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Undercover ghostchaser Duke Moore investigates a mysterious medium (Keene Duncan) who fleeces relatives of the dead by fake channeling with the beyond. But beware--the night is alive with ghouls! Titanic 400 lb. Tor Johnson, Vampira-wannabe Valda Hansen, the ever-clever psychic Criswell (whose predictions are always 100% wrong) and the irrepressible comedy of Kelton the Cop (Paul Marco) are all here in this return to the great days of the gothic horror shockers that thrilled Ed Wood as a child. "Night of the Ghouls" is a must for all "Woodheads" and marks the end of an era for this unique filmmaker. You have to see it to believe it!
"For many years I have told the almost unbelievable, related the unreal, and showed it to be more than fact," drones Ed Wood's favorite host, platinum-coifed "psychic" Criswell, from his coffin. More than fact, possibly, but less than credible and rather far from competent--but then that's why we watch Wood's movies. This pseudosequel to Bride of the Monster refers back to the story of a mad scientist and his monster often enough, but this time the old house is home to a phony spiritualist named Dr. Acula (former B-movie heavy Kenne Duncan) bilking thousands from rich, gullible clients. Opera-loving Lieutenant Bradford (Duke Moore) is sent out in his tuxedo to investigate and tangles with the scarred, angora-loving brute Lobo (Tor Johnson, the only survivor from Bride of the Monster), while the real dead rise to take their revenge on the charlatan Acula. It's a true Wood production, shot on cramped sets the size of a closet and filled with unrelated stock footage (the prologue is dedicated to the dangers of juvenile delinquency because Wood had leftover scenes from an unfinished film). The part of Acula was originally written for Bela Lugosi, whose hamminess would have brought a touch of theatrical camp to the part, but Criswell's inflated narration adds just the right touch of histrionics. It's not as much absurd fun as Bride of the Monster or Wood's masterpiece Plan 9 from Outer Space, but it has its moments. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.
At the beginning of the movie when Ed is making use of his juvenile delinqents stock footage, check out the victim of the car that crashes off the cliff, thats Ed Wood himself... Read morePublished on Feb. 11 2004 by Robert M. Johnson
You gotta love this guy: He is the Wile E. Coyote of filmdom: He got battered at every turn;rejected by mainstream Hollywood,but he never gave up. Read morePublished on May 20 2002 by ellafan
Very good Ed Wood effort. Its not on the same level as some of his earlier work like Bride of the Monster, Glen or Glenda, or Plan 9 from Outer Space (which is one of those films... Read morePublished on Jan. 31 1999 by email@example.com