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Music Makers: Buena Vista Social Club [Import]


List Price: CDN$ 17.10
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Music Makers: Buena Vista Social Club [Import] + Buena Vista Social Club + Buena Vista Social Club Presents Ibrahim Ferrer
Price For All Three: CDN$ 46.08


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Product Details

  • Actors: Ry Cooder, Joaquim Cooder, Ricahrd Eques, Ibrahim Ferrer, Rubn Gonzlez
  • Directors: Wim Wenders
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 2
  • MPAA Rating: G
  • Studio: Lions Gate
  • Release Date: Jan. 12 2010
  • Run Time: 105 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (117 customer reviews)
  • ASIN: B002TVQ4AS

Product Description

Amazon.ca

Down from the Mountain
If you love the O Brother, Where Art Thou? soundtrack, D.A. Pennebaker, Chris Hegedus, and Nick Doob's exhilarating concert film Down from the Mountain will be sheer heaven. And if you're new to bluegrass and "old-time mountain-style" music, the performances will be a revelation. John Hartford, Emmylou Harris, Alison Krauss, Gillian Welch, the Cox family, the venerable Ralph Stanley, and other traditional and alt-country artists who contributed the music to the Coen brothers' spaced odyssey gathered onstage in May 2000 at Nashville's Ryman Auditorium to benefit the Country Music Hall of Fame. Interviews and rehearsal footage set the stage for this stupendous concert, highlights of which include "(Didn't Leave) Nobody but the Baby" by the sirens Harris, Welch, and Krauss; the Coxes' "(Will There Be) Any Stars in My Crown"; and Stanley's haunting "O Death." As one performer recommends, "Just ease in, sit down, and listen." It could be your salvation. --Donald Liebenson

Buena Vista Social Club
In 1996, composer, producer, and guitar legend Ry Cooder entered Egrem Studios in Havana with the forgotten greats of Cuban music, many of them in their 60s and 70s, some of them long since retired. The resulting album, Buena Vista Social Club, became a Grammy-winning international bestseller. When Cooder returned to Havana in 1998 to record a solo album by 72-year-old vocalist Ibrahim Ferrer, filmmaker Wim Wenders was on hand to document the occasion. Wenders splits the film between portraits of the performers, who tell their stories directly to the camera as they wander the streets and neighborhoods of Havana, and a celebration of the music heard in performance scenes in the studio, in their first concert in Amsterdam, and in their second and final concert at Carnegie Hall. The songs are too often cut short in this fashion, but Buena Vista Social Club is not a concert film. Wenders weaves the artist biographies with a glimpse of modern Cuba remembering its past, capturing a lost culture in music that is suddenly, unexpectedly revived for audiences in Havana and around the world. It's a loving portrait of a master class in Cuban music, with a vital cast of aging performers whose energy and passion belie their years. --Sean Axmaker


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Customer Reviews

4.6 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By A Customer on March 12 2004
Format: VHS Tape
A previous writer's comment, "The movie needs a story, a thread going all the way through," illustrates a major difference between North American and Hispanic thinking. While those of northern European descent tend to think and talk in a more or less linear fashion, as if following just one thread, Hispanics tend to think and talk as if weaving a tapestry of many threads. This film captures perfectly the tapestry effect in that you are not aware that a story is being told until the final scene at Carnegie Hall, when the impact, and the import, of the entire picture becomes crystal clear. You have to be comfortable with not knowing exactly where you are to handle this kind of exposition. If this is not a story of excellence forgotten and rediscovered, I don't know what it is. These people give me hope; their lives tell so many important stories! If I can create half the beauty in my old age as they do and have done with their music, I'll consider myself successful and fulfilled, indeed.
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1 of 1 people found the following review helpful By Cecil Fox on Jan. 18 2004
Format: DVD
If you have never been to Cuba, this is a mildly amusing documentary about a chapter in the history of carribean music. If, however, you have walked through the neigborhood of Buena Vista on 70th Street in La Habana or watched the sun go down from the Malecón at the mouth of the Rio Almendares this film will make your mouth go dry and your eyes water. Vim Wenders and Ry Cooder, quite by accident discovered a cache of musicians who had played in the forties in a Cabaret called the Buena Vista Social Club that is now long gone. They have common characteristics, they are old, they were forgotten and they were and are incredibly gifted. Some have now died in their eighties and nineties. They were rescued and recorded in the nick of time. The film is apolitical and was shot digitally without apology. The CD from the sound track sold gozillions of copies and raised the export of Cuban music and musicians to be a world treasure. The type of music is called "son" and arose from the Danzon (the big dance) of the early part of the century. Played by three to six musician with uncomplicated instruments, you get to meet each of them individually. Collectively, son is "guajiro" or country boy music. The stars, including Compay Segundo, Eliades Ochoa and the charming Ibrahim Ferrar will become perpetually embedded in your memory. Until this country comes to its senses you will be deprived of the experience of this touching world, but until then you can enjoy it vicariously at the Buena Vista Social Club.
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1 of 1 people found the following review helpful By A Customer on July 23 2000
Format: DVD
I am mystified by the reviews below - this is one of the worst documentaries I've ever seen!
Despite having access to all of the great musicians in the Buena Vista Social Club, WE LEARN NEXT TO NOTHING ABOUT THESE PEOPLE. In all honesty, I found out more about the musicians from the two page bios that were included on the "About the Musicians" section of the DVD, than I did from watching the movie.
Don't get me wrong, the music is great... but I have the CD! The great music was what caused me to buy this movie. I got the sense through the entire movie that it had been quickly thrown together to help sell more CD's.
I was hoping to find out more about the artists who made such beautiful music on the CD... What were their careers like? Who were their influences? What were the major events in their lives? How did Cuban culture influence them and their music? NO SUCH LUCK. We are treated to a short 2-3 min. synopsis of how each musician became a musician, and that's it - quick cut to a live performance of a song!
It's really tragic that the producers of this movie did not put as much effort into it as they did the CD (which is awesome). This could have been a really great documentary.
MY ADVICE TO PEOPLE WHO LIKED THE CD - IF YOU JUST WANT TO SEE SOME OF THE SONGS ON THE CD PERFORMED LIVE, THEN THIS IS FOR YOU, BUT IF YOU WANT TO FIND OUT MORE ABOUT THE ARTISTS WHO MADE THE MUSIC, I WOULD THINK TWICE...
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1 of 1 people found the following review helpful By Darleen Thorig on Aug. 21 2003
Format: DVD
I was told to watch this DVD by my daughters who were captivated by this documentary of muscial talents. I was not sure I would, could, relate to their "tastes" in musical and artist splender, until I watched the DVD of "The Buena Vista Social Club". Such an amazing story, such brillant musical tallent; it's impossible to describe! You have to see it to "experience" the "Buena Vista Social Club".
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By R. J. Marsella on Jan. 25 2004
Format: DVD
The film captures the live peformance of the wonderful musicians that were featured on the CD. From this perspective it is well worth owning. The ability to see Compay Segundo and Eliades ochoa perform Chan Chan live ,for example, is incredible.
The documentary style and the scenes of streetlife in Havana are also very colorful and entertaining,
However I must agree with some of the other reviewers that there is something off about Ry Cooder. I respect him for bringing this wonderful music and these artists the recognition they deserve but his attititude on film does seem strange and his guitar playing does not fit with some of the tunes. At one point he is performing with Rueben Gonzalez , the great Cuban pianist, and he sounds so out of place. In fact Gonzalez looks up from the keyboard with a look on his face that seemed to me to be saying."what are you doing?"
I guess Cooder might have made the choice to let the music of Cuba speak for itself and just be content to film it but he chose instead to feature himself too frequently for my taste.
That aside , this is still a fine documentary and a must for anyone who enjoys latin music.
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