My Dear I Wanted to Tell You and over one million other books are available for Amazon Kindle. Learn more

Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
More Buying Choices
Have one to sell? Sell yours here
Start reading My Dear I Wanted to Tell You on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

My Dear I Wanted To Tell You [Paperback]

Louisa Young
4.5 out of 5 stars  See all reviews (2 customer reviews)
List Price: CDN$ 17.99
Price: CDN$ 12.99 & FREE Shipping on orders over CDN$ 25. Details
You Save: CDN$ 5.00 (28%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Usually ships within 7 to 11 days.
Ships from and sold by Amazon.ca. Gift-wrap available.

Formats

Amazon Price New from Used from
Kindle Edition --  
Hardcover --  
Paperback CDN $12.99  
Audio, CD CDN $44.04  
Join Amazon Student in Canada


Book Description

May 18 2012

On the day in 1907 that eleven-year-old Riley Purefoy meets Nadine Waveney, he notes the difference between their two families—his, working class; hers, wealthier and artistic—and vows to better himself.

Nadine’s mother likes Riley as a young boy, but when, a few years later, she detects the romance budding between the two, she fears for her daughter’s future. Angry and humiliated, Riley enlists at the nearest recruiting station during the febrile first weeks of the First World War and ships for France.

While Riley and his commanding officer, Peter Locke, fight for their country, their sanity and their survival in the trenches of Flanders, every day Peter’s wife, Julia, undertakes ever more neurotic rituals to prepare for her beloved husband’s return. Then when he does return on leave, she finds him distant, changed and damaged, beyond the scope of anything she can do.

Nadine, only eighteen when the war starts, above all wants to make promises—but how can she when her future with Riley is completely out of her hands? Youthful passion is on their side, but their bond is tested by a terrible injury, and even more so by the imperfect rehabilitation that follows.


Customers Who Viewed This Item Also Viewed


Product Details


Product Description

Review

"An epic love story, a grim war chronicle, a class study, a heartwarming tale of overcoming...Young?s page-turner has Masterpiece Classic written all over it...Young, a graceful and light-handed writer, offers a powerful account of war...A literate, moving wartime tale in which love triumphs over despair."
- Kirkus Reviews () --This text refers to an alternate Paperback edition.

From the Back Cover

The lives of two very different couples—an officer and his aristocratic wife, and a young soldier and his childhood sweetheart—are irrevocably intertwined and forever changed in this stunning World War I epic of love and war.

At eighteen years old, working-class Riley Purefoy and “posh” Nadine Waveney have promised each other the future, but when war erupts across Europe, everything they hold to be true is thrown into question. Dispatched to the trenches, Riley forges a bond of friendship with his charismatic commanding officer, Peter Locke, as they fight for their survival. Yet it is Locke’s wife, Julia, who must cope with her husband’s transformation into a distant shadow of the man she once knew. Meanwhile, Nadine and Riley’s bonds are tested as well by a terrible injury and the imperfect rehabilitation that follows it, as both couples struggle to weather the storm of war that rages about them.

Moving among Ypres, London, and Paris, this emotionally rich and evocative novel is both a powerful exploration of the lasting effects of war on those who fight—and those who don’t—and a poignant testament to the enduring power of love.

--This text refers to an alternate Paperback edition.

Inside This Book (Learn More)
Browse and search another edition of this book.
Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
Search inside this book:

Customer Reviews

3 star
0
2 star
0
1 star
0
4.5 out of 5 stars
4.5 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars Five Stars Aug. 22 2014
Format:Kindle Edition
Excellent piece of writing. Beautiful style, very compelling story about love in wartime.
Was this review helpful to you?
4.0 out of 5 stars A Fascinating Read Dec 20 2011
By Lydia - Novel Escapes TOP 500 REVIEWER
Format:Paperback
I found My Dear I Wanted to Tell You equal parts fascinating and horrifying. Although heavy with romance and war, this novel portrayed none of the romance of war. It took me a while to sink into the plot and the characters, but once I did they appeared in my thoughts when I put the novel down and although I enjoyed this novel and thought about it when I wasn't reading it, I felt it could have been much more captivating.

I didn't anticipate this war story to be so heavy on the romance, and at times I wasn't too sure of Riley and Nadine's love, feeling it was never fully developed before he heads off to war. This storyline however was diluted juxtaposed against the unravelling of Julia and Peter's relationship, and Rose's lack of marital options, without which I suspect this novel wouldn't have worked.

This novel further opened my eyes to how an entire generation was altered and affected by the war, especially how women's roles shifted during the void the men left. This was especially evident with the dotting housewife, Julia, struggling with the feeling that she had no purpose with her husband away and striving to be the perfect housewife for his return. I loved how Rose, who was never expected to marry and felt ineffective because of it, suddenly felt she had a place in the world.

I was left wondering throughout how all the characters were going to piece their stunted lives back together, whether they even could or wanted to. I thought the ending was well written, but will refrain from explaining why as not to ruin anything, I did find the last scenes interesting and even left me wanting a bit more, although I don't know if it would have even been appropriate to go beyond the point the author did.
Read more ›
Was this review helpful to you?
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.9 out of 5 stars  74 reviews
12 of 13 people found the following review helpful
5.0 out of 5 stars An Epic Story of Love and War March 23 2011
By Jeanne Anderson - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
This is a beautifully written book about life in Europe at the turn of the twentieth century, when WWI broke out. Riley and Nadine meet in London when they are young children and have an instant connection. Nadine is from a "posh" family and Riley is just a commoner. A series of events through the next few years results in Riley joining up and going off to fight in France.

Ms. Young does an excellent job in my opinion of capturing a time and place in history. I have read other accounts of this War but none that captures it so vividly. Following these two young adults and their journey of love and loss during the most difficult, unexplainable tragedies that they face was for me like being there with them. It is written that well.

There is also Peter and Julia, a married couple who have also been separated by this War. Their capacity to handle the atrocities they are faced with because of the war is effecting them in a very different way than Riley and Nadine. They live outside themselves and the horrors of this war. Nadine and Riley are living in the reality of what they are dealing with and share and understand. The author displays how people are so different and are sometimes just hanging on by a thread.

Then there is Rose, a nurse, Peter's sister and a woman most likely to never marry and have children and dealing with all of this in her own way as well.

I truly loved reading this book and can still feel the hearts and souls of these people within me. Fantastic!!
7 of 8 people found the following review helpful
5.0 out of 5 stars Exquisite. Brutal. Stunning. March 30 2011
By Dienne - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
Through a happy accident, ten-year-old, "common-as-muck" Riley Purefoy gets taken in by the aristocratic, artistic Waveney family. Through them, he gets a position in, and basically grows up in, the home of Sir Alfred, an older artist who needs help with his studio. He also grows up with the bright and practical Nadine, the Waveney's young daughter. However, in a fit of boyish pique after their relationship is forcefully halted, Riley joins the army and serves in the trenches of World War I Belgium and France. As a "good soldier, decent bloke", and because of his knowledge of the arts, Riley attracts the attention of his commanding officer, Major Peter Locke. The story explores the tentative hold of love and relationship in the midst of war as it shifts between and among Riley and Nadine, Peter and his wife Julia, and Peter's sister Rose.

I was surprised to read the tepid and even negative reviews already posted. Each to his/her own, I suppose, but I was entranced from the first few pages of the book. I didn't want to stop for so much as a breath. Or actually, sometimes I simply couldn't come up for air. I found the characters engaging, understandable, human and likable. Ms. Young understands her characters, their motivations, their limitations and their foibles, so even when they behave in unlikeable ways, I still found myself liking them as humans caught in inhuman suffering.

In my opinion, what some are describing as a lack of character development is actually part of Ms. Young's point. She is writing about a society on the verge of change - from the Victorian period to the post-World War I era. In the Victorian period, social roles were tightly defined - the role of the gentleman, for instance, or, even more constraining, the role of the beautiful, delicate aristocratic lady whose sole permitted useful function is to be beautiful for her husband.

In that light, Julia's vanity and shallowness are perfectly understandable - her beauty is all she has (and, to her credit, she knows it). The entire focus of the country is supporting the war effort, everyone contributing his or her bit. But what does a beautiful, delicate noblewoman have to contribute to a war effort? Her beauty and "perfection" is not appreciated (openly, anyway) by the only one for whom it is intended - indeed, he cannot appreciate it considering the ugliness of the horror he is surrounded by and which he plays a role in conducting, as he is an officer responsible for leading other men into the horror.

As the older characters in the book, Mr. and Mrs. Waveney represent the old guard, the old ways. The have always existed in a world of appearances, and will continue to do so even as that world fades away.

Julia and Peter represent the bridge between the old and the new orders. They struggle between the appearances of their social position and the reality of the horrors that war has exposed. They have no prior experience of genuineness - of doing anything other than keeping a stiff upper lip. They struggle to maintain their "love", but such love is based on positions and appearances, each fulfilling their roles. But Peter's service in the war, seeing common men fight and die (and die horribly) for their country, and encountering a love of arts in common-as-muck Riley tears a hole in Peter's foundation, rips the façade from all appearances. Will Peter and Julia succeed and adapt to a world without pretense? Will they find a genuine connection to pull them through? Well, you'll have to read the book and decide for yourself.

Incidentally, Rose is also party if this transitional generation, but her adaptation is, rather oddly, made easier by her lack of standard beauty. She has never been constrained by the role of the beautiful aristocrat because she's never been beautiful. All her life this has been a curse and a hindrance, but she now sees that it is a blessing. She has always had to find a different role for herself, and now that role is "useful".

As the youngest characters, Riley and Nadine represent the new order, the successful transition. Having been born "common-as-muck", and having learned the role of the officer and the gentleman later in life, he has always been more fluid in his role, able to be who and what he needs to be for the situation, although not necessarily always what he might want to be. Hence, he is just as adaptable in the trenches as he was in Sir Alfred's studio. Having been raised around Riley, and having watched him learn his role and develop a genuine love of beauty and the arts, Nadine is quick to question - even scorn - the English class system. She, more than Riley, sees through the phoniness and pretense of it all and insists on honesty. "Are you going to be English about this?: she demands of Riley when he is embarrassed by talking of sexual matters. Honesty, as Riley finally learns, is the only way to face reality and, hence, he and Nadine just might make it work despite - or maybe because of - their class differences.

Speaking of faces, I love the use of the face as a symbol, particularly in the parallel development of Riley's and Julia's character. It is difficult to say much without spoiling the story, but it is rich with meaning.

Ms. Young's prose is spare, but evocative. Her tone is pitch perfect as she describes gestures and subtle communication between the characters and the thoughts that fly through their minds. Ms. Young does not beat her readers with a hammer to tell us exactly what she's talking about; she trusts us to take a hint. And she can describe a subtle interaction between characters with just a few well-chosen words, which would have taken Victorian writers whole pages to elaborate.

It also appears that Ms. Young has done her homework. Her descriptions of both aristocratic life and life in the trenches and the nursing hospitals rings true, and I felt like I was there. Furthermore, I'm very impressed with her knowledge of WWI era reconstructive surgery and her ability to convey it in clinical yet understandable language.

Finally, while this book is clearly about World War I, it is just as clearly about more than that, just as "The Crucible" is about more than just the Salem Witch Trials. Ms. Young is also writing to and about her own world. Then, as now, seemingly half the world was struggling with how to behave "normally" while the other half are busy slaughtering each other. How do we make sense when there is no sense to be made? "We" must defeat "them" before they invade our own soil and do unspeakable things, but, as Riley muses, how different are "they" really? How can we trust our leaders about "them", when our leaders are the ones leading us walking slowly into gunfire?

There are many other aspects of this book I'd love to discuss (and gush about), but I'll stop here and simply invite you to read it for yourself. Notwithstanding the other reviews, I truly enjoyed this book and recommend it highly. Give it a chance - at 300 rather brisk pages, you have little to lose and much to gain.
4 of 4 people found the following review helpful
4.0 out of 5 stars War Wounded March 23 2011
By Roger Brunyate - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
This World War I love story makes no claims on greatness -- it will be marketed explicitly as a romance -- but I read it with tears running down my cheeks. Of course I am British, and the setting and genre made me entirely comfortable. These are my people, my corner of England, my father's war. This is the kind of novel they have been writing since the first war ended. They still do, actually; this is the world of the earlier MAISIE DOBBS books, and many literary novels such as Ian McEwan's ATONEMENT and A. S. Byatt's THE CHILDREN'S BOOK call on the same tradition. And this is a very strong book of its type; the war scenes are believable, the major characters are sympathetic and well-rounded, and the emotion flows freely.

It begins in Kensington Gardens with the meeting of two eleven-year-old children, Nadine Waveney and Riley Purefoy. Nadine's cousin throws a snowball that knocks Riley off balance into the Round Pond; her mother brings him into their nearby house to dry off. They come from different backgrounds (this is an English story, after all): Nadine's father is a famous conductor, Riley's is a fireman. But other circumstances intervene. Riley is asked to pose by a painter friend of the family, and is virtually adopted by the older man; Nadine visits regularly for lessons. Then war breaks out, ending their idyll just as they are beginning to acknowledge their attraction, at least to themselves.

A parallel story takes place in Sidcup, Kent, where a handsome English gentleman, Peter Locke, lives with his lovely new wife at Locke Hall, commuting occasionally to the City for meetings at his family firm, Locke and Locke. He too will volunteer for Flanders, where he will become Riley's commanding officer and later his friend. Young's choice of Sidcup (now a rather undistinguished London suburb) is not random; it was the site of the hospital where the New Zealand plastic surgeon, Harold Gillies, performed his pioneering work of facial reconstruction on injured soldiers. Young's title is actually the first line of the army form letter sent by wounded men to their next of kin, and each of the characters will either be wounded by the war (though not necessarily physically), or work with the wounded to begin the slow work of reconstruction.

It is not a perfect book. Peter's wife Julia is a less rounded character than the others, and one feels she has just been included to complete the theme. The pace slows down too much at the halfway point, relying too much on inner monologue rather than speech and acting. And then the final sprint seems a little too rapid to be believable. But when Young ends the book (in tribute to the celebrated close of Joyce's THE DEAD) with the words "...a healing silence from which some peace might be redeemed," we too feel the possibility of redemption. Much has been broken, much has changed, but much can yet be repaired.
6 of 7 people found the following review helpful
4.0 out of 5 stars Well written historical novel -- so well written that it's disturbing March 27 2011
By Esther Schindler - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
The 4 stars I give this book are an average of 5 for literary excellence, and 3 for story. Or maybe 4. I'm uncomfortable with any rating I might give this book, because Louisa Young's book is brutal in its detail... and the excellence of the writing made me uncomfortable with the "reality" of the people she writes about.

Maybe it's just a matter of expectations. The book's blurbs make it sound as though this is a historical romance set during World War I. And yes, there are two main romances; yes, it's set in World War I; but oh boy this is not my idea of Romance Novel. If you're looking for a nice sweet boy-meets-girl novel, this isn't it. Think of the book, rather, as a realistic literary historical novel that happens to include a love story, and you'll be closer to the mark.

Basic storyline: Boy meets Girl when they are both children. He's from a working-class family, she's from the upper crust. Events conspire to give the boy wonderful opportunities in Art. Until the war comes along... and he joins up. Things get ugly. Really ugly.

Somehow I've been reading a lot of books set in a World War I time frame, lately, such as Jacqueline Winspear's Maisie Dobbs mysteries and Laurie King's Touchstone (both recommended, by the way). And as harsh as those authors can be about the War, most often they discuss its longer-term effects. My Dear I Wanted To Tell You drops us in the thick of the battles and how people cope with them (or fail to do so), and Young pulls very few punches. It was during this period that doctors first began to make strides in plastic surgery, for example, and the author tells us how the process worked in detail. It was fascinating, but far from comfortable reading. The nature of fighting a war is written as though it's meant to leave scars, too. "Under the unwritten, unspoken laws of the great mute conspiracy that all of this was all right and not against the laws of nature, certain things had to be not known. Soldiers, for instance, did not mention over tea at home the corpses of young boys floating down flooded trenches, half eaten by rats."

Like I said -- not exactly your typical historical romance. But if you like your historical novels gritty, you won't find a better example.

The writing is really wonderful, in a literary sometimes self-conscious way. "He came straight to her [at the railroad station], following an arrow through the crowd. She saw him coming and the lurch inside nearly cast her off her rail. His kitbag fell to the floor as he snaked his arm round her waist and there was a tiny perfect pause before he kissed and kissed and kissed her."

And yet -- I didn't wholly love most of the characters. Also, I felt somewhat unsatisfied by the eventual resolution of the tale. I'm not used to feeling so unsettled by a novel.

The end result is that I admire the writing and the realism of this story; Purefoy's and Locke's experiences in the trenches are likely to give me a few nightmares. But I don't feel as though I must press this book upon you... particularly if you're looking for nice clean entertainment.
8 of 10 people found the following review helpful
4.0 out of 5 stars Swing and a miss March 27 2011
By Gone2lunch - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
I enjoyed this book while I was reading it, but afterward felt a bit cheated. The author is so intent on her premise about functional and dysfunctional marriages that the characters sometimes come off as illustrations for a thesis rather than fully fleshed individuals. The book is set during WW I, a time of tremendous shifts in social mores and changes in morals, manners and dress, but while we are told about war-induced changes in secondary characters, we're not really shown their metamorphoses. The main characters, conveniently, are creatures of the new world from childhood on - they are immediately entranced by the impressionists their art teacher decries, they never for a moment struggle with the class distinctions that define their elders, and so on. Perhaps deliberately, the author avoided giving us any real feel for the period. Aside from a reference to clanking plumbing, and a detailed description of some lingerie, everything could as easily have been set now as then. If the point is to illustrate the central moral, this was a good choice; if it was to present a WW I memoir that leads the reader to the author's conclusion, it's less effective. The plot was appealing but improbable in spots. None of this is fatal to the reader's enjoyment, though. It reminded me in a way of Dorothy Sayers' Wimsey/Vane pairing - two impossibly perfect counterparts who work together beautifully to tell a story without ever turning into fully formed, compellingly realistic characters in their own right. If this sounds negative, I can only repeat that I enjoyed the book and actually blew off the first hour of a party in order to finish it. On its own terms, it's a well written exploration of what makes a relationship work or fail and a nice little page-turner.
Search Customer Reviews
Only search this product's reviews

Look for similar items by category


Feedback