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Olivia Forms a Band
 
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Olivia Forms a Band (Hardcover)

by Ian Falconer (Author, Illustrator)
5.0 out of 5 stars  See all reviews (1 customer review)
List Price: CDN$ 19.95
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Olivia Forms a Band + Olivia . . . and the Missing Toy + Dream Big
Total List Price: CDN$ 50.93
Price For All Three: CDN$ 39.04

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Product Details


Product Description

From School Library Journal

Starred Review. PreSchool-Grade 3–The latest escapades of a precocious piglet and the mother who attempts to both nurture and civilize her opens on the morning of a fireworks display. The charcoal-and-gouache scenes with their signature red highlights on uncluttered white backgrounds depict Olivia's family, but readers are soon treated to a series of surprises that include the introduction of a new color (turquoise), collage elements, a fold-out, and full bleeds. When the protagonist declares that a band is essential for the evening's entertainment and that, lacking one, she'll fill in, her mother's thought bubble fills with a photograph of a leaping rock band; Olivia's depicts the marching variety. The fold-out starts with the heroine as the sole majorette and reveals a full-size band of Olivias, with the score of a Sousa-like march printed boldly above. Falconer builds to a crescendo of two and a half pages that portray a picnic at sunset followed by a dazzling display of feathery fireworks. These compositions are predominantly charcoal; the family members, backs to readers, are outlined in the reflected yellow glow of an ascending rocket. The palette returns to the original color scheme in the denouement, a bedtime moment to which all ages will relate. With perfectly nuanced dialogue and a mixture of comical and artful scenes, Falconer explores the logic, invention, and humor emanating from a talented youngster, serious about the mission of the moment.–Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist

PreS-Gr. 1. The irrepressible Olivia the pig returns for a fourth adventure. Shocked to discover there will be no band at that evening's fireworks display, Olivia decides to form a band herself--and if you think one piglet can't be a whole band, you obviously don't know this porcine powerhouse. Unfortunately, Falconer seems as easily distracted as his heroine this time around, and his extremely episodic story is little more than a series of setups for visual jokes. Though what result is essentially creative coasting, most children won't care, as Olivia remains an indisputably great character, and Falconer a master of antic line and situation. Devotees of previous books will also be pleased to see that to his usual palette of charcoals and reds Falconer has added a particularly winning shade of blue, and that he has incorporated photographs into many of his droll drawings. If only he had included more story . . . Michael Cart
Copyright © American Library Association. All rights reserved

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5.0 out of 5 stars Adult and Toddler Humor Vie for Honors with Spectacular Art, Nov 23 2007
To an adult, Olivia in this story displays all of the most frustrating aspects of crossing the generation gap such as obsessing over something that doesn't matter (matching two red socks from a drawer full of seemingly identical socks), insisting on doing something that cannot be easily done (being a one-person band), switching interests at the drop of diaper, not cleaning up after herself despite reminders, taking hyperbole literally, being impatient when something cannot be rushed (like the start of fireworks), and wanting to pursue activities that are too grown-up (such as wearing lipstick).

To a toddler, Olivia is a wunderkind of amazing imagination, ambition, and freshness. Her attention span is about as long as the toddler's, but she has more interesting things on her mind. Her obsessions aren't so different from a toddler's obsessions. She's fussy about her clothes as toddler's often are. She suggests the exciting possibility of veering towards aspects of adulthood, going beyond a youngster walking around in her mother's shoes. She's good at quoting back to her mother things that she said that support Olivia's point, expressing that important desire to be independent.

Of course, the drawings beautifully express the adult-toddler humor at both levels while employing a powerful minimalism. But the minimalism is expanded upon here. To the traditional black, white, and red for Olivia, Ian Falconer adds a turquoise hue for the drawings beginning with Olivia dressing up to be a band. Ian Falconer succeeds in using a variety of techniques to get across loud sound (some musical notes in ff, and seven images of Olivia with different instruments with each image multiplied as though in an echo chamber), Olivia's cleverness and hyperactivity (a series of 10 drawings on two facing pages as Olivia extracts what she needs from her family to make her band instruments, including the removal of her father's much needed suspenders with dire consequences), Olivia's optimism (dreaming of herself as chief justice of the Supreme Court . . . something no little pig has done before), burlesque sequences (three panels of Olivia's mother entering her room, loud noises emerging from the dark, and Olivia's mother wearing broken and misplaced band instruments), and a child's reality (sitting in the dark watching fireworks).

Like all of the best children's books, this one will invite much discussion between parent and child about the pros and cons of what Olivia does that will provide lots of opportunities for gentle teaching and learning.

Strike up the band!
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