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Musical!: A Grand Tour
 
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Musical!: A Grand Tour [Hardcover]

Denny Martin Flinn
2.8 out of 5 stars  See all reviews (5 customer reviews)
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Many histories of Broadway musicals are on the shelves, most of them taking the predictable path of chronological order, or by composer. Denny Martin Flynn's history follows a rough chronology, but instead examines the development of musicals in chapters divided by dominant personality ("Jerome Robbins and Oklahoma!"), by discipline ("Lyrics," "Bookwriters"), or by genre ("Revues," "The Rock Musical"). Though oddly apocalyptic toward the end, given the recent vitality of musicals, the book offers a useful, fresh perspective on the 20th-century history of a magical art form.

From Library Journal

In the world of musical theater, everyone has an opinion, although few have expressed theirs as cogently and sharply as Flinn, author of the excellent What They Did for Love (LJ 6/15/89). The 26 chapters he presents here cover all aspects of the genre, from classical Greek performances to the present, without spending too much time on any one period. Students will find the general overviews useful, but the real audience for this marvelous book is the musical fan, who will adore Flinn's wealth of solid examples, particularly in the chapters on music and lyrics. How could one not like a book that unequivocally states that Lloyd Webber "has created scarce melodies for abysmal librettos and expensive, dismally choreographed extravaganzas"? Ganzl continues to churn out genre histories (Ganzl's Book of the Musical Theater, LJ 4/15/88; Ganzl's Book of the Broadway Musical, LJ 9/1/95), but there is still much to recommend this latest translation. Although he lacks Flinn's bite, Ganzl succinctly covers the same period in greater detail, with cast listings, plot summaries, and song information for select representative works throughout the years. The first third of this work, covering the premodern era, will be especially useful for theater students, but it is the latter sections that offer numerous surprises. How many serious theater works include data on The Rocky Horror Picture Show? Thanks to its wealth of trivia and sharp perspective, Flinn's is the superior work and is highly recommended for all theater collections; large subject collections will also want to add Ganzl's latest.?Anthony J. Adam, Prairie View A&M Univ. Lib., Tex.
Copyright 1997 Reed Business Information, Inc.

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Customer Reviews

5 Reviews
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Average Customer Review
2.8 out of 5 stars (5 customer reviews)
 
 
 
 
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4.0 out of 5 stars History in a page-turning format, Aug 2 2003
By A Customer
This review is from: Musical!: A Grand Tour (Hardcover)
I found this book to be much more interesting than other histories out there on Musical Theatre. There are some errors, and I disagree with the idea that the American Musical ended with Chorus Line, but all in all I found the book to be very entertaining.
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2.0 out of 5 stars Great intro, but not much else, Mar 7 1999
By 
This review is from: Musical!: A Grand Tour (Hardcover)
The introductory chapter on the history of musical theatre from ancient Greece to the 20th century is outstanding. I've never read any account that was better or more thorough. Unfortunately, that's the only strong part of the book. The rest of it is dull to read and contains many factual errors. Still, I'd recommend borrowing it from the library just to read the intro.
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2.0 out of 5 stars Somewhat enjoyable but where was Flinn's editor???, Jan 2 1999
By A Customer
This review is from: Musical!: A Grand Tour (Hardcover)
This book feels more like a collection of unrelated magazine articles than a book. A lot of the information is repeated (Funny Girl & Gypsy had the best overtures, pit bands are good, etc) and especially towards the end, the author goes from historian to strident critic.
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