Although I understand the frustration of those who are used to seeing the "TV" version, this transfer preserves the integrity of the film as a work of art. That may sound pretensious, but as someone who has much respect for Auteurs like Terry Gilliam, I'm sure I come off as pretensious most of the time.
Oh yeah, this film is also EXCELLENT, but it's still no BRAZIL.
PS: MOST films, with the exception of those shot in Anamorphic or Super 35, are shot in full-frame and then matted for projection. The stuff that the letterboxing "blocks out" is, for the most part, junk. Of course, there are exceptions. Such as when a filmmaker wants the frame to look good in a theatre as well as on television. See Kubrik's "Eyes Wide Shut" (co-written by Frederic Raphael) for a good example of this.
A british kid goes on adventures with a bunch of hammy-acting little people. At the end, his parents die for no apparant reason. Read more