NEW Bridge Too Far - Bridge Too Far (Blu-ray)

While Patton was in the south, pushing through France on the backside of the old Maginot line, Montgomery hit upon an idea to seize a series of bridges across the various rivers that made up the geography of the Low Countries, all the way up to Arnhem, one of the northern-most major bridges across the Rhine, a bridge outside of German territory, but a good jumping-off point for invading northern Germany. His plan won approval, and in one of the largest military operations of the war, a major push was developed to secure the bridges. This had the largest airborne component of any battle in the war, as troops were airlifted and dropped into position around each bridge, charged to hold the bridges until ground forces pushed northward linking up logistic and defensive lines toward each spot.

Operation Market-Garden was actually two operations -Market was the airborne component; Garden was the ground component. It was meant to take the Germans by surprise (which it did) and exploit their disorganisation (which was, sadly for the Allies, not as severe as intelligence predicted). The Allies were stopped short of their primary military objectives (securing an 80-mile corridor of bridges) by some 25-30 miles. Hence the name of the film, derived from the book by Cornelius Ryan, 'A Bridge Too Far'.

- Film -
Cornelius Ryan's book was adapted for the screen by writer William Goldman and director Richard Attenborough, a leading director of British cinema, noted for such diverse films as Gandhi (for which he won an Oscar), A Chorus Line, Cry Freedom, and Shadowlands. Attenborough was nominated for a BAFTA directing award for 'A Bridge Too Far' in 1978. Attenborough is also well-known in front of the camera, too.

Attenborough brought together a monumental cast for this epic film, worthy of Cecil B. DeMille in scope and size. At just under three hours in length, it is as unrelenting as the combat scenes it depicts. While not matching the graphic realism of films such as 'Saving Private Ryan', it nonetheless does a good job at combining a look at grand strategies (from formation to failure), tactical maneuvers, and individual combat situations. The high command in Britain, hoping to capitalise on the continuing disorder in Germany arising from their adjustment to fighting a losing war on two fronts (three, in fact, if one includes Italy), saw the opportunity to strike. Through a series of misfires and misunderstandings, they end up fighting not local police forces (the Netherlands had been spared intense battleground warfare for most of the war, and thus was thought to not contain any real combat-strength troops) but crack Panzer division placed there, essentially on a rest stop before being deployed in more critical areas.

The planning and preparations are realistic, from a look at the intelligence gathering and analysis (these were the days before satellite imagery), the gathering together of equipment and personnel, the execution of the operations, and the demoralising realisation that Operation Market-Garden is not going well. One of the most outstanding scenes involves General Stanislaw Sosabowski (played by Gene Hackman) discussing the operation with his superiors - Sosabowski, a general of the Polish forces in exile in England, distrusts the operation, for good reason, but acquiesces to support the plan. His uneasiness is palpable.

The cinematography is terrific, considering it was done largely without 'trick' shots - no helicopter shots, no CGI graphics, no slow motion or composite tricks. The airborne drops are breathtaking, giving the thrill and the danger a realistic tone. The film does not depict glider landings (some of the most dangerous types of drops, and presumably because of this danger, omitted from the filming). The desperation of the men who land without their equipment (or miss the airdrops later due to failed communications) is easily felt - the sense of the waste of war is driven home when one soldier sprints to get some desperately needed supplies that have fallen just outside of the secure zone - being shot by a sniper, the sense of futility is underscored by the breeze blowing soldiers' caps (which was the contents of the supplies for which the soldier paid with his life) drifting away.

The acting is stunning in many instances, but for the most part it is the usual good job rather than outstanding that one might hope for from such an elite group of actors. The music is memorable and appropriate. One drawback is that the editing of the film makes it a bit confusing to keep the various storylines going, particularly if one has studied the sequence of events in World War II history, which, while followed as a pattern, is not adhered to with rigour in the filming.

- Conclusions -
Operation Market-Garden was conceived as a plan to get the troops 'home for Christmas', hoping to secure a passage into Germany prior to the winter, to force them into surrender. As history would have it, there were major battles to fight before the war would finish the following summer. This film captures a significant campaign in good format, showing the operational and human aspects in a high relief.

The problems go far beyond the action sequences. As most know, the film features a huge cast of stars, including Sean Connery, the excellent Anthony Hopkins (the best actor of this cast), Gene Hackman, Robert Redford, Michael Caine, James Caan, and a lot more people than I'd care to waste space mentioning. Just about everyone here, with the possible exception of Hackman, is slumming, obviously just there to pick up paychecks and get their screen time over with. Almost no here makes an impression. They're just on-screen to inform us of the dire situation and occasionally wield a gun and fire it.

Worst of all is that Operation Market Garden was a massive event, but the film fails to capture just how epic the invasion was. The battles we witness are small in scale, very disappointing when you consider how many extras were involved in the production.

The musical score is horrendous; most of the time its composition consists of a distracting, upbeat tune that doesn't gel with the material it corresponds with. Thus, moments that should be generating suspense almost elicit laughter, since the score almost seems to be inviting parody.

Sure, I realize this was the late 70's and all, but Apocalypse Now, made just two years later, was a much more convincing and effective anti-war film, and it wasn't even an accurate depiction of the Vietnam War! True, A Bridge Too Far strives for accuracty, but such an attempt amounts to little if you can't make the audience care.

This is well-paced, collage-style film about human fallibility and what happens when large wartime operations break down.

The dialogue is superb. There are 10+ characters interlocked in various relationships at all levels inside the army. These were the top actors in the world at the time, each with a role to play and an independent fate in the battle. All these guys are in their 60's now and seeing them so young is a surprise. Look for John Ratzenberger (Cliff Claven of Cheers) in Robert Redford's paratrooper platoon.

The production values were also excellent, on par with the best of WWII movies. There were many very realistic battle scenes and all the scenery and soldiers, equipment, etc. one could imagine. To the untrained eye it was 100% authentic.

This is not a happy movie or much fun. It's more real than that. Unfortunately it's also not especially harrowing - you know that things are not going to work out. It's just thoughtful and well-paced and very watcheable. If you like WWII movies this one is certainly worthwhile.