- Hardcover
- Publisher: Farrar Straus & Giroux (T) (September 1990)
- Language: English
- ISBN-10: 0870119435
- ISBN-13: 978-0870119439
- Shipping Weight: 789 g
- Average Customer Review: 4.6 out of 5 stars See all reviews (92 customer reviews)
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Product Details
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Norwegian Wood is a simple coming-of-age tale, primarily set in 1969-70, when the author was attending university. The political upheavals and student strikes of the period form the novel's backdrop. But the focus here is the young Watanabe's love affairs, and the pain and pleasure and attendant losses of growing up. The collapse of a romance (and this is one among many!) leaves him in a metaphysical shambles:
I read Naoko's letter again and again, and each time I read it I would be filled with the same unbearable sadness I used to feel whenever Naoko stared into my eyes. I had no way to deal with it, no place I could take it to or hide it away. Like the wind passing over my body, it had neither shape nor weight, nor could I wrap myself in it.This account of a young man's sentimental education sometimes reads like a cross between Sylvia Plath's The Bell Jar and Stephen Vizinczey's In Praise of Older Women. It is less complex and perhaps ultimately less satisfying than Murakami's other, more allegorical work. Still, Norwegian Wood captures the huge expectation of youth--and of this particular time in history--for the future and for the place of love in it. It is also a work saturated with sadness, an emotion that can sometimes cripple a novel but which here merely underscores its youthful poignancy. --Mark Thwaite --This text refers to the Paperback edition.
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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars
Enchanting,
This review is from: Norwegian Wood (Paperback)
" 'Norwegian Wood' is still the one Murakami book that 'everyone' in Japan has read," says Jay Rubin in his Translator's Note of this simple, straightforward, semi-autobiographical story. Toru Watanabe as narrator of this 1960s period piece reminds me of Nick Carraway in Fitzgerald's "Gatsby"; Watanabe seems one step removed from the action even while he is part of it, and his commentary shapes a critique of contemporary Japanese society. So "Norwegian Wood" is a love story set against a larger theme of questioning the Establishment. Another theme is the characters' insouciance about lovemaking. Letterwriting and love letters are part of Murakami's (Watanabe's) narrative strategy, which lend this novel a heightened sense of intimacy. Near the end, Watanabe says, "Letters are just pieces of paper . . . Burn them, and what stays in your heart will stay; keep them and what vanishes will vanish." Haruki Murakami's "Norwegian Wood" stays in the heart; it is his enchanting letter from the '60s, with love.
2.0 out of 5 stars
dissapointed,
By Anne Marie Lefebvre (Grand-Mère, QC, Canada) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Norwegian Wood (Paperback)
It's my first time reading one of Murakami's book. It's not that I didn't like the story in it's whole, but reading the book from the beginning to it's end was a pain.... I din't like that every two pages, everything seemed to be about sex, the dialogues are somehow very childish and even if Watanabe was the main caracter, he was the most annoying person in this story. This story leaves me with an empty feeling like if I was reading an unfinished story.
5 of 5 people found the following review helpful
5.0 out of 5 stars
The Humor Balancing the Sadness That Makes This an All-time "Catcher in the Rye" Classic,
This review is from: Norwegian Wood (Paperback)
When I reached the last page of "Norwegian Wood," after reading the novel's pitch-perfect last line, due to an utter unwillingness, a near inability, to leave the beautiful world Murakami had created, I proceeded to immediately flip back to the first page and start all over again. That was a few years back now. I've read it again since. More than once.Because the book hit a place in my soul, a mate to my soul, a heart to my heart. The Beatles song Murakami's 1987 novel is named after is on surface listen a pretty two minute ditty. A pretty, but sad, thing. The tone of Murakami's novel has something similar gently pulling the reader through. It is also equally deceptive to the song in how simple it seems, how easy it reads. Yet, beneath a book that reads like almost pure autobiography, and a song that listens like effortless melody, lie layered artful structure, and things thematically heavier than meet the eye. The Beatles' song that is so melodically sweet ends with a man taking revenge on a girl who would not sleep with him, by burning down the furniture in her room. Murakami's narrator does no such thing. But his book too juxtaposes a gentle tone with themes of longing, of loss and of what can and will never be. To be somewhat vague and very brief "Norwegian Wood," set in the Tokyo of the 1960s, is a love story. Basically it is a sad story. Most all the love in the book is of the unrequited variety, and there is more than one suicide. The book has much to lend itself to feeling blue, like Miles Davis on his muted trumpet. But for every lonely moment, you get a scene with a character like Reiko, a friend like Reiko, a woman who should be tragic considering her history but who, by the time we meet her in a sort of sanatorium for sad or screwed up people, turns out to be that rock solid salt of the earth type who seems like the mentally healthiest person on earth. Better still, though no longer the piano virtuoso she once was, she plays a mean guitar, Beatles song included. The magic of Murakami's "Norwegian Wood," is that a book so focused on sad subject manner manages to have what all books need to be great - a sense of adventure. Not, of course, in the children's literature sense of the word, but in the 'you've gone off to another place' sense. "... the bus plunged into a chilling cedar forest. The trees might have been old growth the way they towered over the road, blocking out the sun and covering everything in gloomy shadows. The breeze flowing into the bus's open windows turned suddenly cold, its dampness sharp against the skin. The valley road hugged the river bank, continuing so long through the trees it began to seem as if the whole world had been buried for ever in cedar forest - at which point the forest ended, and we came to an open basin surrounded by mountain peaks. Broad, green farmland spread out in all directions, and the river by the road looked bright and clear. A single thread of white smoke rose in the distance..." Best of all is the poetry is in the book's balance, as alongside depression and suicide, you also get a character like Midori - one of my favourite in all modern literature. "At 5:30 Midori said she had to go home and make dinner. I said I would take a bus back to my dorm, and saw her as far as the station. 'Know what I want to do now?' Midori asked me as she was leaving. 'I have absolutely no idea what you could be thinking,' I said. 'I want you and me to be captured by pirates. Then they strip us and press us together face to face all naked and wind these ropes around us.' 'Why would they do a thing like that?' 'Perverted pirates,' she said. 'You're the perverted one,' I said." And really, what else do you need to help you cope with death, and the kind of love that will never be, but perverted pirates? -Probably Because I Have To
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