Product Details
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| 1. Fanfare |
| 2. Just A Boy |
| 3. Odyssey |
| 4. Only You |
| 5. Under The Rose |
| 6. Dark Light |
| 7. A World Without Heroes |
| 8. The Oath |
| 9. Mr. Blackwell |
| 10. Escape From The Island |
| 11. I |
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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars
KISS album with worst reputation deserves way better,
By
This review is from: Music From The Elder (Audio CD)
Following the departure of Peter Criss and the watered down but still rhythmic Unmasked album, the quartet came out with this concept album about a boy on a quest to defeat some evil power from taking over the universe. It worked for Pink Floyd and twice for the Who, so why not KISS? True, their use of the American Symphony Orchestra may have angered fans, but Ace's guitarwork, Gene's demonic voice, and new drummer Eric Carr's drums really support the album.After a horns and symphonic fanfare heralding the beginning of the tale, we get the first ballad, of the uncertain chosen one: "if hope are lost than so are we/well, some are searching for one to guide us/some are staring at me/But I'm no hero, though I wish I could be." Paul's falsetto works well here, as does Ace's guitarwork. That segues into one of my favourites, a romantic piano and strings ballad "Odyssey" detailing the voyage the boy goes through, across the galaxy, through the realms of time and space. The mid-paced number "Only You" reaffirms the boy as the chosen saviour, the one with the answers, and with connotations of a Messiah being: "you are the light and you are the way." Blonde Teutonic metal goddess Doro Pesch later covered this on her self-titled album. In "Under The Rose", the boy seems to be going under some testing or initiation. The chorus's basso operatic voices in unison add to the hallowed atmosphere of this number. Ace was disillusioned at the direction KISS's music was taking so he only contributed lead vocals to the more rocking "Dark Light," and his virtuoso guitarwork clearly shows the heavier direction he was aiming for. The solo is just as worthy as his one in the live version of "Shock Me" on Alive II. This song has the darkness and power of the evil force descending. Yet another symphony-enhanced ballad and favourite, the Gene-sung "A World Without Heroes" is something many of us seem to be living in: "in a world without dreams, things are no more than they seem/a world without heroes, is like a bird without wings/like a bell that never rings/a sad and useless thing." "The Oath" is the second heaviest song here, and thanks to Ace's guitar and Eric's drums, could enhance Destroyer or Love Gun. After the slow and chugging "Mr. Blackwell" about the villain of this album, the racing metal instrumental "Escape From The Island" courtesy of Ace. A definite candidate for Rock And Roll Over, and it'd be cool to hear this track live on a future collection. "I" has the boy ready to begin the fight as the chosen one after realizing his strengths. Some of the Star Wars mythos comes in: "I believe in something more than you can understand/I believe in me. Another hard rocker sung by Paul and Gene. It's interesting to see KISS returning to Bob Ezrin, who produced their hit album Destroyer, and three of the songs, "Dark Light", "A World Without Heroes", and "Mr. Blackwell" had Lou Reed, listed as Lewis Reed, contributing. The remastered version has the songs in presumably the original order, and hearing them that way, the story makes more sense. If one wants to reduplicate the way it was on the initial CD release, here is the sequence: 8,1,2,4,6,7,5,9,10,3,11. In retrospect, The Elder isn't as pathetic as deemed by KISS fans. Those who only see KISS as the group of Destroyer, Rock and Roll Over, or Lick It Up and Animalize, are being rather short-sighted. KISS's transition period beginning with the solo albums, leading into Dynasty and to Creatures Of The Night, was crucial to their development, as they try new things, at times I wonder if they daringly thought, "Let's pretend we're not KISS." The best album in their transition period.
3 of 4 people found the following review helpful
5.0 out of 5 stars
THE BEST! (Almost),
By RICK "rdthomp17" (Somewhere) - See all my reviews
This review is from: Music from the Elder (Audio CD)
When I put this CD in for the first time, I thought it would be a worthless piece of garbage. The reputation was terrible, and the cover was weird. I had gotten it from the library, so if it was bad I could just take it back. The first song, "fanfare," was just flutes and other instruments playing, and, it did sound neat, but it wasn't what I was looking for. I switched the song to The Oath, number 8, and was blown away. Awesome lyrics, heavy guitars, and an amazing Paul Stanley singing. Absolutely awesome.The CD is a terrific musical experience, and tells the story of a boy becoming a knight to fight evil. Dark Light has the best Ace solo you can find, and, excels also on Escape From the Island. This album sprung the amazing comic, KISS: PSYCHO CIRCUS by Image, and tells the story of the Elder excellently. This disk may sound a bit weird and dumb to those who worship HOTTER THAN HELL and DESTROYER, but is a great one for your collection. But be warned! This is not the first CD from KISS you should listen to. Wait until you're done with DESTROYER, then decide for yourself. I was also interested with what Donna had to say about the writing inside the pamphlet. I agree, it is very awesome, but not spine tingling. When she said that, did she mean scary, or very interesting? Either way, before you listen, read it. You're sure to get the idea of the music A LOT better. I won't hate this disk until GOD turns into a cucumber!
1.0 out of 5 stars
I was going to try to defend this album, but....,
By
This review is from: Music From The Elder (Audio CD)
even classic Kiss fanboys need to operate within the confines of reality. Sorry.Wow, where to begin? Ok, lets go through the key ingredients on how to make a brutal album: - Listen to the voices in your head that say, "We need to make a prog rock, concept album to boost our credibility. Lets give it a Lord of the Rings vibe" and, "I really dig Rush" - Hire a producer, Bob Ezrin, thats high off the success of an awesome concept album: Pink Floyd's 'The Wall' - Hire a producer, Bob Ezrin, thats high 24/7, snorting enough blow to choke-out a mule. - Your lead guitarist needs to stay home and send in his tracks on tape via courier. Why? He thinks this project is a horrible idea. Ignore him. He's got a bad attitude. - Melody and great hooks are nice and all, they've served us well in the past. But don't let them get in the way of the overall narrative of an album. This is the 80's. Time for sophistication. - Actually, lets not focus too much on the narrative either. If you are a hard-core Kiss fan and are willing to wade through the album, there are some decent songs here. Beyond that, however, this will be remembered as the true end of Kiss as a great group. Ace will soon quit the band. Gene obviously never quits, but he checks out of the creative process for most of the next decade. And that left Paul to soldier on, keeping Kiss afloat on his shoulders through the 80's.
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