From Publishers Weekly
Set in Greece in 650 B.C., this cleanly plotted tale featuring a young priest named Bias as detective is so simply told it might almost be aimed at the young adult market. The city-states of the Ionic Greek league have gathered their champions for a series of games, when a star athlete dies during the opening rites in the Panionion. This temple, where Bias serves as a subpriest, is where bulls are sacrificed to Poseidon and governing councils are held. Since his aristocratic family has fallen on difficult times, Bias labors to earn money to preserve their farmland and provide dowries for several sisters approaching marriageable age. When he and another athlete, Endemion, catch the poison victim as he collapses, Bias is infected by "the miasma or pollution created by a murder, especially on sacred ground." The belief is that this miasma might endanger the games and the city-state, and it is suggested that Bias has a strong personal interest in solving the crime, to "cure" himself of the murder taint. "In that case, why can't Endemion be your investigator?" the young priest protests. "He is as polluted as I am!" Aided by Duryattes, a household slave, Bias sets out to interview his suspects, all belonging to influential families. Another death, in a chariot race, soon complicates his quest. The motives for murder are nicely tied to the period, but overall Edwards doesn't approach the current level for ancient mysteries set by Steven Saylor and others who publish with mainstream houses.
Copyright 2002 Cahners Business Information, Inc.
From Booklist
Bias, Second Priest of the Poseidon Temple in the island city of Priene, off the coast of Greece in 650 B.C., is the guy who does all the work and gets none of the credit. Now he must figure out who poisoned young Tyrestes, an athlete in Priene for the Panionic Games, a festival to rival the mainland's Olympic Games. Young Bias, clever but unassuming, must first establish a motive. Was the killer a rival athlete, a rival lover, or someone else? The possibilities are numerous, and the stakes become much higher when a chariot driver is killed after his axle was partially cut in half. Bias, through true to his time, is a detective created from the same mold as John Lutz's Alo Nudger, a thoroughly likable nebbish who hates violence and fears his own shadow. The period detail is fascinating (especially the elaborate social structure), the plot clever, and the humor surprisingly contemporary but never anachronistic. Let's hope sequels are in the making.
Wes LukowskyCopyright © American Library Association. All rights reserved