THE ENGLISH AND GERMAN VERSIONS OF THE MODERN HORROR MASTERPIECE In 1979, award-winning director Werner Herzog and his volatile star Klaus Kinski embarked on a milestone in international cinema: a dual-language remake of F.W. Murnau's legendary 1922 horror classic NOSFERATU. The film starred Kinski in the performance of a lifetime as the predatory vampire Dracula, with Isabelle Adjani (THE TENANT) as his beloved Lucy and Bruno Ganz (WINGS OF DESIRE) as the doomed Jonathan Harker. Filmed on breathtaking locations throughout Europe and simultaneously shot in both German and English-speaking versions that create fascinating differences in tone and texture, Werner Herzog's NOSFERATU has since become recognized worldwide as the definitive version of the Dracula legend as well as one of the most extraordinarily haunting horror films ever made. Includes a 4-Page Collector's Booklet.
Werner Herzog's remake of F.W. Murnau's original vampire classic
is at once a generous tribute to the great German director and a distinctly unique vision by one of cinema's most idiosyncratic filmmakers. Though Murnau's Nosferatu
was actually an unauthorized adaptation of Bram Stoker's Dracula
, Herzog based his film largely on Murnau's conceptions--at times directly quoting Murnau's images--but manages to slip in a few references to Tod Browning's famous version (at one point the vampire comments on the howling wolves: "Listen, the children of the night make their music."). Longtime Herzog star Klaus Kinski is both hideous and melancholy as Nosferatu (renamed Count Dracula in the English language version). As in Murnau's film, he's a veritable gargoyle with his bald pate and sunken eyes, and his talon-like fingernails and two snaggly fangs give him a distinctly feral quality. But Kinski's haunting eyes also communicate a gloomy loneliness--the curse of his undead immortality--and his yearning for Lucy (Isabelle Adjani) becomes a melancholy desire for love. Bruno Ganz's sincere but foolish Jonathan is doomed to the vampire's will and his wife, Lucy, a holy innocent whose deathly pallor and nocturnal visions link her with the ghoulish Nosferatu, becomes the only hope against the monster's plague-like curse. Herzog's dreamy, delicate images and languid pacing create a stunningly beautiful film of otherworldly mood, a faithful reinterpretation that by the conclusion has been shaped into a quintessentially Herzog vision. --Sean Axmaker
--This text refers to an out of print or unavailable edition of this title.