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Not So Innocent [Mass Market Paperback]

Laura Lee Guhrke
4.8 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

Nov. 26 2002 Sonnet Books

In this wonderfully captivating and sensual page-turner from award-winner Laura Lee Guhrke, a woman who "foresees" a crime and tries to prevent it finds white-hot passion with a sexy, skeptical Scotland Yard inspector.

Sophie Haversham would give anything not to have the gift of foresight. After all, her "talent" has already cost her one fiancé. And reporting a crime that hasn't happened yet is no easy task -- especially when the future victim turns out to be the tough, devastatingly attractive policeman handling the case.

Inspector Mick Dunbar doesn't believe in visions, and he's convinced that Sophie is actually shielding a would-be murderer. Only when Sophie's life is in danger does Mick realize he has fallen in love with this beautiful, courageous woman who can see into his very mind and heart -- but will the knowledge come too late to save her?


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About the Author

Laura Lee Guhrke isn't one of those lucky authors who knew from her childhood onward that she wanted to be a writer. As a child, she was sure she was going to be a marine biologist when she grew up and study the iguanas on the Galapagos Islands. Then she dissected her first (and last) frog in high school biology class and decided that a different career choice was in order. When an English teacher told her she could never be a writer because her stories were "too sappy", Laura vowed that someday she would prove that teacher wrong and become a writer, but her parents wanted her to go to college first (mainly so that she wouldn't spend her lifetime living in their house with no gainful employment while writing the Great American Novel).
It took four years of college studying business, and seven years on the corporate fast track before Laura decided it was time to fulfill the vow she'd made to herself and prove her English teacher wrong. She wrote her first novel in 1991, had her first published novel in 1994, and now has six published historical romances to her credit. For her 1997 book, Conor's Way, she has been honored with the Romance Writers of America RITA Award for Best Historical Romance. Her latest book, The Charade, is a March, 2000, release from Pocket Books.
Laura loves writing historical romance because she has always wanted a time machine and this was the closest she could get. Historical romance enables her to go back in time, experience excitement and adventure, and capture the hearts of handsome heroes, all without leaving the safety and comfort of her home, dishwasher and cable tv.
Laura lives in Eagle, Idaho, a small town outside the state capital of Boise, and when she's not writing, she helps her parents run their construction company (which explains why they wanted her to get that business degree). She loves living in Idaho because she gets to ski and fly fish, and because she doesn't have that big-city, over-an-hour-each-way commute to work. Besides, her golden retriever, Sam, would HATE living in a big city because you can't chase pheasants and roll around in the mud when you live in a big city, and according to Sam, there would be no point to life if you couldn't roll around in the mud.
Laura loves hearing from readers, and you may write to her at P.O. Box 1143, Eagle, ID, 83616, or you may e-mail her at lauralee@micron.net. --This text refers to the Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

LONDON, 1897

When he awoke on the morning of May 28, Mick Dunbar was not a happy man. Today was his birthday, his thirty-sixth birthday, and he had to face the bitter fact that he wasn't so young anymore.

On this particular morning, he even felt old. His shoulder ached from that bullet wound ten years back, he seemed to have more gray in his dark hair than he'd had the night before, and shaving off his mustache didn't make him look any younger. Mick knew it was going to be a long day.

The moment he arrived at Scotland Yard, he saw that the birthday jokes had already begun. His office was empty. His desk, his chairs, his case files were gone. Even the commendations he'd received in his career were no longer hanging on the wall.

"Thacker!" he shouted, watching as his sergeant came running from the large room that served as the main office of the Criminal Investigation Department. "What happened here?"

The suspicious twitch of the sergeant's huge red mustache told Mick that Thacker was in on the joke. "Chief Inspector DeWitt decided today was the perfect day to repaint your office."

"I'll bet he did," Mick muttered. Even his own boss was not above a bit of chicanery. "So where'd he put me? The morgue?"

"No, sir. You're on the ground floor. I'll show you."

Mick followed his sergeant downstairs to the large main office of the constables. It was the worst place -- other than the morgue -- that the lads could have chosen. Anyone coming to report a crime was sent here first. It was noisy, crowded, and chaotic.

Thacker led him to the center of the room. Case files and reports were heaped on top of his desk and on the floor surrounding it. Mick, considered to be the most obsessively neat officer in the Metropolitan Police, looked at the mess and swore loud enough to be heard above the noise.

Laughter broke out all over the room, and he looked around to see the constables on duty grinning at him. But when he walked around the desk to sit down, he found the joke was not yet over. There was a cane hooked over the back of his chair.

Mick looked at the symbol of old age and scowled. Birthday pranks were common, and he was usually ready to laugh along with the others, even when he was the victim. Not this year.

He grabbed the cane from the back of his chair and handed it to Thacker. "Toss that in a dustbin."

"Happy birthday, sir." Thacker gave him a hearty slap on the back that sent a shot of pain through his aching shoulder. "You knew something like this would be on today."

"Aye, I knew."

"Cheer up, sir. I've had worse things done to me in Her Majesty's Navy." He grinned. "By the way, I could have told you it doesn't work."

"What?"

"Shaving off your mustache." Undeterred by Mick's deepening scowl, he continued, "How does it feel to be an old man?"

"Thirty-six is not old." Mick sat down, staring at the mountains of paperwork that completely hid the top of his desk from view. "Any new cases in this mess?"

Thacker pulled a pair of files from beneath one of the stacks. "Two new ones for you today, sir."

Mick removed one pile of paperwork from his desk and set it on the floor, clearing himself some space to work, then he took the files from the sergeant.

"A drowned body, female, found yesterday on the bank of the Thames just beyond Tower Bridge," Thacker explained, "and a viscountess claims her emeralds have been stolen."

The body sounded more intriguing than jewels. Mick opened that file first and read through the report of the drowning.

"The divisional surgeon believes it's a suicide," Thacker went on, "but he said you'll have to wait for the autopsy this afternoon before he'll swear to it."

"Of course it's suicide," Mick answered and shut the file. "The report says three witnesses watched the woman jump. Why did the River Police give this to the Yard?"

"Richard Munro said to tell you happy birthday."

"What a thoughtful fellow. Telephone his office and tell him he'd better meet me at the morgue about half past three. Cal will have finished the autopsy by then. Tell Richard if he doesn't meet me there, I'll tell his wife where I took him the night before his wedding."

Thacker laughed, and Mick set the first file aside. He picked up the second one. Glancing through it, he shook his head. "Some pampered viscountess losing her emeralds? No, thank you."

"She had worn the necklace to a ball, and she's certain she put it in her jewel case when she came home. She claims someone must have taken it between the night before last and this morning. She suspects the maid. It's probably an easy case."

Mick was not tempted by that. "Give it to one of the junior detectives. They need the experience."

Thacker took the file. "I'll have it assigned to -- "

The sergeant was interrupted by a loud, indignant voice that boomed through the office of the constables like a powder blast. "I told you I want to see Inspector Michael Dunbar, young man, and he's not in his office. Where is he?"

Mick glanced up. When he saw the stout, red-faced woman standing by the front counter with a constable, he knew his day was headed straight down to hell.

It was Mrs. Tribble, his landlady, a woman with a raucous voice and an overbearing manner. When she glanced his way, Mick shielded his face from her view with the case file he was holding, but it didn't work.

Her boot heels thudded against the floorboards with her considerable weight as she marched toward his desk. "Mr. Dunbar, I have come to report a crime." She thumped his desk with her fist. "An infamous crime."

Mrs. Tribble was always coming to him with infamous crimes. A fortnight ago she'd misplaced a ring, insisting it had been stolen. The month before that, she'd claimed a man had made improper advances to her in the queue at the stop for the omnibus. Wishful thinking on her part, Mick suspected. "What is this crime?"

"My Nanki Poo has disappeared. He has been kidnaped."

Nanki Poo was a flat-faced, bad-tempered Pekingese. Some people thought Pekes were dogs, but it was Mick's opinion that as pets they left a lot to be desired and could be of far greater use to the world as dust mops. "When you receive the ransom note, bring it to me."

She stared at him. "That's all you're going to do?"

He heard Thacker smother a laugh, and he decided it was time to repay the sergeant for calling him an old man. "Not at all. Sergeant Thacker will begin the investigation." Mick stood up, smiling at the sergeant's look of dismay. "I have to be going, but you'll help Mrs. Tribble all you can, won't you, Thacker?"

Gesturing to the door with the hook of the cane in his hand, the sergeant said in a resigned voice, "Come this way, ma'am."

Mick left his landlady to Thacker and departed from the Yard, but he had barely stepped into Parliament Street when his day took another turn for the worse. He heard the sound of shattering glass, splintering timber, and frightened screams, and he glanced across the street to find that someone had driven a Benz motorcar up over the sidewalk and through the glass front doors of the Boar's Head Pub.

"Bloody hell." Mick made his way across the traffic of Parliament Street, hoping nobody was dead, because he'd end up being the one to visit the relatives and break the bad news. He hated that.

As it turned out, nobody was hurt by the incident except the driver of the Benz, who had a bleeding gash on his forehead and was too drunk to feel the pain. In his inebriated state, the idiot had decided it would be jolly good fun to smash in the front doors of the Boar's Head Pub.

Mick didn't agree. He arrested the fellow, not caring that he claimed to be Sir Roger Ellerton, and the son of an earl. Mick hauled Sir Roger into Cannon Row Police Station right beside the Yard, charging him with public drunkenness and property damage.

"You can't arresht me, you bashtard!" Sir Roger bellowed out a curse worthy of any longshoreman and slammed his fist into Mick's left cheek.

Mick was a big man, and though the impact of the other man's fist made him see stars for a second, it didn't knock him off his feet. He promptly returned the favor, and the dazed Sir Roger fell back into the arms of Anthony Frye, the day-watch sergeant. "Toss him in a cell," Mick ordered, "where he can sleep it off."

Anthony grinned at him over the top of Sir Roger's lolling head. "You're going to have a fine shiner there, old man."

"Thirty-six is not old," Mick said through clenched teeth.

"Happy birthday."

His reply to that was an obscene gesture that only made Anthony laugh. Mick filled out a report on Sir Roger, adding the assault of a police officer to the charges, and left the station. He caught an omnibus for Piccadilly Circus and spent the next six hours investigating one of his open cases.

It was after three o'clock when he started back for Scotland Yard. He stopped at a costermonger's cart on Cannon Row for a Cornish pasty, but the only ones left were mutton. Mick hated mutton, hated it with a depth of feeling akin to his hatred of Manchester United and newspaper journalists. Anyone with sense knew that Celtic, not United, was the only football team worth a damn, and newspaper journalists were the bane of every policeman's existence. Mutton wasn't fit for dogs. He decided to wait for dinner.

Back at the Yard, Mick went straight to the morgue, intending to confirm the suicide of the woman who'd jumped off Tower Bridge and close that case.

As far as dead bodies went, drowning victims had to be among the ugliest, Mick decided, staring down at the bruised and bloated remains of one Jane Anne Clapham, which lay on a table in the morgue. Slime and mud had dried to greenish-brown patches on the woman's skin, and algae from the Thames still clung to her blue-tinged lips.

He glanced at the two other men who stood around the table, Richard Munro and Calvin Becker. Cal, the divisional... --This text refers to the Paperback edition.

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5.0 out of 5 stars A delightful late Victorian Mystery Romance July 9 2004
Format:Mass Market Paperback
What a delightful late Victorian story, from a gently deft writer! Sophie Haversham is lady of quality, even though she lives in genteel poverty with her aunt Violet. Since her uncle's death, Aunt Violet has turned her Mayfair home into a boarding house. Sophie helps with the borders, spends her time in the gardens and in the observatory growing orchids. She is happy with her life, though it is not the life her mother hoped for. Only, Sophie is plagued with visions. Sometimes they come in her dreams, leaving her to wake up shaking, knowing something very horrid will happen; sometimes they seize her while she is up and about causing her to faint and suffer a lingering headache. When she awakens from one of her dreams, where she saw a man dead and bleeding in the park, she knows she just cannot ignore it, so she goes to Scotland Yard with hopes of preventing it.
It's Mick Dunbar's birthday. One of the best roving inspectors of the Yard, he is not facing his birthday with much joy. First, looking in to the mirror he decides to shave his mustache, hoping to hide he is not getting old - after all, thirty-six is NOT old, or so he kept telling himself and everyone at the yard. He arrived to find his office and been moved, while it's being painted, leaving him in the middle of the traffic of the yard. So, he hears the pretty but slightly disheveled young woman trying to report a murder.
When Sophia spies Mick sitting there, she knows he's the man she sees dead in her vision. She describes the park that it is at night, below the statue of Robbie Burns. But she cannot convince Mick the threat is real; he believes it's another birthday joke being played upon him.
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5.0 out of 5 stars delightful late Victorian mystery romance July 9 2004
Format:Mass Market Paperback
What a delightful late Victorian story, from a gently deft writer! Sophie Haversham is lady of quality, even though she lives in genteel poverty with her aunt Violet. Since her uncle's death, Aunt Violet has turned her Mayfair home into a boarding house. Sophie helps with the borders, spends her time in the gardens and in the observatory growing orchids. She is happy with her life, though it is not the life her mother hoped for. Only, Sophie is plagued with visions. Sometimes they come in her dreams, leaving her to wake up shaking, knowing something very horrid will happen; sometimes they seize her while she is up and about causing her to faint and suffer a lingering headache. When she awakens from one of her dreams, where she saw a man dead and bleeding in the park, she knows she just cannot ignore it, so she goes to Scotland Yard with hopes of preventing it.
It's Mick Dunbar's birthday. One of the best roving inspectors of the Yard, he is not facing his birthday with much joy. First, looking in to the mirror he decides to shave his mustache, hoping to hide he is not getting old - after all, thirty-six is NOT old, or so he kept telling himself and everyone at the yard. He arrived to find his office and been moved, while it's being painted, leaving him in the middle of the traffic of the yard. So, he hears the pretty but slightly disheveled young woman trying to report a murder.
When Sophia spies Mick sitting there, she knows he's the man she sees dead in her vision. She describes the park that it is at night, below the statue of Robbie Burns. But she cannot convince Mick the threat is real; he believes it's another birthday joke being played upon him.
Read more ›
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4.0 out of 5 stars A Great Supernatural Romance!!! Jan. 31 2003
Format:Mass Market Paperback
This was a first time read for me by this author. I must admit that I was not let down.
Sophie and Mick are social opposites. Mick is a London Inspector Detective with Scotland Yard. He is a man that has just celebrated his thirty six birthday does not have a family and has watched his best friends marry, have kids and live the life that he wants to have.
Sophie is genteel poor, has a witch of an older sister, and a harridan for a mother, and lives with her aunt who thinks that she is the reincarnated Cleopatra. She also has the gift of second sight and she feels that no man is ever going to want to marry her because as her sister has told her repeatedly she is a freak. Sophie would have just gone about her business but she could not live with herself if she did not go to Scotland Yard and report the murder that she has 'dreamt' about. When she is in the process of reporting the crime she looks up and sees the object of the murder only he is alive and well and he is Mick. Mick of course does not believe anything that he can not see and thinks that Sophie's act is a birthday prank and goes about his business but on the way home someone tries to kill him but instead of believing Sophie's gift he thinks that Sophie is involved the attempt to kill him This belief leads him to moving into Sophie's aunts boarding house, and into a working relationship between Mick and his unlikely witness Sophie to find a killer that calls himself Heart Eater.
This was a fast read with plenty of suspense as to who is killing London Policemen and lets not forget the romance between Sophie and Mick. Their romance is sweet, tender, and sensual and wonderful to read. I especially liked the dancing scene between Mick and Sophie at the ball. It was probably the most tender moment of the book and I must admit to falling a little bit in love with Mick myself at this point. Add this story to your must read list you won't be disappointed!
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