25 of 27 people found the following review helpful
5.0 out of 5 stars
Comprehensive, Extensive, All-absorbing, Dec 8 2011
By Elizabeth Wallace "artist/illustrator" - Published on Amazon.com
This review is from: A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between (Hardcover)
Isacoff's, "A Natural History of the Piano," is an extraordinarily well researched and well written tribute to the instrument that has enriched Western Civilization for the past 300 years. No page has been left unturned (literally) as Isacoff weaves a poetic dance with his own flowing prose, reinforced by hundreds of resources and quotes from renowned artists, relative to the context.
I thank him for introducing me to artists that, once glorious stars, have all but vanished in the kaleidoscope of time: Hazel Scott (check her out on youtube!), Art Tatum, Emil Giles, Tatiana Nikolayeva, Menahem Pressler (still alive and well at age 88), to name only a few. If it were not for this book I would never have heard of them.
Isacoff tells us that Mozart didn't set eyes on a piano until he was in his mid-twenties (which bore only a remote resemblance to the piano of today) and that he played on a piano that had a pedal-board, much like the modern organ, whose soft, loud and sustain pedals were operated by the knees pushing appropriate levers. "For the first performance of the D minor Piano Concerto, Mozart played not with two limbs but with four!" Unfathomable!
As well as many comments by prominent performing artists, Isacoff inserts several "asides" into each chapter to educate the reader, ie: the first piano was a five-octave instrument, in the late 1700's it grew into a six and a half octave piano, by the end of Beethoven's life it was seven octaves. (The modern piano extends that by three notes.) We are told the weight of the cast iron plate (300 lbs. Approx) the string tension it holds, (20 tons), the patents that marked its evolution and the makers responsible for the patents: Erard, Pleyel, Broadwood, Chickering, Steinway, etc. He clarifies the Latin origin of the word "prodigy," explaining that it means "omen," and exemplifies the many gifted artists and composers who lived short lives. He states, "...30 million children are taking piano lessons in China." (An astounding figure, but with a population of 1,339,724,852 [2011 census] this represents roughly 2.2% of the population.) These are just a few examples of the many informative "asides."
Isakoff divides artists of the piano into "Combustible," "Alchemist," "Rhythimtizer," and "Melodist." You may well be able to guess who fits where, but it is well worth the read to find out. Then we meet the Russians and Asians who presently dominate the world's pianistic stage. (Love the story of American pianist & educator Mary Hickenlooper who changed her name to Olga Samaroff, milking, as it were, the power of the Russian mystique to further her career and eventually marrying renowned conductor Leopold Stokowski.)
A most extraordinary statistic lies in the evolution of the piano competition: in 1958, the year Van Cliburn (Harvey Levan Cliburn) won the Tchaikovsky Competition, there were five international piano competitions. "Today there are 750."
Now I feel that I know everything there is to know about the piano; but as it is with coming to know the Divine, this is only the beginning.
Elizabeth Wallace is author of:The Invisible Thread: A Journey Home
8 of 8 people found the following review helpful
5.0 out of 5 stars
Entertaining and informative!, Jan 6 2012
By Mark Lynch - Published on Amazon.com
This review is from: A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between (Hardcover)
THE NATURAL HISTORY OF THE PIANO by Isacoff is one of the most readable, enjoyable and interesting musical histories I have come across in quite sometime. Witty and never boring, he is one of the few authors than can draw a line connecting Beethoven and Jerry Lee Lewis and make it make sense. A book for anyone who has been knocked out by a classical, jazz or rock piano performance and wondered at the magic of the instrument.
13 of 15 people found the following review helpful
5.0 out of 5 stars
Kudos!, Dec 10 2011
By Arthur Houle - Published on Amazon.com
This review is from: A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between (Hardcover)
Stuart Isacoff has a real gift for weaving scholarly information into a series of compelling, witty and engaging "storytelling" narratives. Innocent, hapless readers will inevitably get hopelessly hooked soon after cracking open the first page. - Arthur Houle, Professor of Music & Director of Keyboard Studies, Colorado Mesa University, Grand Junction, Colorado