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  • Oklahoma (Special Edition) [Import]
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Oklahoma (Special Edition) [Import]

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Oklahoma (Special Edition) [Import] + South Pacific (Widescreen) + The King and I (Widescreen)
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Product Details

  • Actors: Gordon MacRae, Gloria Grahame, Gene Nelson, Charlotte Greenwood, Shirley Jones
  • Directors: Fred Zinnemann
  • Writers: Oscar Hammerstein II, Lynn Riggs, Richard Rodgers, Sonya Levien, William Ludwig
  • Producers: Arthur Hornblow Jr., Oscar Hammerstein II
  • Format: Closed-captioned, Color, Dolby, Dubbed, DVD-Video, NTSC, Special Edition, Subtitled, Widescreen, Import
  • Language: English
  • Subtitles: English, Spanish
  • Dubbed: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.55:1
  • Number of discs: 2
  • MPAA Rating: G
  • Studio: 20th Century Fox Home Entertainment
  • Release Date: Nov. 15 2005
  • Run Time: 145 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (69 customer reviews)
  • ASIN: B000AP04NI

Product Description

Product Description

Set in the Oklahoma Territory in the early 1900's, this joyous celebration of frontier life is a story of tender romance and dangerous passion. Gordon MacRae is Curly, a sunny, good-natured ranch hand, and Shirley Jones is Laurey Williams, the farmer's daughter he loves. Rod Steiger is he menacing Jud, who tries to comes between them. The first Rodgers and Hammerstein collaboration, this Academy Award winner for Best Score features the classic songs "Oh, What a Beautiful Mornin'," "The Surrey With The Fringe On Top" and "People Will Say We're In Love."

The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love," and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no," and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

3.8 out of 5 stars

Most helpful customer reviews

By Bob L on July 1 2004
Format: DVD
Well I'm surprised to find that I seem to be in the minority but I think Oklahoma is the Greatest Screen Musical of All Time.
I'll go in to why I think that but first I want you to know that I'm a great fan of musicals and have seen most of the great ones many, many times on the tube and on the big screen. Films like Top Hat, Gay Divorcee, Gold Diggers of 33 and 35, 42nd Street, Footlight Parade, Swingtime, Follow the Fleet, Holiday Inn, How to Succeed in Business Without Really Trying, Pennies from Heaven('81) and of course My Fair Lady are as good as it gets and hold a cherished place in my heart.
They all have teriffic stars, good humor and above all wonderful music and wonderful songs. Oklahoma has more of that than any other movie. Every song
is a winner, a gem, a pearl. They eliminated the few "clinker" songs from the stage production (it ran for 26 years) leaving only the absolute winners for the movie. Shirley Jones was eighteen and wonderfully radiant. Her singing was even better than the original stage recording. Her singing was marvelous.
Howard Keel was originally slated to play Curly but opted out because he refused to shoot two movies, as they duplicated every scene for two different film processes. (The A-O Todd version is the one seen on the DVD and has much higher resolution than the
Cinemascope one seen for years on TV) What a stroke of luck, Howard Keel (much too old and stiff to play opposite Miss Jones) is out and Gordon MacRae (the perfect fit) is in. His voice, while not as dynamic as Alfred Drake's, is perfect for the screen
but best of all he brings a sensiblity and earthy quality to the role missing from all the others I've seen.
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Format: DVD
I just watched "Oklahoma" again for the first time in a few years. I can understand why some viewers disliked this musical. The plot concerns farmers and ranchers fighting for dominance over land in the midwest in the 1800's. It's difficult for some of us modern urban dwellers to relate to this dilemma. Also, the characters in "Oklahoma" all speak in a cutesy, rubish dialect which is sometimes hard to understand and can even be annoying.
And it must seem quaint to us that escorting a girl on a picnic could create the kind of conflict that it does in this story. Another disconcerting element in "Oklahoma" is the sight of supposedly rough, rugged cowboys performing in pristine, balletic sequences staged by Agnes De Mille. After our generation has grown up on the gritty realism and sensuality of choreography by the likes of Bob Fosse or even Baz Luhrmann, this type of choreography seems dated and out of place.
But despite these criticisms, "Oklahoma" is still a great musical because of the music itself, and the way the music is so seamlessly integrated into the plot and characterizations. Simply stated, the melodies composed by the prodigious Richard Rodgers and the lyrics written by the poetic Oscar Hammerstein II for "Oklahoma" are magnificent.
For instance, is there a grander or more exuberant description of a wondrous new day than in "Oh What a Beautiful Morning"? Or a more lilting expression of reluctant love than in "People Will Say We're in Love"? Or how about the lyrical beauty and grace of the waltz "Out of My Dreams"? Or the syncopated melody and lyrics of "Surrey with the Fringe on Top" which is a perfect accompaniment to the clippity-clop of a horse pulling a carriage?
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Format: VHS Tape
I finally broke down and watched this movie last night. I have always made a point of avoiding it, knowing full well it was a corny melodydrama. The melody proved to win out over the drama.
Anyway, last summer I found Nelson Eddy's record of the Oklahoma score. Nelson or no Nelson, I was only able to get through it a couple of times. As a rule, I don't go for tap-dancing cowmen and hick folks singing about everything being up to date in Kansas City.
OK, now about the movie. If nothing else, it held my attention for the eternity it seemed to play. I did fast forward the overture, the entr'acte, and Ado Annie's songs. But I watched the rest.
Gordon MacRae wasn't bad; neither was Shirley Jones. I think she was quite pretty in her pre-Partridge days. Not half bad as a singer, either. The man who played Jud was suitably creepy and disgusting. In fact, I think the most powerful element of the story was Jud's stalking Laurie. However, that element kinda got lost in between songs. I did not go for the ballet in the boudoir. I found it a little difficult to swallow that rural Oklahoman females would all be so gloriously accomplished at pliés and pirouettes. I did like Shirley Jones' dresses. Ado Annie, Ali Hakim, and Will were incredibly annoying. The scenery was beautiful - a pity they didn't show more of it. I did not like the short-haired bleach blonde dancer. She disturbed my tranquillity.
Now, the dream sequence was probably the most interesting part of the movie. Not a word spoken or sung, if I remember correctly - but how much was said with gestures and the surreal lighting, backdrops, and sparse sets. Very, very powerful. I liked also the way they cut off for the entr'acte, when she wakes up to see Jud standing there.
I found the end to be incredibly hokey.
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