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5.0 out of 5 stars
A Pleasant, Awesome Regression--No Equal!, Jan 26 2004
This review is from: Mystic Chords & Sacred Spaces (Audio CD)
Ah, how the ignorant voice their lack of understanding of this masterpiece--anyone who does not recognize the sheer genius of this brilliant composition. Strangely reminiscent of Roach's previous works "Dreamtime Return" (1987) and "Quiet Music," (1989), pleasantly blended with the floating melodies of "Solitaire: Ritual Ground," (1991) it would be woefully inexcusable to miss this unique, inimitable recording. For a while Roach was digressing into the mysteriously haunting, utterly creepy sounds akin to Robert Rich's dark and gloomy "stalker" (which was so eerie I had to expunge it from my collection; it was like being trapped in the soundtrack to "The Blair Witch Project--thank God I EsCaPeD!). Since I first discovered them back in the 80's, I was hopelessly hooked on Roach. He presents a reprise into the subconscious, for which I now notice a new generation beginning to take notice of his musical magnificence. He has humbly dipped into his previous experience and brought back this ambience for us to enjoy that serves as a way in which to relieve stress, insomnia and as a cure for mood swings, anxiety, depression and short tempers. Face it, this album is therapeutic. It helps me to be a better person. Clearly it was meant to be enjoyed in private with a good pair of headphones, with repeat on--it functions fabulously as a circular ereathral composition, without beginning, without end, comprised of masterfully arranged waveforms that release the mind's inner desires to find peace in an unsettling, paranoid world. Steve, I want to party with you brother. A little less I talk now, a little more I listen to what you have created just for me--something that causes others to wonder what my secret was to a calmer, more energetic self.
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4.0 out of 5 stars
I keep coming back to this..., Nov 20 2003
By A Customer
This review is from: Mystic Chords & Sacred Spaces (Audio CD)
I always thought of Steve Roach as the "deserts and digeridoos" sort of guy, which has never really been my cup of tea, but anyway I came across this disc and purchased it on a whim. Upon first listen I was digging the textured ambience and churning synths of disc one- all the while waiting for the clay drums and chaka flukes to bust in. But they never did. In fact, the entire disc droned away for more than an hour without even a hint of percussion. Just the hum, the throb of LFOs to keep the time. So, I figured, OK... Disc two will be all about the percussion and hypnotic rhythms. Again, no dice. But wait... something is going on here, I thought. There is some real depth and texture to these drones, something memorable and substantive. This is no new age twaddle. This is pure sound hypnosis, like Eno used to do. So, I keep going back. I fall asleep to this disc almost every night now. It has worked itself into my life. Something is going on with these discs that makes me want to listen all the time. I think there must be some buried messages or something.
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4.0 out of 5 stars
Universes of Sound, Nov 11 2003
This review is from: Mystic Chords & Sacred Spaces (Audio CD)
In the autumn of 2002, the indefatigable Steve Roach carved a new path in his ambient explorations with Darkest Before Dawn, a barren, pitch-black soundscape which sounded alternately like a slow-motion journey to the edge of the universe and a sonic portrait of an aged post-apocalyptic landscape here on Earth, and was recognized by many as his most significant work since The Magnificent Void. A recording which has more in common with certain current European electronic experimenters rather than the "old school" ambient musings of Brian Eno, Roach moved beyond the faint melodic constructs of "Void" and instead concentrated on pure textural waves of sound which culminated in imposing clusters of Scriabin-like "mystic chords". Despite any technical or compositional advancement to his credit, what remains central to the quieter side of his music is a dedication to the exploration of the pathos that exists at the heart of the collective unconscious, a Jungian approach to sound that can be heard in his earliest ambient works, beginning with Structures From Silence. With Mystic Chords & Sacred Spaces, Roach continues the discoveries and ruminations of Darkest Before Dawn by mixing consonance and dissonance in new and intriguing ways. The 15 compositions on this set, from "Palace of Nectar" to "Nameless" present what could only be described as "sonic landscapes" in the truest sense of the phrase, music which has neither a definable beginning or end, akin to being in a museum where one is viewing all of the details of a painting for several minutes then moving on to another painting without interruption. The first disc, titled Mystic Chords & Sacred Spaces, contains the brighter and more consonant music of the set, with the slowly-revolving "Oracle" bringing to mind some of the recent ambient music of David Parsons, notably the lighter moments of Parikrama and Maitreya. The darkest moment on the disc is "Within the Mystic", where Kathryn Gunziner's cello melds with Roach's reverb-drenched waves of chords in a dance of subdued passion...the beginning of the track is one of the most haunting moments in Roach's entire repertoire. The hopefulness of Disc One is replaced by the pensiveness of Disc Two, titled Labyrinth. This is clearly the most significant disc in the set, perhaps one the most brillant examples of ambient electronica yet produced. Beginning with the Quiet Music-influenced "Wren and Raven", Roach takes us to the unsettling austerity of "The Otherworld" and "Wonderworld", pieces which combine the cosmic drama of The Magnificent Void with the metallic barreness of Darkest Before Dawn. After we cross this forbidding threshold, the listener enters the glistening and reassuring realm of "Dream Body", a state of mind which reappears on "Soulwave" and "Nameless" which concludes the disc. For the past few years now, Roach has produced a series of works that may signal the end of his Dreamtime Return-influenced, techno-tribal works of the past decade. Mystic Chords is the strongest example yet of what could be a re-examination of the possibilities inherent in ambient electronica for many years to come. (Note: Keep in mind that Part Two of this set is only available through Roach's website [www.steveroach.com] and Projekt Records)
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