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The premise of the play reveals Neil Simon's satirical intent: the characters are all caricatures of famous fictional detectives: Inspector Sidney Wang (Peter Sellers ) as a Charlie Chan type; Sam Diamond (Peter Falk) as a Sam Spade type; Inspector Milo Perrier (James Coco) as a famous Belgique detective of similar name (Agatha Christie's Poirot) who could also be Georges Simenon's famous French detective (except that he cries out, "Not Frenchie--Belgie!"). The absurd plot begins as the detectives motor toward Twain's haunted, fog-shrouded castle in northern California for a dinner that is never served. Everything is played as a farce ("farce --n. 1. a comedy based on unlikely situations and exaggerated effects." --Random House College Dictionary) and everybody tries to ham it up. I particularly liked Peter Sellers as the Chinese Wang with his #3 adopted Japanese son in tow. Alec Guinness plays the blind butler ("The butler did it!") while Nancy Walker has a small part as the blind and deaf cook. David Niven is mildly amusing as the debonaire Dick Charleston who, unbeknownst to his wife (Maggie Smith), has only a buck-seventy-some in his tuxedo pocket (and some stamps) after going through some of her millions.
Representative joke: When asked by his #3 adopted Japanese son why HE has to clean up the dead body, Inspector Wang tells him, "Because your mother isn't here." By the way, the makeup on Peter Sellers ("Inspector Slanty," according to Sam Diamond) is especially well done. As usual Peter Sellers manages to look more like the character he playing than himself, so much so that one needs to do a double take to realize it is Peter Sellers at work.
One of the problems with a movie like this is that all the actors are trying to upstage one another and every line and pratfall is played as MY moment in the spotlight so there is little contrast around which to frame the best bits. Still, afficionados, especially those viewing this repeatedly, will find plenty to crack up about.
See this for Neil Simon, one of America's most popular playwrights, whose semi-sophisticated, upbeat comedies delighted theater and movie audiences for several decades beginning in the Sixties. I particularly loved The Out-of-Towners (1970) with Jack Lemmon and Sandy Dennis; The Good-bye Girl (1977) with Richard Dreyfuss and Marsha Mason; and the unforgettable The Odd Couple (1968) starring Jack Lemmon and Walter Matthau. Simon and Peter Falk followed this up with The Cheap Detective (1978). Incidentally, Falk's work here and in The Cheap Detective and in a couple of earlier Columbo movies served as a proving ground for his long-running TV hit Columbo.
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