"Primal Fear" is a quiet masterpiece. It's an Oscar contender at heart, hidden beneath a layer of assorted cliches and plot twists. Does that mean the movie is bad? Not by a long shot. It's terribly entertaining and splendidly acted, particularly by a young Edward Norton. It's a fine movie in almost every respect, although it has a few minor flaws that prevent it from becoming completely excellent.
In a nutshell: Norton is the 19-year-old who kills the archbishop of a church in Chicago; Gere is his attorney who takes on the case.
Gere doesn't care whether his clients are guilty or not. "I just do my job. It's not like I'm friends with them," he says. But he connects with his newest client in a way unlike he ever has before. "I think he's innocent," he tells one of his co-workers. "I think he's telling the truth."
The stuttering 19-year-old Kentucky boy has no clear motive for killing the archbishop. They are related only through the fact that he was a choirboy for the church and the archbishop had taken him in off the streets. But the clues start to connect and soon they find out that sweet ol' choirboy may have split personality disorder--his other side, Roy, comes into play when his normal side becomes hassed and hurt. The stutters fade away and an evil side shines through--an evil side that admits to killing the archbishop.
Of course, we all know that it doesn't stop there.Read more ›