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Native Son Classic Ed
 
 

Native Son Classic Ed (Paperback)

by Richard Wright (Author) "Brrrrrrriiiiiiiiiiiiiiiiiiinng! An alarm clock clanged in the dark and silent room ..." (more)
4.2 out of 5 stars  See all reviews (140 customer reviews)

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Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."
Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes --This text refers to the Mass Market Paperback edition.


From Publishers Weekly

Starred Review. Wright's classic 1940 novel about a young African-American man who murders a white woman in 1930s Chicago is a truly remarkable literary accomplishment. Peter Francis James has never been better, bringing the character of Bigger Thomas to life in a profound and moving performance that is as touching as it is truthful. James's powerful baritone demands to be heard, captivating listeners with Wright's realistic portrayal of life in the inner city, capturing the mood of each and every scene. With moderate yet believable variations in tone and dialect for each of the characters, James ignites the collective imagination of his audience. Wright's novel is real, raw and brutally honest and James's reading follows suit. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

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Customer Reviews

140 Reviews
5 star:
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4 star:
 (39)
3 star:
 (7)
2 star:
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1 star:
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Average Customer Review
4.2 out of 5 stars (140 customer reviews)
 
 
 
 
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5.0 out of 5 stars Powerful Appeal, Jul 17 2004
This review is from: Native Son (Library Binding)
Author Richard Wright (1908-60) was a master of description, and he captures the feel of Chicago and our often cold-shouldered society in this bitter 1940 classic. It's the story of Bigger Thomas, a self-loathing young black man that accidentally kills a white coed, and then kills again in an effort to evade detection. Bigger is hardly sympathetic, but his tragic hand is forced in part by racism. It's as if the author is saying, "Your injustices helped create Bigger Thomas!" Wright's gripping (if contrived) treatment of Bigger's trial indicts such peripheral characters as Mr. Dalton, a supposedly decent man that funds Negro charities - but only after fleecing blacks in the rental market. Readers come away understanding the cruelties of racial injustice, and comprehending why Wright might have named his character Bigger. Some say this classic was loosely based on a 1938 killing on the city's South Side.

NATIVE SON is rather wordy in its last chapters, and many dislike the author's pro-communism - naïve sentiments Wright later dropped after learning more about Stalinist Russia. Despite these minor flaws, this classic is gripping, persuasive, and probably Wright's best work.

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4.0 out of 5 stars Great Story, Less than Great Philosophy, May 25 2004
By Josh Moffit (Philippines) - See all my reviews
(REAL NAME)   
This is one of the best stories I have ever read. As I read the book, I felt myself somehow tied to the main character, Bigger. I cheered for him, was ashamed with him, and I had a hard time putting the book down because it was so enthralling. It was great to be able to feel a part of a life that was so different than my own. The culture of Bigger Thomas is something very foreign to me, and I appreciated being able to feel like I was in his shoes. Richard Wright is undoubtedly a great writer, and I am looking forward to reading more of his books, enjoying his stories and trying to understand his ideas that seem so illogical to me. The story was improbable is some parts, and I think the author sacrificed reality for the philosophy that he was pushing. This didn't take away from the suspense or interest of the story.

Though the story was great, the author had some ideological axes to grind that were very evident in this novel. At first, I felt his agenda was race (the oppression of blacks). Then I felt his agenda was politics (the greatness of socialism). But I think his agenda goes even farther than those two issues, the agenda has roots much deeper than race and politics. The issue at hand is a worldview issue, in which Richard Wright tries to show the supremacy of the individual over anything else (society, religion, race) but in his world, the individual is powerless to the society. I believe Wright has given too much credit and power to society. In the book, Bigger Thomas is portrayed as a puppet in the hands of a white-controlled society. Though society is undoubtedly influential, in no way can it control individuals in the way that the main character, Bigger, was controlled in this book. Richard Wright is living proof that society is not supreme, for he wrote books that were definitely not wanted by the society that he thinks hates him and his ideas.

In my opinion, this ideology is the easy way out. Blame goes on everyone but self, and the individual is justified in making poor, selfish, and destructive decisions. In the book, the white majority was definitely wrong in the way they treated the black minority. But it is my contention that this is not ground for rape and murder which Bigger Thomas was guilty of (the accidental murder of Mary and the deliberate rape and murder of Bessie). Maybe I am ignorant like the character, Mr. Dalton, but I think that the powerful and the rich ought not to be blamed for the bad decisions that individuals make, even though the powerful and the rich may be a negative influence. Society is never going to be perfect. And even though America obviously has its problems (especially in the 40's) its society is much better than most around the world. Oppression has shown its ugly head in far worse ways than America ever has. The choice is ours: puppet or person? What would you like to choose?

This was a great book. The story was great and it caused me to think. I would recommend the book to anyone. I read the introduction after I read the book, and it was very helpful in understanding Richard Wright and the context in which he lived. Also helpful were the appendices which gave more context to the book.

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5.0 out of 5 stars Revisited, Feb 13 2004
By A Customer
I read this in high school, more years ago than I care to admit. Now, after having picked it up again, I find it still as fresh and exciting as it was back then. Wright and Baldwin are two of my favorite authors and they should be given more credit for their remarkable accomplishments.

Also recommended: McCrae's BARK OF THE DOGWOOD

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Most recent customer reviews

5.0 out of 5 stars Good Book, Native Son
Native Son
by
Richard Wright

I read the Native Son By Richard Wright. Read more

Published on Jan 22 2004 by Mike

3.0 out of 5 stars Tough and Uncompromising
Although "Native Son" is not written in the first person, the narrative concentrates almost exclusively on the central character, Bigger Thomas. Read more
Published on Jan 19 2004 by Peter Reeve

4.0 out of 5 stars Powerful, though a bit preachy
Bigger Thomas is one of the most compelling characters that 20th century American literature has produced. He commands both hatred and sympathy at the same time. Read more
Published on Jan 12 2004 by Matthew Krichman

4.0 out of 5 stars Direct, readable, but suffers from pacing problems
Powerful, gripping, but a bit fatalistic novel of a young Negro chauffeur in 1930's Chicago who finds himself the victim of unfavorable socioecomic circumstance. Read more
Published on Dec 29 2003

5.0 out of 5 stars Intense Reading Experience
Native Son is an excellent example of American literature at it's best. I found myself turning the pages endlessly completely captivated by Richard Wright's incredible imagery and... Read more
Published on Nov 21 2003

5.0 out of 5 stars Hey, OHIO!
Hey you from Ohio, this book is not in the civil war time period. It's in the 1930's. Just thought I'd let you know.

This book is awesome. Read more

Published on Oct 22 2003

4.0 out of 5 stars Murder and Race Relations
Time: 1940's. Place: USA. Subject: Race relations. A young black man named Bigger, oppressed by a white society, accidentally kills the daughter of his new employer. Read more
Published on Sep 10 2003 by Teresa Jansen

4.0 out of 5 stars Great Book, Not Classic Literature
Richard Wright created a daring, insigtful book when he wrote Native Son in 1940. As a black Communist sympathizer, Wright was a member of two of the most oppressed and hated... Read more
Published on Jul 29 2003 by Z. Blume

3.0 out of 5 stars Native Son
Native son was a good book that showed the life back in the time of the civil war which is a time period which i think is very interesting. Read more
Published on Jul 13 2003

3.0 out of 5 stars Good, But Overrated
I read Native Son several years ago, and recently returned to it. Unlike Ellison's "Invisible Man," I don't think it holds up as well, many years after publication. Read more
Published on Jun 21 2003 by Hugh Pearson

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