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Good Night and Good Luck [Blu-ray] (Sous-titres français) [Import]

David Strathairn , George Clooney , George Clooney    PG (Parental Guidance Suggested)   Blu-ray
4.0 out of 5 stars  See all reviews (7 customer reviews)
Price: CDN$ 16.81 & FREE Shipping on orders over CDN$ 25. Details
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Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow, who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power. As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of reprisals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

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4.0 out of 5 stars
4.0 out of 5 stars
Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars SADLY, TOO CLEVER FOR MOST Aug. 22 2012
Format:Blu-ray|Verified Purchase
No car chases, boobs shaking or a sullen "hero" waving a gun around. That's right, you've got to use your head here... God forbid!
This incredible movie is about friendship, honor, dignity and simply doing the right thing. Standing up to oppression and winning.
The tempo is spot on, the writing is clever, the directing is perfect and being filmed in black and white is appropriate. But one thing
about this film towers over everything else... the acting. Everyone is well cast and gives "Oscar" worthy performances, especially
David Strathairn (nominated for Best Actor and surprisingly lost to Philip Seymour Hoffman (Capote) in 2005)
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5.0 out of 5 stars An amazing movie! June 9 2006
By mb1000
This movie was simply amazing. I found it to be extemely well made. The cinematography was just unbelievable, as was the soundtrack, which fit perfectly with the feel of the black-and-white film.* And the acting is some of the best that I have ever seen. I would definately put this movie in my TOP 5.

*For all those out there who say they hate the idea of watching a black-and-white movie, please, have an open mind. This movie would not have been as good if it wasn't filmed in classic black-and-white.
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5.0 out of 5 stars Excellent Service July 19 2013
Format:DVD|Verified Purchase
I remember watching the Macarthy hearings on our black and white TV back in the early fifties - I was just a kid at the time - As got older I watche Edward R. Murrow on his nightly TV show. - I use to watch Walter Winchel - He always wore a had and would tap on a telegraph key all the time between comments.
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1 of 2 people found the following review helpful
4.0 out of 5 stars Legends of an Era Nov. 28 2006
This very well written, well directed and beautifully filmed movie attempts to perpetuate the myths of the McCarthy era while ostensively telling the story of Edward R Murrow. For the knowledgeable viewer however, no case is really made against McCarthy. The rating submitted is for the technical aspects of the movie.
Certainly, George Clooney, as writer and director could not make the case honestly. Surely with all the (supposedly) thousands of victims we are told about is it really necessary to work the bogus cases discussed below into the screenplay?
Milo Radulovich, discharged from the Air Force, is presented at length as a victim of McCarthy, but of course, McCarthy had nothing to do with his case. This was a security issue that was handled by the Air Force itself.
Annie Lee Moss is presented as a victim of McCarthy in her appearance before the committee. Ms Moss was being questioned as a witness in trying to determine who had promoted Ms Moss, who worked in the cafeteria, to a position as a code clerk handling classified messages in the Pentagon. In McCarthy's questioning, he asks her if she's ever been a dues paying member of the Communist Party (no), whether she subscribes to the Daily Worker newspaper (no), has attended Communist party meetings (no), and so on (no,no,no). She's not very convincing in the film clips when giving her testimony, and the folks at CBS try to convince themselves that maybe one of the other Mosses in the phone book is the party in question (false). She is patronisingly presented as someone so simple as to have difficulty reading, but reading her job description reveals that she would have to be very much on the ball to fulfill the duties assigned.
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