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From Amazon.co.uk
In this 1942 melodrama, founded on the novel by Olivia Higgins Prouty (who also wrote the novel on which Stella Dallas was based), Bette Davis stars as Charlotte Vale, a dowdy, repressed woman who, overwhelmed by her domineering mother, is on the verge of a nervous breakdown. She finds help at a sanatorium from a kind psychiatrist (Claude Rains), who turns her into a beautiful, confident woman. As a new person, she takes a pleasure cruise, where she meets Jerry (Paul Henreid), an architect trapped in an unhappy marriage, saddled with a troubled daughter. The two fall in love but, of course, the romance is doomed. Yet their paths cross on occasion, and, despite their feelings, Charlotte finds satisfaction in helping Jerry's depressed child. The film will seem familiar to new viewers--the campy style was the pattern for many tearjerkers to come and its most famous line has been oft repeated ("Don't ask for the moon--we have the stars"). But the heartstrings are tugged and as Paul Henreid chivalrously lights two cigarettes and hands one over to the doleful-eyed Davis, pull out the box of tissues--you're gonna need 'em. --Jenny Brown
Amazon.com essential video
In this 1942 melodrama, founded on the novel by Olivia Higgins Prouty (who also wrote the novel on which Stella Dallas was based), Bette Davis stars as Charlotte Vale, a dowdy, repressed woman who, overwhelmed by her domineering mother, is on the verge of a nervous breakdown. She finds help at a sanitarium from a kind psychiatrist (Claude Rains), who turns her into a beautiful, confident woman. As a new person, she takes a pleasure cruise, where she meets Jerry (Paul Henreid), an architect trapped in an unhappy marriage, saddled with a troubled daughter. The two fall in love, but, of course, the romance is doomed. Yet their paths cross on occasion, and, despite their feelings, Charlotte finds satisfaction in helping Jerry's depressed child. The film will seem familiar to new viewers--the campy style was the pattern for many tearjerkers to come, and its most famous line has been oft repeated ("Don't ask for the moon--we have the stars"). But the heartstrings are tugged, and as Paul Henreid chivalrously lights two cigarettes and hands one over to the doleful-eyed Davis, pull out the box of tissues--you're gonna need 'em. --Jenny Brown
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5.0 out of 5 stars
Oh, Jerry!,
By
This review is from: Now, Voyager (DVD)
Charlotte Vale (Bette Davis) is a dowdy spinster who has been driven to a nervous breakdown by her tyrannical mother. She enters a sanitarium and emerges an attractive and confident woman, ready to experience life on her own terms. On a cruise, she meets Jerry (Paul Henried), a married man; he's charming and romantic and they fall in love.
This is a great movie. Charlotte's physical and emotional transformation and her Grand Passion are the stuff that make many female hearts race, including mine. Davis gives a powerful, intelligent performance and was justly nominated for an Oscar. Leading men didn't come any smoother than Henried and he pulls off the now-silly double-cigarette act with absolute aplomb, making his flawed character seem almost heroic. Max Steiner's heart-tugging score won an Oscar. The movie is pure escapist delight with beautiful people, gorgeous clothes, exotic locations, and, of course, Love. A true classic romance that makes me swoon. Highly recommended.
5.0 out of 5 stars
Now, Buy This DVD,
This review is from: Now, Voyager (DVD)
Based on Live Prouty's novel, this Hal Wallis production is one of the best films the studio system produced. The story, improbably romantic though it is(the novel at least makes some effort to provide some motivation for the romance)" moves along smartly, the setting are sumptuous, the writing deft. Now Voyager is one of those magical movies than can be watched over and over. One of my top ten favorites.
5.0 out of 5 stars
Top of the line,
This review is from: Now, Voyager (VHS Tape)
Great old movie, filled with great plot, great acting, and a great score. This is probably Bette Davis's second best, first place going to ALL ABOUT EVE with its even better plot, actors, and twists and turns. But VOYAGER is different in that it's much more psychologically complex. And why not? It is, after all, dealing with psychiatrists and their craft. Highly recommended.
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