Music for Harpsichord
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A celebrated keyboardist and composer under the ancien regime, Claude-Benigne Balbastre survived the French Revolution only to die in poverty a decade later. His multifaceted musical legacy continued the strong tradition of French harpsichord music wh
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Balbastre was certainly no Couperin or Rameau (with whom he studied) but there is plenty of excellent music to enjoy. Fairly typical of the period, Balbastre's Pièces de clavecin is comprised of little character portraits. These are filled with an equal mix of wit and tenderness. La Castelmore opens with a delicious imitation of country pipers while its second part is marked by its gentle sweetness. The balance of the recording features a sampling of Balbastre's Livre contenant des pieces de different genre d'orgue et de clavecin, a collection of 75 works for keyboard. Farr plays eight of the 24 works for harpsichord. She closes the program with the Marche des Marseillois et l'air Ça-ira, a set of variations on the revolutionary tunes la Marseillaise and Ça ira. It's a kind of bittersweet snapshot of Balbastre's place in revolutionary France.
Farr plays a big Keith Hill harpsichord with two buff stops. Perhaps not exactly the harpsichord Balbastre would have played--French harpsichords with 16' stops have not survived--but it sure sounds good. Big bass sound and tasteful use of the buff stops make this outstanding at every turn.
Elizabeth Farr plays very well here and is helped not only by the grandeur of a 16ft stop harpsichord but also the excellent sound engineering of Wolfgang Rubsam.
Well worth a listen!!