Night Work Mass Market Paperback – Nov 28 2000
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Laurie King's first Kate Martinelli mystery, A Grave Talent, won Best First Novel honors from both the Mystery Writers of America and the British Crime Writers' Association. In this fourth installment in the series, King once again displays her talent as both a prose stylist and a masterful plotter in a case that proves to be personally harrowing for her heroine.
While attending a school play one evening, Detective Martinelli gets what appears to be a routine page about a homicide. The murder victim is James Larsen, an airport baggage handler found in the Presidio, handcuffed, strangled, and with stun-gun burns on his chest. And apparently he had a sweet tooth, given the candies found in his pocket. When it comes out that Larsen was an abusive husband whose wife now lives in a shelter, Martinelli's list of suspects takes a distasteful turn. Could the perpetrator be connected with the Ladies of Perpetual Disgruntlement, the group of secretive women (or men) who've lately been terrorizing abusers and rapists around the city with their humorous, updated version of the tar-and-feather treatment? Could it be Larsen's wife, a mousy woman who, nonetheless, is clearly harboring some secrets? Could it be Roz Hall, Martinelli's social crusading feminist minister friend? In each case, rage would be justified, but not murder.
When two additional murder victims with similar profiles--and pockets full of candy--surface, the San Francisco media takes an interest in this latest instance of vigilante justice. The investigation is further complicated by Roz's very public interest in the case of a young Indian bride who she believes was murdered. As Martinelli and her partner Al Hawkins try to sort through the mire of emotional entanglements, personal politics, and public scrutiny, King deftly maneuvers her tale through several carefully crafted turns. The novel is also threaded with Hindu spirituality and images of the dark goddess Kali, a vengeful figure perfectly appropriate in a novel about victimized women striking back. --Patrick O'Kelley --This text refers to the Hardcover edition.
From Publishers Weekly
The multitalented King (O Jerusalem, etc.) has not published a Kate Martinelli novel since 1996's With Child, so fans aplenty have been waiting for the next installment in this acclaimed series. San Francisco police detective Kate and her partner, Al Hawken, first introduced in the Edgar-winning A Grave Talent, have been called in to investigate the murder of a man who turns out to have a long record of beating up his wife. The wife, who took refuge at a battered women's shelter, has a rock-solid alibi and there are no other obvious suspects. Meanwhile, a group of feminist vigilantes called the Ladies of Perpetual Disgruntlement has been exacting wickedly funny acts of minor revenge against men who physically abuse women. Kate has a sneaking sympathy for the work of the Ladies, but when more bodies of abusive men start turning up, it looks as though someone--some woman--in San Francisco has taken the ultimate step in vengeance. King brings her theme of women's rage against abusive men together with a focus on goddess worship, especially in Indian religions. Kali, the Hindu goddess of destruction and creation, figures largely in this dense and suspenseful tale. As in her powerful thriller A Darker Place, King's ability to turn esoteric religious concepts into key narrative points makes this a highly unusual--and memorable--novel. It suffers a bit from talkiness, but even so, it's a compelling, effective piece of writing. (Feb.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Top Customer Reviews
This was the last book I read for a Women's Studies class entitled Murder Mysteries, and the second by Laurie King. The class focused on gender and violence, and I think this book was a fitting end to the class because it focuses on crimes that are specifically gendered, namely rape and wife battering. The book poses a number of hard questions for those of us readers who consider ourselves opposed to violence. First, when, if ever, is violence acceptable? What kind of violence? Perpetrated by whom, and for what reasons? Violence against women is clearly unacceptable, but is violence against those who are violent acceptable? I am 100% opposed to capital punishment and other forms of violence, but I found myself unwittingly tolerating, and almost agreeing with, the vigilante type murders of violent men who escaped the criminal justice system. When I realized this, I was shocked at myself.
I found the use of Kali and indeed the idea of Kali herself fascinating. First, King's use of Kali creates a somewhat mystical, mysteriouis atmosphere to the book, which I found very effective. From reading the Introduction, in which Kali is described, we know that she must have something to do with the novel, but we are not sure what, until the very end of the book. King keeps us guessing, with a quote from "The Invocation to Kali" at the beginning of every chapter.Read more ›
After the vague mystery of "With Child", it is refreshing to return to the police procedural foundation and a healthy dose of Kate's police partner, Al. I also got a kick out of the early crimes of the Ladies of Perpetual Disgruntalment. The core of the murders reads well between the pure evidence and the abusive history of victims. I particularly enjoyed the exploration of the marriage traditions of India when set in the US. The writing is good - if lacking a bit in the editing.
What didn't work for me in the book was the overwhelming sense of political correctness. I'm fine with the lesbian relationships but King got both preachy and redundant in this story. Likewise, this isn't the first time that she's explored religious themes. However, at times this book reads more like a piece of feminist religious propaganda trapped in a mystery. Sure, some of it figures into the plot but about 20% of the book seemed pretty irrelevant to either solving the crimes or growing the key characters. Likewise, the ending is pretty abrupt without clearly exploring the motivations of the killers (and not very many clues leading up to their identification).
As other reviewers have mentioned, this is a series that is critical to read in order. This is the forth book in the series.
Most recent customer reviews
I found the book quite unsatisfying for two reasons: First, the guilty party is revealed within a few pages of the start,so there is no mystery. Read morePublished on July 27 2003
It took me several months to read this book. Everytime I was ready to throw in the towel on this book, something interesting would happen. The ending did not even move me. Read morePublished on Jan. 2 2003 by R. H Porter
This was my first and last experience of this author. I disliked the book so much I found myself getting irritated at the characters and the poor writing. Read morePublished on Jan. 17 2002 by Kathryn Johnson
I have read all of the previous Kate Martinelli stories, and I particularly enjoyed this one. I think it was the unconventional feminist response to harm visited on other women... Read morePublished on Nov. 17 2001 by Linda Overholt
but the research -- or lack of it -- hurts the book terribly! One of the reasons I'm a great admirer of King's is that she usually has fascinating intellectual themes,... Read morePublished on July 27 2001 by Suzy Shedd
I started to read Laurie King because I loved Sue Grafton and Janet Evanovich but had run out of titles - a friend recommended her as another author I would like - and I think I do... Read morePublished on May 13 2001 by A. Woodley
I found King to be a talented writer-- this is the first book of hers that I've read and I'm relieved to see this described in the reviews as the weakest of her books. Read morePublished on March 17 2001 by frumiousb
Excellent characterizations, good mystery. There are a lot of mystery writers getting more attention, but King is as good a *writer* as she is a storyteller; this is by far my... Read morePublished on Feb. 11 2001