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"The sky above the port was the color of television, tuned to a dead channel." William Gibson's Neuromancer starts out with one of the great opening lines in all of fiction and never lets up. This is the novel that introduced the term "cyberspace," and it remains one of the most vibrant and compelling looks at the world being built by computers and information technology.
Plus, it tells a great story. Case is a top-line hacker who made one mistake that cost him his greatest love. To get it back, he agrees to work for people who in turn are working for an artificial intelligence named Wintermute. Wintermute wants freedom, and Case is the man who can do the job. (Some of the secondary characters, including Molly from "Johnny Mnemonic," will be familiar to readers of Gibson's short stories.) The intensity never lets up as Gibson creates a world that is one of the most distinctive in science fiction. And the story is told in a high-tech poetic prose style that owes as much to William S. Burroughs as it does to Gibson's predecessors in SF. The end result is a book that is both stylistically creative and thoroughly gripping in its unfolding adventure. In short, Neuromancer packs more ideas into its 250 pages than most writers can manage in a 900-page trilogy. It was hailed as an instant classic when first published as an Ace Science Fiction Special in 1984, winning the Hugo, Nebula, and Philip K. Dick awards, and it remains one of the most influential science fiction novels ever written. --Greg L. Johnson --This text refers to the Paperback edition.
Neuromancer is a fitting commemoration of the tenth anniversary of publication of Gibson's Nebula, Hugo, and Philip K. Dick Award-winning novel. The text is abridged, read by the author, and enhanced with music, sound effects, and other audio engineering. The plot contains sex, drugs, black market body parts, virtual reality, electronic relationships, pleasure palaces, murder, mayhem, cloned assassins, and intrigue in cyberspace, with nary a virtual nice guy in the mix. Wow! There's just enough time to take a deep breath between cassettes, as the listener is bombarded with strong language, tumultuous violence, and compelling imagery. Terrific stuff. Gibson's horrifying vision of our terrible headlong rush to nowhere is a must for science fiction and adult fiction collections.
Cliff Glaviano, Bowling Green State Univ. Libs., Ohio
Copyright 1994 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.
The sky above the port was the color of television, tuned to a dead channel.That's how it starts, sorry not sure if you need a spoiler alert for the first sentence of a book. Read morePublished 8 months ago by Amazon Customer
This is, without a doubt, my favourite book. It says a lot that one of the most iconic science fiction novels was written by a prose poet, on a typewriter. Read morePublished 12 months ago by David Galka
Neuromancer is a classic sci-fi thriller from a few decades ago. I'd heard of it but never read it. Once I started reading it I realized why it's rated so highly by sci-fi fans. Read morePublished 15 months ago by Amazon Customer
My favourite sci-fi novel of all time. Poetic and fast-paced, this is a must read for anyone who liked The Matrix or PrimerPublished 15 months ago by Jill R
Wow. its not my cup of tea. Had to force my way through it, and a month later, I cant remember if I even finished it. Read morePublished 16 months ago by Andy Vogt
I should preface this review by stating that Gibson's Neuromancer was the first-ever winner of science fiction's so-called triple crown: all three of the Hugo, Nebula, and Philip K... Read morePublished 19 months ago by Jayson Vavrek
William Gibson is an amazing old-school sci-fi writer - a definite pro in the field. Read this book and realise that it has been 'borrowed' from and 'ripped off' many times by... Read morePublished 21 months ago by BluBoltar
I gained an interest in the 'cyberpunk' genre by first reading Shadowrun novels as a kid (and even some as an adult). Read morePublished 22 months ago by David Bobb