Night of the Ghouls has been added to your Cart
+ CDN$ 3.49 shipping
Used: Very Good | Details
Sold by usedsalesca
Condition: Used: Very Good
Comment: *** Please check Region before ordering ***, All Discs are inspected and guaranteed. All dispatched with 1 - 3 working days from the UK
Have one to sell? Sell on Amazon

Night of the Ghouls

4.2 out of 5 stars 8 customer reviews

Price: CDN$ 9.99 & FREE Shipping on orders over CDN$ 25. Details
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
11 new from CDN$ 7.96 6 used from CDN$ 1.31
Unlimited FREE Two-Day Shipping for Six Months When You Try Amazon Student

One Day Sale: 67% Off "Best of Warner Bros. 20-Film Collections"
One Day Only: "Best of Warner Bros. 20-Film Collections" are up to 67% Off. Offer valid February 12, 2016, while supplies last. Learn more

Frequently Bought Together

  • Night of the Ghouls
  • +
  • Bride of the Monster (Full Screen)
Total price: CDN$ 19.98
Buy the selected items together

Product Details

  • Actors: Kenne Duncan, Duke Moore, Tor Johnson, Valda Hansen, Johnny Carpenter
  • Directors: Edward D. Wood Jr.
  • Writers: Edward D. Wood Jr.
  • Producers: Edward D. Wood Jr., Anthony Cardoza, Gordon Chesson, J.C. Foxworthy, J.M. A.
  • Format: Black & White, DVD-Video, NTSC
  • Language: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Sony Pictures Home Entertainment
  • Release Date: Oct. 1 2002
  • Run Time: 69 minutes
  • Average Customer Review: 4.2 out of 5 stars 8 customer reviews
  • ASIN: B0000648Y9
  • Amazon Bestsellers Rank: #58,242 in DVD (See Top 100 in DVD)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Product Description

Undercover ghostchaser Duke Moore investigates a mysterious medium (Keene Duncan) who fleeces relatives of the dead by fake channeling with the beyond. But beware--the night is alive with ghouls! Titanic 400 lb. Tor Johnson, Vampira-wannabe Valda Hansen, the ever-clever psychic Criswell (whose predictions are always 100% wrong) and the irrepressible comedy of Kelton the Cop (Paul Marco) are all here in this return to the great days of the gothic horror shockers that thrilled Ed Wood as a child. "Night of the Ghouls" is a must for all "Woodheads" and marks the end of an era for this unique filmmaker. You have to see it to believe it!


"For many years I have told the almost unbelievable, related the unreal, and showed it to be more than fact," drones Ed Wood's favorite host, platinum-coifed "psychic" Criswell, from his coffin. More than fact, possibly, but less than credible and rather far from competent--but then that's why we watch Wood's movies. This pseudosequel to Bride of the Monster refers back to the story of a mad scientist and his monster often enough, but this time the old house is home to a phony spiritualist named Dr. Acula (former B-movie heavy Kenne Duncan) bilking thousands from rich, gullible clients. Opera-loving Lieutenant Bradford (Duke Moore) is sent out in his tuxedo to investigate and tangles with the scarred, angora-loving brute Lobo (Tor Johnson, the only survivor from Bride of the Monster), while the real dead rise to take their revenge on the charlatan Acula. It's a true Wood production, shot on cramped sets the size of a closet and filled with unrelated stock footage (the prologue is dedicated to the dangers of juvenile delinquency because Wood had leftover scenes from an unfinished film). The part of Acula was originally written for Bela Lugosi, whose hamminess would have brought a touch of theatrical camp to the part, but Criswell's inflated narration adds just the right touch of histrionics. It's not as much absurd fun as Bride of the Monster or Wood's masterpiece Plan 9 from Outer Space, but it has its moments. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

4.3 out of 5 stars
Share your thoughts with other customers

Top Customer Reviews

Format: DVD
"Night of the Ghouls" is Ed Wood's sequel to "Bride of the Monster" with Tor Johnson providing continuity as Lobo the lumbering mute henchman, now with a badly burned face courtesy of the immolation of Dr. Vornoff's laboratory. Thank goodness Tor was able to escape the plastic octopus and nuclear blast at the end of "Bride of the Monster." I wouldn't have thought a 400 pound Swedish wrestler capable of outrunning a mushroom cloud, but you learn something new every day!
"Night of the Ghouls" starts with Wood regular Criswell in a coffin (big surprise) rambling on with verbal compost such as "For many years I have told you the almost unbelievable, related to the unreal, and showed to be more than fact." Just when that is sinking in, we get sidetracked on a ten minute plot cul-de-sac about juvenile delinquency ("Is this the major horror of our times?") illustrated with a scandalous sock hop and fist fight sequence. Logically this, of course, leads to a narrated discussion on statistics of motor vehicle accidents (watch for a cameo of Ed Wood himself as a crash victim) as kept by the National Safety Council. Huh?
All this may lead you to ask, "Yes, but where are the ghouls?", and a fair question that is. We finally get to see a woman in a gauzy dress looking for all the world like a bad Stevie Nicks impersonator, frighten two very hammy old actors with her terrifying fingernails. I refer to her as the Budget Zombie, and once you've seen the movie, you will understand why. Thank goodness Wood regular Kelton the cop (Paul Marco) is on the case along with Lieutenant Daniel Bradford, professional ghost chaser. (That's the movie's actual words, honest.
Read more ›
1 of 1 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: DVD
Ed Wood, the worst director of all time; strikes again with this sequel to his "classics" PLAN 9 FROM OUTER SPACE and BRIDE OF THE MONSTER. NIGHT OF THE GHOULS (a.k.a REVENGE OF THE DEAD) has the inimitable Tor Johnson reprising his role as the hulking henchman Lobo; now hideously disfigured following the lab fire at the climax of BOTM. Criswell also narrates the film from the comfort of his coffin: "... a tale so astounding that some of you may faint!"
Once again Wood wears multiple hats as writer, producer and director of another awful but fun "horror" movie.
The story takes place in the small town of Willow Lake, where in the now familiar creepy old house Lugosi's successor, a mad Swami named Dr Acula (Kenne Moore) is raising the dead from their graves- one of which is a man in a cape with a high neck which is supposed to make him appear headless!- and setting them on juvenile delinquents, kids who do nothing worse than rock 'n roll dancing. Enter bumbling police Captain Robbins (John Carpenter- not the director) to try and make sense of and put an end to the madness, once and for all. But inside the house he has to contend with joke shop skeletons which are seated at the dining room table and possessed floating trumpets that play by themselves; as well as taking part in Acula's seance to raise the dead: the conjured spirit turns out to just be a guy covered by a bedsheet! Wood's attempt at a climactic plot twist is just as awful as the rest of the movie... which is good. Right?
What makes Wood's movies so funny is that he always made them with serious intentions, here he tries to tackle "serious" subjects such as the aforementioned delinquency and road deaths, the results of which are (naturally) inept and wholly innocuous.
Read more ›
1 of 1 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
By A Customer on Sept. 10 2002
Format: DVD
Ed Wood's last mainstream movie (and the final of the Kelton trilogy) is a masterpiece of ineptitude (and a direct sequel to "Bride of the Monster.") It also has returning Wood favorites Tor Johnson as Lobo, Paul Marco as Kelton, and Criswell as...Criswell.
The DVD looks incredibly sharp and clear, and is easily the best looking of the Wade Williams Ed Wood DVD releases (of course, this had undamaged source material.) The menus are neat, too.
1 of 1 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: DVD
Night of the Ghouls, the last film in Ed Wood's horror cycle, (following Bride of the Monster and Plan 9 from Outer Space) borrows elements from both of those films but, while inhabiting a similarly wacked-out world, isn't really a direct sequel to either. Kenne Duncan (struggling to maintain his tough-guy persona while wearing a silly-looking turban) plays Dr. Acula, a phony medium who has set up shop bilking wealthy octogenarians in "the old Willows Lake place where the mad doctor made monsters," a veiled reference to Bride of the Monster. Duke Moore (Plan 9, Sinister Urge) is Lt. Dan Bradford, undercover "spook chaser," investigating reports of mysterious goings-on at the mansion. You know you're watching an Ed Wood movie from the first scene: the clearly identified East Los Angeles police station is shown while Criswell describes the location as "Anytown U.S.A."; cut to the interior of the station where a 'Wanted' poster on the wall displays none other than the director himself. (He also appears in some brief "JD" footage.) Night of the Ghouls is actually somewhat controversial in bad film circles; some rank it as one of Wood's best, while others claim to find it boring. True, it does share a slower pace and relative lack of dizzying incompetence with Jail Bait, Wood's other neglected and similarly maligned 1950s feature. But all the requisite elements of an "Ed Wood movie" are here for the faithful: the florid Criswell narration and convoluted, mind-numbing dialogue; the wildly contrasting acting styles, from complete indifference to rampant scenery-chewing; the lurching, paradoxical continuity and non-sequitur edits; the poverty-stricken sets (darkness stands in for scenery a lot and Dr.Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse