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Grade 4-8-Presented by the St. Charles Players, this is an example of radio theatre at its finest. The narration moves the abbreviated story along at a brisk, easy-to-follow pace, while the highly polished troupe of actors offers a colorful array of voices and British dialectsAfrom Cockney low-lives to privileged members of the aristocracy. Sound effects and music add spark to the production. Although this version is only about one-third the length of the original, both the story line and the picture of British social conditions and injustices during Dickens's time come through vividly as young Oliver makes his way from the desolation of a workhouse for orphans to Fagin's den of thieves in London and, finally, to the comfort and security of life with an honorable gentleman. As such, it is bound to whet the appetites of upper elementary and middle school youngsters who will be intrigued into reading the original. It also offers, through drama, an enjoyable way of understanding history and should stimulate lively discussions on the relationship between dire poverty and a life of crime.
Carol Katz, Harrison Public Library, NY
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Oliver Twist was Dickens's second novel and one of his darkest, dealing with burglary, kidnapping, child abuse, prostitution, and murder. Alongside this gallery of horrors are the corrupt and incompetent institutions of 19th-century England set up to address social problems and instead making them worse. The author's moral indignation drives the creation of some of his most memorably grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the brooding, sickly Monks; and Bumble, the pompous and incorrigibly dense beadle. Clearly, a reading of this work must carry the author's passionate narrative voice while being flexible and broad enough to define the wide range of character voices suggested by the text. John Wells's capable but bland reading only suggests the rich possibilities of the material. Restraint and Dickens simply don't go together. The abridgment deftly and seamlessly manages to deliver all major characters and plot lines, but there are many superior audiobook versions of this material, both abridged and unabridged. Not recommended.
-John Owen, Advanced Micro Devices, Sunnyvale, CA
Copyright 1999 Reed Business Information, Inc.
The choice of narrator is very good in this unabridged presentation.Published 4 months ago by ReadsListensViews
I needed this book for a school course, and my best option was to purchase it from here. I had no problems with the book itself (ie pages, cover, etc.) and the story is great, too! Read morePublished 6 months ago by Adrienne Morrison
this book is boring and hard too follow, this story has no consitency and jumps all over the place. dickens is overated in genral but this is the worst.Published 9 months ago by elliot wilson
I haven't read Oliver Twist in over 30 years. The last time was when I was in high school and it was an assigned reading. Read morePublished on March 16 2013 by gLEN d. aRMSTRONG
This is one of Dickens' most accessible tales for the younger audience, though it's still a pretty emotionally wrenching read.Published on Nov. 23 2012 by Clare Wiggill
"Oliver Twist" was assigned reading for my sophomore English class in 1967, and did not finish it until today. Read morePublished on Sept. 17 2006 by James Gallen
What's with the dumbass highschool kids panning Oliver Twist while praising the likes of Michael Crichton? Read morePublished on Sept. 1 2005