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From Amazon
Rose Tremain deserves a hallelujah chorus dedicated to her alone. A decade after the appearance of Restoration, with its superb evocation of the British baroque, comes her glorious and enthralling Music and Silence. Like the earlier novel, this one is a treasure house of delights--as haunting as it is pleasurable and teeming with real and imagined characters, intrigues, searches, and betrayals. The vivid scenes loop in and out, back and forth, like overlapping and repeated chords in a single, delicious composition.
The year is 1629, and King Christian IV of Denmark is living in a limbo of fear for his life and rage over his country's ruin, not to mention his wife's not-so-secret adultery. He consoles himself with impossible dreams and with music, the latter performed by his royal orchestra in a freezing cellar while he listens in his cozy chamber directly above. Music, he hopes, will create the sublime order he craves. The queen, meanwhile, detests nothing more. The duty of assuaging the king's miseries falls to his absurdly handsome English lutenist, Peter Claire, who resigns himself to his (so to speak) underground success:
They begin. It seems to Peter Claire as if they are playing only for themselves, as if this is a rehearsal for some future performance in a grand, lighted room. He has to keep reminding himself that the music is being carried, as breath is carried through the body of a wind instrument, through the twisted pipes, and emerging clear and sharp in the Vinterstue, where King Christian is eating his breakfast.... He strives, as always, for perfection and, because he is playing and listening with such fierce concentration, doesn't notice the cold in the cellar as he thought he would, and his fingers feel nimble and supple.Other stories, each of them full of fabulous invention, intertwine with these musical machinations. There is the tale of the king's mother, who hoards her gold in secret; the tormenting memory of his boyhood friend, Bror; and the romance between Peter Claire and the queen's downtrodden maid, Emilia. And while the author paid meticulous mind to her period settings, her take on desire and longing has a very modern intensity to it, as if an ancient score were being performed on a contemporary (and surpassingly elegant) instrument. --Ruth Petrie --This text refers to the Hardcover edition.
From Publishers Weekly
As she proved in Restoration, Tremain can write literary historical novels whose period details encompass the social and intellectual currents of their time and place. This dazzlingly imaginative, powerfully atmospheric work is set mainly in 17th-century Denmark. One of the protagonists is English, however, and Tremain captures the sensibilities of natives of both countries. British lutenist Peter Claire arrives in Copenhagen in 1629 to join the orchestra of King Christian IV. Depressed after a doomed love affair with a soulful Irish countess, Peter finds his melancholy mood mirrored by that of the king, who is beset by both financial and marital crises. That fruitless wars and profligate spending by the Danish nobility have depleted the country's coffers is the king's public woe; privately, his heart is anguished by the behavior of his consort, Kristen Munk, who despises her own children, keeps her spouse from her bed and is carrying on with a German mercenary. Recognizing in Peter's handsome countenance a resemblance to a lost childhood friend, Christian declares that Peter is the "angel" who will help solve his personal and national problems. Tremain's complex plot is built in small increments. Excerpts from the brazenly selfish Kirsten's diary alternate with the points of view of dozens of others, including Kirsten's lady-in-waiting Emilia Tilsen. Kirsten deems Emilia irreplaceable and prevents her from openly acknowledging her feelings for Peter. Love--requited and thwarted, healthy and perverted, damaging and healing--is one theme of the novel, represented by six pairs of lovers. Love is inextricably tied to the power to enslave; perhaps it's a form of enchantment, of which another manifestation is music. Tremain builds her narrative via alternating voices blending like the solos of musical instruments. Threading irony among its many leitmotifs (Christian IV, for example, who understands that music can "lead to the divine," subjects his musicians to brutal living conditions), the narrative sweeps to a dramatic crescendo, with several characters in mortal danger and the prospect of tragedy everywhere. Yet it ends in felicitous harmony, a triumph of storytelling by a master of the art. 9-city author tour. (Apr.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
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First Sentence
A lamp is lit. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most helpful customer reviews
5.0 out of 5 stars
Just a pleasure, a masterpiece, a real work of art...,
By "cloudia" (Seattle, WA United States) - See all my reviews
This review is from: Music & Silence (Paperback)
You wouldn't think the author of Restoration would be able to or need to outdo herself. You wouldn't think the Danish court of the seventeenth century would provide content for such a substantially lyrical and visually evocative narrative of sentiment. From King Christian to Peter Claire, his lutenist, to the men and women whose lives they touch and whose lives they are caressed by, Tremain describes her characters with the utmost sympathy and respect for their individual natures however foibled. Ultimately a brilliant tableau will present itself before the mind's eye that demands above all a celebration of life in all its forms and times, even down to the myriad tragedies of destiny. A personal and philosophical novel that transcends any limitations as "historical novel" and becomes a colorful treatise on the wonder of the human spirit. Sublime.
5.0 out of 5 stars
Tremendous fun!,
By
This review is from: Music & Silence (Paperback)
This was my favorite read of 2001. I hadn't ever read a book by Rose Tremain and merely picked it up because I was on my way to Copenhagen from London on a business trip. I became so involved with each of the characters that I made a special trip to the palace where the fictional story took place, bought postcards of the people on whom the fiction was I presume loosely based, and remembered parts of the book as I passed through the rooms. I also went up the round tower thinking all the time of the storyline in which this tower took part. What I think is so amazing though about this book is not just the historical details but the sexy sense of humor throughout, the understanding of music and the meaning of music in people's lives, and the author's wicked depiction of the king's wife. I really couldn't put it down, longed to get back to it when I did, and mourned the end of the story. I tried to get by book group to read it. It is definitely a book group read. So many characters to discuss; so much history; and so much interesting sexuality! The whole thing was just delicious reading!
5.0 out of 5 stars
I;m hard to please and this book did it.,
By
This review is from: Music & Silence (Paperback)
I loved reading this book. It is thoughtful,sexy and divine all at once. I found myself underlining bits of insightful wisdom and wishing the story and characters could go on forever.
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