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Off to the Side: A Memoir
 
 

Off to the Side: A Memoir [Paperback]

Jim Harrison
3.0 out of 5 stars  See all reviews (7 customer reviews)
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Rarely does one encounter a memoir so filled with the details of a life lived. Whether recalling bits of his past as a depressed child, manual laborer, Hollywood screenwriter, aspiring poet, novelist, or alcoholic husband, Jim Harrison pauses to analyze these moments--the cause and effect--and the choices that have made him who he is. Loosely divided into chapters, Off to the Side is somewhat rambling, and Harrison's opinions and conclusions occasionally remain obscure ("nearly everything you hear about Mexicans in the great north is utterly untrue")--but, to the benefit of readers, Harrison is never at a loss for ideas.

The solace Harrison finds in the natural world is most compelling, and it could be said he, too, shares Frost's "lover's quarrel with the world." After losing an eye at an early age and sinking into melancholy, Harrison's father advised that "curiosity will get you through hard times when nothing else will. Your curiosity had to be strong enough to lift you out of your self-sunken mudbath, the violent mixture of hormones, injuries, melancholy, and dreams of a future you not only couldn't touch but could scarcely see." These words were not lost on Harrison. With "no expertise outside of [his] own imagination" Harrison plays to his strengths in Off to the Side by setting down the events, experiences, thoughts, and feelings that have shaped his quite literate, truly American life. --Michael Ferch --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

"I'm not sure I'm particularly well equipped to tell the truth," writes Harrison. But with such a colorful life, there's not much need to tell lies. Bus boy, gardener, gourmand, novelist, screenwriter, drunkard-Harrison has done it all. Now add successful memoirist to that list. After a rugged outdoor childhood in Michigan, where an accident left him blind in one eye, Harrison moved to New York with vague ambitions to be a poet. Denise Levertov soon recognized his talent and launched Harrison on a literary career that eventually included teaching at SUNY Stony Brook, writing for GQ and Esquire, authoring several popular novels (The Road Home; Legends of the Fall) and writing Hollywood screenplays. Throughout, Harrison befriended an impressive gang of fellow free spirits: Jack Nicholson, Jimmy Buffett, Tom McGuane, among others. He swingingly recounts trout fishing with Richard Brautigan, bingeing with Orson Welles, arguing gay poetry with W.H. Auden and drinking with just about everybody. Alcoholism, Harrison writes, was his constant enemy, the writer's "black lung disease," as his friend McGuane once said. But he had other vices, too: strippers, cocaine, hunting, long walks in the woods by himself-all of which fed into Harrison's characteristic mix of freewheeling boho sensibilities and earthy western melancholy. A man as willing to shoot a grouse as trip on psychedelics-he claims to annually experience God-like visions and swears that he was once transformed into a wolf-Harrison is never less than intriguing. This fine memoir is a worthy capstone to a fascinating career.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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First Sentence
Norma Olivia Walgren met Winfield Sprague Harrison in 1933 at the River Gardens, a dance hall just north of Big Rapids, Michigan, on the banks of the Muskegon River. Read the first page
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Customer Reviews

7 Reviews
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Average Customer Review
3.0 out of 5 stars (7 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
2.0 out of 5 stars I made it through!, Feb 18 2003
By 
Daniel Holland (Arroyo Grande, CA United States) - See all my reviews
(REAL NAME)   
It was quite an accomplishment to make it through all of Harrison's puffery to get to the end. I don't think it was worth it. There are some really good sections including one on road trips as a way to break out of the duldrums and of course getting out into the woods - I loved his idea of finding "thickets" in which to escape and get back to normal. I can relate.

I'm a huge Harrison fan and love Sundog, Farmer, and Legends of the Fall the best. I just don't get much enjoyment out of is name dropping and arrogant attitude. He mentions his wife and family rarely and there's just a couple references about his writing and approach. I get the feeling he wrote this pretty fast and a couple chapters seem like stand-alone essays that were thrown in. This book could have used some good editing/pruning.

That said, Harrison is still tied for my favorite author and his books are prominent on my bookshelf.

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4.0 out of 5 stars in praise of the candid, Jan 14 2004
By 
Glen Sooter (Washington, DC United States) - See all my reviews
This review is from: Off to the Side: A Memoir (Paperback)
When I finished this book, I felt much like the other reviewers. I thought the first half was great, and it finished strong in the very end, but my perception of Harrison was tarnished as one Hollywood name after another was trotted out during the screenplay writing phase. It was as if, caught within a pseudo-fame, he had to ensure his readers (or moreso himself) that he was in the game, whether we knew it or not.

Then, as the book settled in a bit, I began to realize that this was probably a relatively candid look at the man's professional life (I don't know him - I'm only guessing). True to his persona, he didn't fall into politically correct pressure - this time by not being modest about who he knows. Maybe this reveals just another one of his addicitons.

The only difference is that the other addictions he talks about have a mythological romance to them, evoking endearment in job-shackled readers and probably selling a lot of books for him. This particular vice repels people.

Nevertheless, whether he intended it or not, I felt the book revealed a man constantly torn between the seduction of Hollywood's powerful, fast pace and his cheap cars and favorite dogs rolling out to a fishing spot before hitting the local northern Michigan watering hole. I can relate.

His language is, as always, poetically beautiful and you can truly feel the passion of somebody who seems fascinated by the simple fact that he's alive.

Out of morbid curiosity, I would have liked to understand more how he maintained his family life with so much wild and carefree excess. But, then again, that's really none of my business.

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3.0 out of 5 stars Portrait of the artist as a philosophical old drunk, May 7 2003
It's one of the most uniquely American career paths in literature. Boy grows up in the hinterland, discovers that he has received the divine ray of talent, follows his dreams and scrabbles for decades, then finally hits the big time in Hollywood.

The difference is that Harrison never lost touch with the land, much preferring to repair to his favorite hunting and fishing spots, and drink with the locals back home in Michigan, rather than toil away in the studios. Oh, he did lose his church unbringing, and G. K. Chesterton would surely call Harrison's idea of a private religion mere weakmindedness, but Harrison has undoubtedly consumed an adult portion of life, and he's here to tell us all about it.

As a biographical account of his life and career, this is much too misty. The reader must swim open seas of random impressions, interesting anecdotes, and barstool wisdom to get from one fact to the next. And they are not especially sequential, either. I guess that job will have to wait for a professional biographer.

But taken for what it is, this book is enjoyable. There's too much name-dropping in the Hollywood phase, though he is sincerely grateful to Jack Nicholson for his help breaking into pictures. But really--eating sandwiches with Art Garfunkel while betting on which skiers on a slope are going to wipe out? And there are dozens such little passing mentions. Maybe I'm just jealous...

His love of the land, of the countryside, of his hunting dogs, and his unsparing accounts of his own shortcomings and addictions and mistakes make this book one to respect. It may be a mishmash, it may not be the whole or unadulterated truth, but it is visibly a labor of love.

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