Review
@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }"A rich and deeply insightful collection of ethnographic studies of sex work, taking us from China to Braziland from South Africa to North America. Probing into the complex nexus of structure and agency, exploitation and liberation, it sensitively exposes the need for public policy that is evidence-based and responsive to the lives and experiences of sex-working adults and children. A tremendously valuable and welcome collection for teaching, research, and analysis of contemporary conditions in the global sex trade." -Kamala Kempadoo, author of "Sexing the Caribbean: Gender, Race, and Sexual Labour"
Product Description
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. "Noise and Spirit" explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap's dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women's rap for considering the distinction between God and the Devil. The first section explores rap's association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.
