From Amazon.co.uk
"Nostalgia is my vice," admits Isabel Allende in
My Invented Country. A question about nostalgia propels an exploration of her past, including the complicated history and politics of Chile, where she spent the better part of her childhood. Despite her strong connection with Chile, Allende says she has been an outsider nearly all her life. Her stepfather was a diplomat, so her family moved quite frequently. However, in her travel diary Allende compares everything to Chile, her "one eternal reference" point.
"From saying goodbye so often my roots have dried up," she notes. She successfully reclaims them, however, through two channels. Allende relays anecdotes about what she calls her untraditional family--whom she has based some of her novels upon, including The House of the Spirits. Like a few of her novels, though, her own story is lost in heavy policy analysis. Interspersed among her ancestors' tales is an all-too-exhaustive report of Chile: the terrain, its people, customs and language, its heroes and villains and its government.
Allende fled Chile after the military coup on September 11, 1973. Twenty-eight years later and now living in the United States, she is haunted by this date when terrorists attack New York City and Washington, DC. Allende admits that the place she is homesick for may have never existed. In spite of that, Allende asserts that she can live and write anywhere: "I don't belong to one land, but to several, or perhaps only to the ambit of the fiction I write." The irony is that she steadfastly has "one foot in Chile and another here". --C.J. Carrillo, Amazon.com
From Publishers Weekly
Allende's novels-The House of the Spirits; Eva Luna; Daughter of Fortune; etc.-are of the sweeping epic variety, often historical and romantic, weaving in elements of North and South American culture. As with most fiction writers, Allende's work is inspired by personal experiences, and in this memoir-cum-study of her "home ground," the author delves into the history, social mores and idiosyncrasies of Chile, where she was raised, showing, in the process, how that land has served as her muse. Allende was born in Peru in 1942, but spent much of her childhood-and a significant portion of her adulthood-in Santiago (she now lives in California). She ruminates on Chilean women (their "attraction lies in a blend of strength and flirtatiousness that few men can resist"); the country's class system ("our society is like a phyllo pastry, a thousand layers, each person in his place"); and Chile's turbulent history ("the political pendulum has swung from one extreme to another; we have tested every system of government that exists, and we have suffered the consequences"). She readily admits her view is subjective-to be sure, she is not the average Chilean (her stepfather was a diplomat; her uncle, Salvador Allende, was Chile's president from 1970 until his assassination in 1973). And at times, her assessments transcend Chile, especially when it comes to comments on memory and nostalgia. This is a reflective book, lacking the pull of Allende's fiction but unearthing intriguing elements of the author's captivating history.
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