the whole album vibrates with rhythm and feeling, but it is a little uneven. starts at a somewhat familiar, somewhat tried place - flute, synth, drums atmospherics ending with a droning sitar and flute, and violins. pretty standard stuff. another tune with rich flute-and-tabla interplay follows. things dont really get interesting for me, however, till "mombastik", when the grooves get more deep, and the music leaves its indian trappings and floats in the in-between, sometimes approaching the soundspaces which the afrocelt sound system roam. the brass instruments (sounds like a sax and a trumpet, or maybe this is the "modular flute" in the credits?) provide a very unique sonic texture to the tune. nice cool breaks. right, i say. this is where its at. the middle section of this album is incredible. it is difficult to get my attention on vedic-style chanting (this is simply overworked by most asian underground stuff that i have heard - just run aground as it were), but the sarangi accompaniment on "eclipse" makes it interesting. the album continues very strongly with the title tune, a wonderful melange of colors from the hills in the north east. i wonder what language that is (i have the import release, so maybe the standard release has more info). this heat china folk stuff is quite hot. first time i have heard this kind of sound. the next tune is the highlight - "light", a glowing, luminous, groovy sunrise. fantastic arrangements - simply marvellous. echoes of the last tune buried in there somewhere. the piano accompaniment by talvin is spare but very effective. mental note to check out the chaurasia-talvin collaboration "vira" next. the rest of the album returns to more familiar territory, but finishes very nicely in a different place and space. i like this album now. will i continue to like it a month later? that is the question. 3 stars for now.