Most helpful customer reviews
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26 of 27 people found the following review helpful:
5.0 out of 5 stars
Neon shining, Mar 6 2007
Personally, I was terrified as I waited for the Arcade Fire's second album -- so many bands have made exquisite first albums, only to disappoint with the second.
But there are few missteps in the amazing "Neon Bible," which tries out a new sound for the Montreal band -- it sounds darker, eerier, and thoroughly exquisite. They take the chamberpop sound to a stormy cliffside over the ocean.
It opens with steady acoustic guitar, and a swell of windy synth that sounds like waves crashing on the rocks. "I will walk down to the ocean/After waking from the nightmare/No moon, no pale reflection/Black mirror, black mirror," Win Butler murmurs over a rising tide of clashing piano.
They slip into the shimmering rock'n'roll of "Keep The Car Running," which cascades down into a beautiful folky tune wrapped in synth. The songs that follow continue this feeling: the quietly taut title track, ghostly experimental, transcendent little guitar-piano ballads, soaring organ pop, and even a sparkling, catchy indiepop tune or two.
The Arcade Fire obviously took their time crafting this album, and making all the kind of intelligent rock people expect from them. But the sound is entirely different -- it's darker and stranger than its predecessor, as well as sounding a bit more processed.
Granted, I wasn't crazy about the pipe-organ blues of "Intervention." However, the other songs are sheer brilliance musically -- a beautiful thunderstorm of instrumentation, with the sound of a sonic religious experience. Just listen to the crescendo of soaring voices, drums, horns and strings at the end of "No Cars Go."
As for the instrumentation, it's packed in dense, shifting layers. Flexible guitars, clashing piano, tinkling xylophone, accordion, hurdy-gurdy, bells, dark drumming, strings and samples. The keyboard is the finishing touch, giving everything an otherworldly sound.
As if the music weren't powerful enough, we're given Win Butler's wailing vocals, often backed by one or more soaring female voices. No wonder he sounds so depressed -- the lyrics are full of bombs, flight from hostile countries, and the sorrow of living in interesting times. "Every night my dreams the same/Same old city with a different name/Theyre not coming to take me away/I dont know why but I know I cant stay..."
The Arcade Fire pour out a powerful, exquisite second album in "Neon Bible," one of the most compellingly beautiful albums this year.
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7 of 9 people found the following review helpful:
5.0 out of 5 stars
The Holy Arcade Fire, Mar 6 2007
An absolutely incredible follow up to their previously released 'Funeral'. Making use of a variety of new instruments including heavy percussion, symphony, and an organ, this album retains the signature Arcade Fire feel, though presents us with a whole new sound.
Notable tracks:
-'Black Mirror', dark, though really previews the variety of new musical instruments that are used throughout the album.
-'(AntiChrist Television Blues)' Particularly remeniscient of the raw distinctively indie material on their first, self titled album.
-'No Cars Go', A remix of sorts of the track off their first album. Make no mistake though, the song retains it's feel, though it has been reworked with 'Neon Bible' instruments which serve to indicate the great lengths this band has come in just a few years.
-'My Body is a Cage', Blues, Indie, with the gradually incresing sound of the organ and symphony. Once again, dark, but a really amazing track.
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5.0 out of 5 stars
neon bible, Jan 18 2008
On their second full-length, the Arcade Fire look outward instead of inward: Angry, embittered, and paranoid, but often generously empathetic in their points of view, they target the government, the church, the military, the entertainment industry, and even the basest instincts of the common man. If their debut captured the enormity of personal pain, Neon Bible sounds large enough to take on the whole world.
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