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None Shall Pass

Aesop Rock Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)
Price: CDN$ 16.84 & FREE Shipping on orders over CDN$ 25. Details
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Product Details


1. Keep Off the Lawn
2. None Shall Pass
3. Catacomb Kids
4. Bring Back Pluto
5. Fumes
6. Getaway Car
7. 39 Thieves
8. The Harbor Is Yours
9. Citronella
10. Gun For the Whole Family
11. Five Fingers
12. No City
13. Dark Heart News
14. Coffee

Product Description

Amazon.ca

Aesop Rock has always avoided courting mass appeal in favor of lyrically battering tomes and musically unrelenting blitzkrieg. With None Shall Pass, things have changed. There's nothing like a brisk jog to help chill out a few notches, so after the digital-only release All Day--an album in conjunction with Nike, meant to be heard while on a 45-minute run--it's no surprise that the following album from indie hip-hop's most aggressive MC is radically more accessible than his previously feral discography. Throughout, None Shall Pass supports the rapid-fire delivery and surreal world-view that longtime fans have come to adore, but finally, Aesop throws the masses a bone via backing tracks loaded with hooks aplenty and riffs to spare. "Catacomb Kids" spins a coming-of-age tale atop a guitar line worthy of the best in early '90s rap-rock. "Fumes" stutters forth on the most slithering, syncopated drum cadence in the whole Aesop archive. The ambling instrumental behind "No City" is a dead ringer for Portishead. All told, only a few of these songs sidestep a new commitment to accessibility that should mark None Shall Pass as Aesop Rock's breakout record. At last. --Jason Kirk

Product Description

Created over a 2 year period following his last release, 'None Shall Pass' unravels retrospectively, documenting not only much personal change that Aesop experienced over these years, but also scenes and stories indicative of all ages of life. Forgoing the typical stance of braggadocio everpresent in underground and mainstream hip-hop alike, Aesop Rock investigates and examines himself and others on this album; likening the title phrase to the inevitable judgment that everyone must ncounter by their peers based solely on their actions. The majority of production on 'None Shall Pass' is handled by Aesop's longtime partner BLOCKHEAD, labelmate and friend ROB SONIC and AESOP confidently producing a large portion of his own tracks, not including a trademark dystopian banger by DEF JUX label-head El-P ("Gun For The Whole Family") and features the MOUNTAIN GOATS' JOHN DARNIELLE on the album closer (and second single) "Coffee". DJ BIG WIZ also has a large presence on the album, appearing on 13 out of 14 tracks and offering a devastating rebuttal to those that say the art of scratching is dead.

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Most helpful customer reviews
0 of 1 people found the following review helpful
5.0 out of 5 stars EFFING AMAZING Oct. 27 2011
Format:Audio CD
i never thought that there couldn't be an album better than Labor Days. aesop rock, you've done it again. this album is cover to cover effing brilliant.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.7 out of 5 stars  41 reviews
32 of 38 people found the following review helpful
5.0 out of 5 stars Finally! Aug. 28 2007
By btnh1999 - Published on Amazon.com
Format:Audio CD
I think that the majority of Aesop fans got worried around the release of Bazooka Tooth that one of the best rappers in the underground scene was losing his touch. Fast Cars, Danger, Fire and Knives did little to assuage that worry.

For me, at least, this latest album was going to be all or nothing. If it sucked, then it meant I would have to come to terms with the fact that there might not be another Labor Days, and that Aesop might have run out of ideas. If it was good, though, then his mediocre last two albums would be forgiven as nothing but a phase, a testing of a style that didn't necessarily work. Aesop would be back.

Fortunately, the latter was true. But don't take that to mean that this is another Labor Days or another Float. This album has a different sound, a different style, and a different direction than anything Aesop has done before. In my personal opinion, it doesn't quite reach the lyrical greatness of his pre-Bazooka work, but it succeeds where Bazooka Tooth failed in that it is actually fun to listen to. The production is absolutely stellar (with the exception of one sub-par track from Rob Sonic), with head-nodders and melodic masterpieces throughout. The guest spots are well-integrated, well-planned, and few enough to avoid the disjointed feel that plagues so many rap albums.

Aesop's lyrics are as cryptic as ever, a quality that has never really allowed him to be popular in the mainstream, but has made him an icon in the underground. His songs require patience and active decoding. Anyone familiar with Aesop's work knows that the true concepts and messages of his songs lie buried in a thick mesh of obscure cultural references, little-known slang, inside jokes, and complex metaphors. However, it has often been said that this is Aesop's most accessible work to date, a label that probably lies more in its production than its lyrical content.

Aesop has put together an album to be counted among the best hip-hop releases of the year, sure to please both longtime fans and newcomers alike. Welcome back, Aesop. We've missed you.
5 of 6 people found the following review helpful
5.0 out of 5 stars How does he keep doing it??? April 24 2008
By Taco Bandit - Published on Amazon.com
Format:Audio CD
So, to me, it seems that early on in their careers rappers/emcees need to decide if they're going to be class A or class B:

class A releases a couple amazing albums but then becomes artistically spent and sticks around as a hollow shell of their former selves selling albums on reputation and glimpses of their former glory: Nas, Eminem, 50 come to mind.

Then there's class B whom you have to wait ages for new material, but when it finally comes out they continue to amaze: Breeze Brewin, Dr. Dre, El-P.

Then there's Aesop Rock, who's in a class of his own. He doesn't let more than a couple years go between an EP or LP, and seemed to drop amazing versus on everyone else's album in between, and yet with every new release the quality is easily as good as the previous one, if not better. It blows my mind when a rapper is as prolific and inexhaustible as AR is. Aesop doesn't try to draw fake buckets from his empty artist's well, rather I picture his well overflowing nonstop and it's all he can do to attempt to frantically catch even half of it.

Although Blockhead is back I don't really see this as a step backward toward Labor Days and Float like others seem to. Everything is so refined and AR seems so comfortable and at home (almost in an "I'm dope and know it" sort of way) just as he was in Fast Cars and Bazooka.

One nice innovation that worked out splendidly was the live instrumentation including the guitar riffs his wife lays down. As soon as I heard it scorch into the opening track I was like "oh, no you didn't just tastefully share a track w/ block and Aes did you! yes you did!" It works perfectly and it's yet another new take/direction for AR musically.

All in all, the realist in me keeps waiting for Aesop to stop either dropping so frequently or become a hollow shell of his former self, but the fan wanting both quality and quantity has yet to be disappointed. Here's to having our cake and eating it too!
6 of 8 people found the following review helpful
4.0 out of 5 stars Uncompromising Aesop? No. But still damn good. Sept. 30 2007
By Maxx - Published on Amazon.com
Format:Audio CD
I must be one of the few who really loved Aes' new direction that he flaunted on Bazooka Tooth and Fast Cars. Those albums were a marked departure from all of his previous work and showed intense progression towards a more confrontational, swagga-laden hip hop style.

That's all gone on this record.
His older style makes its celebrated return, making for an album less incendiary than its predecessors, but still a very strong effort. For the stories Aesop wanted to tell, I suppose his old style was the only way to do it. I was a bit disappointed on first spin, but since then this record has really grown on me. Once the tales sink their teeth into your neck, these tracks deliver some of the most concrete ideas of his career.

To balance it all out, there are still a couple tracks where the message is typically cryptic (Popcorn, eh?). The Aesop faithful wouldn't have it any other way, but since this album is...a step backward in my book (no offense), I can't help but wonder what this album would be like if the songs were as self-explanatory as "No Regrets" (off Labor Days), as communication appears to be what he's going for. Some tracks are, others are not.

[...]

Hope this helps.
2 of 3 people found the following review helpful
5.0 out of 5 stars Aesop Rock-None Shall Pass Aug. 21 2008
By acrid.one - Published on Amazon.com
Format:Audio CD
I've only been up on Aesop Rock for a couple of years now, so i cant really front like i know the history of/album progress Aesop has made since he's emerged. What i can tell you is that he is one of the most unique and odd style MC's out there-a true lyrical artist. In this time of uber-materialism, Aesop shuns away from that image,taking the listener down the rabbit hole, then detouring to a world of brain-warped tales and an unusual form of self-examination.

The production on 'None Shall Pass' is dope-the majority being done by his peer, 'Blockhead' as well as some tracks credited to himself as well as Rob Sonic & EL-P. Dont expect any type of 'Hippie-Hop,flower power beats' either...bass heavy, guitar-laced,funkdafied rhythms compliment his tricky wordplay on every track. As i've said before, his lyrics are exclusive only to a mind like his-try following and you'll lose yourself quick, but his timing with the music is on point making for a great track either way. If you're going to start somewhere with Aesop Rock, why not here? 5 outta 5.
2 of 3 people found the following review helpful
5.0 out of 5 stars This has Aesop Rock written all over it! Oct. 5 2007
By David King - Published on Amazon.com
Format:Audio CD
I am going to keep this review short and sweet. Personally, and I think others might agree, that when it comes to Aesop Rock, there is a certain expectation as to what it is going to sound like. Holy ****! Let me tell you this hits the nail on the head! Bang! It is much better, imo, than last years release "Fast cars, danger, fire & knives". The album is full of A.R.'s awesome flow perfectly complemented with music that is candy to your ears. I think it sounds best at night, but can most certainly be enjoyed at all times. 5 stars! BUT IT!!
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