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“It’s beautiful,” I said, even though it wasn’t my style. It was cut glass and silver. Something a movie star might wear. Is this what my boy thought of me? I wondered as he fastened it around my neck. He called me Elizabeth Taylor and I laughed and laughed. I wore that necklace throughout the rest of the day. In spite of its garishness, I was surprised by how I felt: glamourous, special. I was out of my element amidst my kitchen cupboards and self-hemmed curtains. I almost believed in a version of myself that had long since faded away.
--From Natural Order by Brian Francis
Joyce Sparks has lived the whole of her 86 years in the small community of Balsden, Ontario. “There isn’t anything on earth you can’t find your own backyard,” her mother used to say, and Joyce has structured her life accordingly. Today, she occupies a bed in what she knows will be her final home, a shared room at Chestnut Park Nursing Home where she contemplates the bland streetscape through her window and tries not to be too gruff with the nurses.
This is not at all how Joyce expected her life to turn out. As a girl, she’d allowed herself to imagine a future of adventure in the arms of her friend Freddy Pender, whose chin bore a Kirk Douglas cleft and who danced the cha-cha divinely. Though troubled by the whispered assertions of her sister and friends that he was “fruity,” Joyce adored Freddy for all that was un-Balsden in his flamboyant ways. When Freddy led the homecoming parade down the main street , his expertly twirled baton and outrageous white suit gleaming in the sun, Joyce fell head over heels in unrequited love.
Years later, after Freddy had left Balsden for an acting career in New York, Joyce married Charlie, a kind and reserved man who could hardly be less like Freddy. They married with little fanfare and she bore one son, John. Though she did love Charlie, Joyce often caught herself thinking about Freddy, buying Hollywood gossip magazines in hopes of catching a glimpse of his face. Meanwhile, she was growing increasingly alarmed about John’s preference for dolls and kitchen sets. She concealed the mounting signs that John was not a “normal” boy, even buying him a coveted doll if he promised to keep it a secret from Charlie.
News of Freddy finally arrived, and it was horrifying: he had killed himself, throwing himself into the sea from a cruise ship. “A mother always knows when something isn’t right with her son,” was Mrs. Pender’s steely utterance when Joyce paid her respects, cryptically alleging that Freddy’s homosexuality had led to his destruction. That night, Joyce threatened to take away John’s doll if he did not join the softball team. Convinced she had to protect John from himself, she set her small family on a narrow path bounded by secrecy and shame, which ultimately led to unimaginable loss.
Today, as her life ebbs away at Chestnut Park, Joyce ponders the terrible choices she made as a mother and wife and doubts that she can be forgiven, or that she deserves to be. Then a young nursing home volunteer named Timothy appears, so much like her long lost John. Might there be some grace ahead in Joyce’s life after all?
Voiced by an unforgettable and heartbreakingly flawed narrator, Natural Order is a masterpiece of empathy, a wry and tender depiction of the end-of-life remembrances and reconciliations that one might undertake when there is nothing more to lose, and no time to waste.
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Most helpful customer reviews
5.0 out of 5 stars
If you have a heart, this book will move you,
By
This review is from: Natural Order (Hardcover)
I loved this book. The story of a Joyce Sparks, 86, now in a nursing home, looking back on her life and on the difficult relationship with her son, John. Joyce was never quite able to come to terms with her son's sexual orientation and the silence surrounding this pink elephant in the room is Joyce's tragic flaw. I was reminded of "Olive Kitteridge" in the way Francis so perfectly creates Joyce's interior world, as well as the crusty, crotchety, ultimately fragile personality of the protagonist.If being gay these days is difficult for young people (and it undoubtedly is, alas), the era in which John grew up was even harsher. Francis also paints a perfect picture of time, and of the terrible 80s, when so many were dying of "the gay disease." Joyce's life, it seems, as been book-ended by gay men, and if I had one quibble with the book it would be that the narratively convenient circle this creates feels just a tiny bit contrived. But never mind, the characters are so beautiful and compassionately crafted it's a small niggle indeed. I can't imagine anyone with a heart not being moved by this book. Well done, Mr. Francis.
4.0 out of 5 stars
Everything you need is in your own backyard,
This review is from: Natural Order (Hardcover)
Let's get this out of the way at the beginning of the review: Natural Order by Brian Francis is really sad. Its sadness is worth sinking into, however; it's a nuanced and multilayered exploration of loss, of aging, of the sins we commit against those we love the most.The story is told from the perspective of octogenarian Joyce Sparks, who is in a nursing home, commentating tartly on her fellow 'inmates,' the staff, and her surroundings. Her voice is one of the most authentic I've read in a long time'she's a snappish, sharp old woman, more brittle than frail. Both her son and her husband are dead, and she doesn't seem to have any friends. Joyce tells us her story across several different timelines, and Francis shifts us effortlessly between her soda-jerk era teenaged years, her motherhood, and the years between the deaths of her son and her husband, and her time in the nursing home. She touches on her infatuation with Freddy, her obviously gay schoolmate, whose suicide after leaving town and falling in with a 'bad crowd' in Hollywood is greeted as almost inevitable by the people back home. Joyce is left in Balsden, married to a man she chooses out of loneliness, becoming increasingly frightened yet stubbornly unseeing of her small son's own 'tendencies.' She can barely move for the guilt she feels, for the remorse toward her son, her husband, what could have been. Joyce cleaves to the idea that she is alone because she deserves to be, because she drove everyone else away. This is a gutsy move: in many ways Joyce is supremely unlikeable. Even as you're reading through her understanding that what she did caused all of the destruction in her life, you want to grab her by her shoulders and shake her. Her unenlightened views on homosexuality, her meddlesome nature (no matter how well intentioned), and her ability to drive away and segregate her son, whom she adores and alienates by equal measures, are enough to make you scream. Where the novel falls down a bit is in this mire of guilt. It can become, if not tiresome, then certainly tiring. Every page is Joyce telling us what a terrible mother and wife she's been. Metaphors and language are at times a bit heavy-handed as well. The parallels between Freddy and his mother and Joyce and her son are a bit too pat, a bit too coincidental. If their stories were told and no names were given, you wouldn't know which of the two women were being described, and this takes away from the rest of the well-crafted realism. Where the novel succeeds, beyond its exploration of the difficulties of being gay for most of the twentieth century, and especially in a small town, is in its portrayal of the very elderly. The rest of Joyce's life has whooshed by, but she's stuck in an interminable morass of days in the last home she'll ever know, where the staff care only because they are paid to, the food is terrible, and the activities are banal. Brian Francis' Joyce is such a believable, perfectly rendered character, and her world of the nursing home is at once tragic and mundane. Joyce's is a sad, no-nonsense life, one that will break your heart but that is absolutely worth visiting. ~*~ Like this excerpt? Read the full review, plus other book reviews, at [...]
5.0 out of 5 stars
A fantastic book by a fantastic author,
By
This review is from: Natural Order (Hardcover)
I saw Brian Francis read from this book at a literary festival and knew I must have it. It's a fantastic, moving, funny book. I read slowly near the end as I knew the book was going to break my heart.The author spoke about the idea of shame around deaths from AIDS in the early 80's and wondered what those parents felt now, and this is the foundation for the book. A real character piece, Joyce Sparks comes vividly to life on every page. I have heard others saying they liked her sometimes and wanted to smack her other times but I was very engrossed and was quite happy to sit back and watch the story unfold. A great novel about acceptance and self and the things we hold on to. Highly recommended.
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