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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

26 Reviews
5 star:
 (8)
4 star:
 (1)
3 star:
 (8)
2 star:
 (3)
1 star:
 (6)
 
 
 
 
 
Average Customer Review
3.1 out of 5 stars (26 customer reviews)
 
 
 
 
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5.0 out of 5 stars For Shame, July 12 2004
By 
Michael Saul "shut up" (Chicago, IL United States) - See all my reviews
This review is from: Mumbo Jumbo (Paperback)
It is a crime that this book has an average rating of three stars. I submit that those who have given poor reviews are simply ill equipped to handle the complexity of this brilliant work.
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5.0 out of 5 stars Unable to stop dancing, Jan 13 2003
By A Customer
This review is from: Mumbo Jumbo (Paperback)
The hero is PaPa LaBas, a New Orleans "houngan" who is trying to discover the source (the Text) of a "psychic plague" called "Jes Grew" which is sweeping the nation in the 1920s (whether you interpret it to mean Ragtime or the spirit of the Harlem Renaissance). J.G.C.s, or its "carriers," are overcome by a passionate desire to dance and have a good time. Their militant wing, the "Mu'tafikah" (I love that name), are involved in activities like art-napping non-Western artifacts (African masks and sculpture, a giant Olmec head from Central America) from the Center of Art Detention (which not surprisingly, has the same address as the Metropolitan Museum of Art) and returning them to the places where they come from. They're opposed by the "Atonists" (the bluenoses, those dedicated to the glorification of Western culture, the Protestant work ethic, etc.) and its affiliated organization, the Wallflower Order (whose motto is "Lord, if I can't dance, no one will"). Reed's work always lampoons historical figures, fictional and literary characters, and especially religion. The character named "Hinckle Von Vampton" (a parody of Carl Van Vechten, the literary agent for many black writers in the 1920s) is a Wallflower member who infiltrates the Harlem community to manipulate its artists and destroy the movement. He plans to start a magazine featuring a Talking Android who will tell the J.G.C.s that Jes Grew is not ready for primetime and "owes a large debt to Irish Theater." Reed satirizes everyone and everything from Warren G. Harding's ancestry to Irene Castle, the dance instructor who was used by the Establishment to show Americans the "Castle Way," and denounce the so-called Animal Dances (many with Black origins, like the "Turkey Trot," the "Bunny Hug," the "Chicken Scratch, the "Possum Trot," etc) as "ugly," "ungraceful," and "out of fashion." You always learn something about American history and culture by reading an Ishmael Reed novel, although not always immediately. At the top of page 184 is a photo of what appears to be a black clergyman surrounded by three rows of mostly African-American men in formal wear, including W.E.B. Du Bois. The photo at the bottom of the page is of a diverse group, including the author, standing around a statue of Buddha with mountains in the background. Does it mean anything? I'm not sure, however, I think that during this period there was resistance to jazz music by some of the African-American elite, and although I'm not qualified to comment on Du Bois's views, the photo could be a kind of satirizing. I know that James Weldon Johnson (who is referred to in the novel, as are Harlem Renaissance figures Claude McKay, Wallace Thurman, Countee Cullen, and the fictional Nathan Brown) praised Black music and co-wrote some famous music and lyrics. But I'm not even going to venture a guess about the intended target of Reed's satire in the character of Hubert "Safecracker" Gould, Von Vampton's colleague who delivers the hilarious epic poem, "Harlem Tom Toms" (for BJF) to a high-society audience.
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4.0 out of 5 stars read this book !, Oct 7 2002
By 
Sreedom (Honolulu, HI USA) - See all my reviews
This review is from: Mumbo Jumbo (Paperback)
this is the first book by ishmael reed i have read and it was great. a tour-de-force of language and sound, this book makes obvious the absurdity of the current and past state of race relations in this country. although the narrative structure is unorthodox, this is really not a difficult book to follow in terms of storyline, at least for anyone who has an open mind and isn't expecting to be spoon fed a plot. the basic battle here is between the new religions of sterile GOD and the old ones of animism, gods and demons, but really this is about holding on to that unmeasurable quality that we call SOUL. read this book with an open mind and i promise you will laugh or at least smirk to yourself on several occasions, and it may just make you want to thrust your hips and twist and shake your bootie in defiance of all those who wish to suppress that primal urge that lives within us all.
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