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Nocturnes 1-4/Barcarolle In [Original recording remastered, Import]

Frederic Chopin Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Product Details


Disc: 1
1. Nocturne in b flat, Op.9 No.1
2. Nocturne in E flat, Op.9 No.2
3. Nocturne in B, Op.9 No.3
4. Nocturne in F, Op.15 No.1
5. Nocturne in F#, Op.15 No.2
6. Nocturne in g, Op.15 No.3
7. Nocturne in c#, Op.27 No.1
8. Nocturne in D flat, Op.27 No.2
9. Nocturne in B, Op.32 No.1
10. Nocturne in A flat, Op.32 No.2
See all 13 tracks on this disc
Disc: 2
1. Nocturne in f#, Op.48 No.2
2. Nocturne in f, Op.55 No.1
3. Nocturne in E flat, Op.55 No.2
4. Nocturne in B, Op.62 No.1
5. Nocturne in E, Op.62 No.2
6. Nocturne in e, Op.72 No.1
7. Nocturne in c#, Op.posth
8. Nocturne in c, Op.posth
9. Nocturne in F#, Op.60
10. Fant in f, Op.49

Product Description

Amazon.ca

Claudio Arrau's Chopin Nocturnes have had several CD incarnations, including an attractively priced two-for-one Philips duo that includes the Impromptus. While they may cost more reissued in Philips's 50 Great Recordings series, the works gain sonic heft and dimension via these new 24-bit transfers, with more warmth in the higher frequencies. Arrau considered the Nocturnes among Chopin's most searching, emotionally penetrating works.

Consequently, the pianist aims to read between the music's sentiments through ample rubatos, unorthodox accentuation, and inner drama. The results radically differ from Arthur Rubinstein's benign lyricism, much as Maria Callas's truth-or-dare approach to Bellini contrasted with Joan Sutherland's suave agility. Ornamental passages, for instance, are painstakingly spelled out and shaped in the form of rapid melodies, as in the Op. 55 No. 2 Nocturne's climactic chain of trills and the F-sharp Nocturne's middle-register accompanimental figures. In general, Arrau's grand solidity works best with the darker, more texturally elaborate selections. If the pianist's brooding, worried journey through the Barcarolle causes the music's sublime polyphony to sink upstream, the F Minor Fantasy radiates drive and heroism at every turn in one of Arrau's most inspired recordings. --Jed Distler


Customer Reviews

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Most helpful customer reviews
5.0 out of 5 stars Arrau's Somber Chopin Nocturnes Jan 4 2003
By John Kwok TOP 100 REVIEWER
Available elsewhere as part of a collection of impromptus, Claudio Arrau's distinguished performances of Chopin's Nocturnes and other works sound richer and more vibrant in this remastered set; among the latest in the Phillips 50 series. Arrau's performances may not be enjoyable to most, since his playing tends to be quite dramatic, with a darker, more somber vision of Chopin's scores than found elsewhere from the likes of Barenboim and Rubinstein, among others. Still these are remarkable, distinctive performances which should be recognized as among the finest recordings of Chopin's Nocturnes. I doubt I have heard anyone else probe more successfully into the most melancholy aspects of Chopin's personality, done with much elegant, refined playing. Without question this is a splendid two CD set worth owning.
Was this review helpful to you?
5.0 out of 5 stars Arrau's dark Chopin Nocturnes Oct 9 2001
A couple of years ago i happened to find in an old out-of-the-way store in my home country Ecuador, almost hidden in a back shelf Arrau's complete set of Chopin recorded for phillips. This 6 cd set included a large number of works of which probably the most amazing were the waltzes and the nocturnes. As for the waltzes, Arrau's rendition was a true revelation as he showed deep angst and sadness in them - a feature rarely stressed in these works.
And then were the Nocturnes. In his interpretation, and useing that so unique grave tone of his, Arrau delivers not only all the music but also darker, almost sinister visions. Psychology, always one of Arrau's favorite topics is pushed to the most and in the most revealing way - you can sense through these performances that beyond all the light of the filigree figurations and melodies lies the extremely troubled soul of Chopin as portrayed by Arrau. Trills, figurations so abundant in these works are played as part of the melodies and not just as ornaments - Arrau in interviews sopke many times of the various ways of playing and interpreting trills as taught to him by his teacher Martin Krause (home my memory serves me right) and here is the perfect example of what he meant.
I have heard other fine renditions of the nocturnes as played by Rubinstein, Barenboim, Biret - but as worthy as they are, doubtfully will they ever be appreciated as the unique, unapologetic, bold, understanding performances Arrau delivered here. This is not necesarilly Chopin to be enjoyed - rather to be disturbed by. Most likely the most truthfull and faithfull performances ever to be recorded of this music, and also by Arrau.
Was this review helpful to you?
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 5.0 out of 5 stars  5 reviews
25 of 25 people found the following review helpful
5.0 out of 5 stars Arrau's dark Chopin Nocturnes Oct 9 2001
By Alex Serrano - Published on Amazon.com
A couple of years ago i happened to find in an old out-of-the-way store in my home country Ecuador, almost hidden in a back shelf Arrau's complete set of Chopin recorded for phillips. This 6 cd set included a large number of works of which probably the most amazing were the waltzes and the nocturnes. As for the waltzes, Arrau's rendition was a true revelation as he showed deep angst and sadness in them - a feature rarely stressed in these works.
And then were the Nocturnes. In his interpretation, and useing that so unique grave tone of his, Arrau delivers not only all the music but also darker, almost sinister visions. Psychology, always one of Arrau's favorite topics is pushed to the most and in the most revealing way - you can sense through these performances that beyond all the light of the filigree figurations and melodies lies the extremely troubled soul of Chopin as portrayed by Arrau. Trills, figurations so abundant in these works are played as part of the melodies and not just as ornaments - Arrau in interviews sopke many times of the various ways of playing and interpreting trills as taught to him by his teacher Martin Krause (home my memory serves me right) and here is the perfect example of what he meant.
I have heard other fine renditions of the nocturnes as played by Rubinstein, Barenboim, Biret - but as worthy as they are, doubtfully will they ever be appreciated as the unique, unapologetic, bold, understanding performances Arrau delivered here. This is not necesarilly Chopin to be enjoyed - rather to be disturbed by. Most likely the most truthfull and faithfull performances ever to be recorded of this music, and also by Arrau.
13 of 14 people found the following review helpful
5.0 out of 5 stars Arrau's Somber Chopin Nocturnes Jan 4 2003
By John Kwok - Published on Amazon.com
Available elsewhere as part of a collection of impromptus, Claudio Arrau's distinguished performances of Chopin's Nocturnes and other works sound richer and more vibrant in this remastered set; among the latest in the Philips 50 series. Arrau's performances may not be enjoyable to most, since his playing tends to be quite dramatic, with a darker, more somber vision of Chopin's scores than found elsewhere from the likes of Barenboim and Rubinstein, among others. Still these are remarkable, distinctive performances which should be recognized as among the finest recordings of Chopin's Nocturnes. I doubt I have heard anyone else probe more successfully into the most melancholy aspects of Chopin's personality, done with much elegant, refined playing. Without question this is a splendid two CD set worth owning.
9 of 10 people found the following review helpful
5.0 out of 5 stars The Chopin that Would Last Sep 27 2005
By BLee - Published on Amazon.com
I often come back to him for his Chopin. For an alternative of the Nocturnes, Samson Francois's (a French pianist with a strong personality) is a good choice. Moravec's are very impressing too. For a more recent version, viewers might perhaps check out Dang Thai Son (first Asian Chopin International Competition gold medalist), Ashkenazy's regular partner.

I also like Cortot, but you have to withstand the archive sound and some wrong notes. Rachmaninov's Chopin is great too. But the recordings are even more primitive and it is incomplete, so is the case of Sauer. Furthermore, like Friedman, Rachmaninov would alter the score a bit here and there...

So the Chopin that I refer to most are Arrau's other than Cortot. You can go over to him again and again without getting tired: beautiful tone, perfect phrasings beautifully recorded that goes right into the heart of music, and some say he is "deep and searching"...
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