Vous voulez voir cette page en français ? Cliquez ici.


or
Sign in to turn on 1-Click ordering.
More Buying Choices
Have one to sell? Sell yours here
On Writing: A Memoir of the Craft
 
 

On Writing: A Memoir of the Craft [Hardcover]

Stephen King
4.6 out of 5 stars  See all reviews (554 customer reviews)
Price: CDN$ 37.00 & this item ships for FREE with Super Saver Shipping. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Usually ships within 1 to 4 months.
Ships from and sold by Amazon.ca. Gift-wrap available.

Formats

Amazon Price New from Used from
Hardcover CDN $18.80  
Hardcover, Oct 3 2000 CDN $37.00  
Paperback CDN $12.99  
Mass Market Paperback --  
Audio, CD, Audiobook, Unabridged --  

Frequently Bought Together

Customers buy this book with The Stand CDN$ 47.03

On Writing: A Memoir of the Craft + The Stand
Price For Both: CDN$ 84.03

One of these items ships sooner than the other. Show details

  • This item: On Writing: A Memoir of the Craft

    Usually ships within 1 to 4 months.
    Ships from and sold by Amazon.ca.
    This item ships for FREE with Super Saver Shipping. Details

  • The Stand

    Usually ships within 2 to 5 weeks.
    Ships from and sold by Amazon.ca.
    This item ships for FREE with Super Saver Shipping. Details


Customers Who Bought This Item Also Bought


Product Details


Product Description

From Amazon

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

From Publishers Weekly

"No one ever asks [popular novelists] about the language," Amy Tan once opined to King. Here's the uber-popular novelist's response to that unasked question a three-part book whose parts don't hang together much better than those of the Frankenstein monster, but which, like the monster, exerts a potent fascination and embodies important lessons and truths. The book divides into memoir, writing class, memoir. Many readers will turn immediately to the final part, which deals with King's accident last year and its aftermath. This material is tightly controlled, as good and as true as anything King has written, an astonishing blend of anger, awe and black humor. Of Bryan Smith (who drove the van that crushed King) watching the horribly wounded writer, King writes, "Like his face, his voice is cheery, only mildly interested. He could be watching all this on TV...." King's fight for life, and then for the writing life, rivets attention and inflames admiration as does the love he expresses throughout for his wife, novelist Tabitha. The earlier section of memoir, which covers in episodic fashion the formation of King the Writer, is equally absorbing. Of particular note are a youthful encounter with a babysitter that armchair psychologists will seize upon to explain King's penchant for horror, and King's experiences as a sports reporter for the Lisbon, Maine, Weekly Express, where he learned and here passes on critical advice about writing tight. King's writing class 101, which occupies the chewy center of the book, provides valuable advice to novice scribesDalthough other than King's voice, idiosyncratic and flush with authority, much of what's here can be found in scores of other writing manuals. What's notable is what isn't here: King's express aim is to avoid "bullshit," and he manages to pare what the aspiring writer needs to know from idea to execution to sale to a few simple considerations and rules. For illustration, he draws upon his own work and that of others to show what's good prose and what's not, naming names (good dialogue: Elmore Leonard; bad dialogue: John Katzenbach). He offers some exercises as well. The real importance of this congenial, ramshackle book, however, lies neither in its autobiography nor in its pedagogy, but in its triumphant vindication of the popular writer, including the genre author, as a writer. King refuses to draw, and makes a strong case for the abolition of, the usual critical lines between Carver and Chandler, Greene and Grisham, DeLillo and Dickens. Given the intelligence and common sense of his approach, perhaps his books' many readers will join him in that refusal. 500,000 first printing. (Oct.)
Copyright 2000 Reed Business Information, Inc.

Inside This Book (Learn More)
Browse and search another edition of this book.
First Sentence
I was stunned by Mary Karr's memoir, The Liar's Club. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Excerpt
Search inside this book:

Suggested Tags from Similar Products

 (What's this?)
Be the first one to add a relevant tag (keyword that's strongly related to this product)
 

Your tags: Add your first tag
 

What Other Items Do Customers Buy After Viewing This Item?


 

Customer Reviews

554 Reviews
5 star:
 (401)
4 star:
 (117)
3 star:
 (20)
2 star:
 (9)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (554 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most helpful customer reviews

5.0 out of 5 stars A Formula for Successful Writing, Mar 5 2012
This is Stephen King's formula for successful writing, including how to find an agent and publisher. Interwoven with this important information are parts of his own story of becoming a successful writer. Often poignant, often funny, and always interesting and surprising, this book brings the reader subjective as well as constructive help.

Even if you have no intention of writing a word, its autobiographical material makes the book well worth reading if you admire the works and imagination of Stephen King. "On Writing" provides an enlightening window upon the life and thoughts of one of our times' greatest fictional writers.

This book was all I had to guide me when I wanted to write a book, and I found that all I needed was right there between its covers. So it is from personal experience that I can tell you that for solid help with a developing career in writing, look no farther, and you will find a fascinating read at the same time.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


4.0 out of 5 stars Geat book, but no need to buy this new one., Feb 2 2012
By 
Jeremy E. Sale (T.O.) - See all my reviews
(REAL NAME)   
There's no point in explaining how terrific this book is. Other reviews have already covered it. Still... don't waste extra money on the newest edition. Nothing of consequence has been added. Thus 4 stars.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


2.0 out of 5 stars On Writing by Stephen King - Review, Feb 29 2004
By 
Kelly (Tucson, Arizona) - See all my reviews
This review is from: On Writing (Mass Market Paperback)
On Writing by Stephen King starts out as a slight autobiography but then slowly leads up to all the details about writing and becoming a writer. He goes into detail about childhood instances, plagiarizing as a kid, going to high school, getting in trouble with the school newspaper, working terrible jobs while trying to make it as a writer, marrying his wife, having children, and finally becoming a successful fiction writer. All the while, he shows how certain things in his lifetime have helped him to become the writer he is today. On Writing can be seen as two books in one. He, at first, writes about himself, and then writes on the basics of writing. He slowly, but surely eases from one to the other with grace. He sets the reader up for a quick, fast-paced lesson on the basics of writing and how to become a writer, not a great writer, or a good writer, but just a writer. If a person wanted to know strictly how to write and what Stephen King had to say about writing they could pretty much skip the entire first half of the book without missing much. The first half is for those who have the extra time and want to read about things that went on in Stephen King's life that influenced his writing and wanting to be a writer. The second half is written in a clever manner that makes it easier to actually learn about writing rather than get bored with it and throw the book out the window (which is something I felt like doing many a time because I don't find books on writing interesting, but that's just me) King's use of crude language and funny stories helps to keep the reader involved and awake. The language kept the book real and made it believable that it was from him, about his actual life and wasn't written by another person, in a nice, nobody will be offended way.

I overall didn't enjoy the book. The first half of it was quite entertaining I will admit. Reading about experiences of a person's childhood is always entertaining. But once King got into the fundamentals of writing, it started to dull out. I never found books on writing to be that particularly interesting, so this was no exception. The basics of writing don't throw me into frenzy. So I wouldn't recommend this book to a person who wants to read a random book by Stephen King. I would recommend this book to a person who is trying to learn the basics of writing though. This book is definitely a must for a person wanting to become a writer or at least add to their writing. Stephen King hasn't written just a step-by-step handout for people to become bored with. He goes into detail about parts of writing: narration, description, and dialogue. He sights what makes a writer. He makes it clear that it is impossible for a bad writer to become a good one, and that it is also impossible for a good writer to become a great writer. But he states that a mediocre writer can become a good one with the right discipline and the will power. If you want to become a writer, and want to do what it takes to become a writer, than you will succeed. In order to be a writer, King states that you must read a lot, and write a lot. Whenever you get the chance, read. Whether it is at home in your free time, or in a line at the grocery store, or at the gym while you're on the treadmill, you should read. Reading, he believes, is one of the best things a person can do. The more you read, the more you know; and you know what they say, knowledge is power! Stephen King gives it to the reader straight; he gives his opinion and fact, which is the best combination for a book. The second half on writing is split up into sections that makes it even easier to follow and continue with. The book really works as a learning tool for the reader and isn't tedious and boring. For any aspiring writer, this is a must for their collection. The greatness in Stephen King's horror and mystery books has crossed over into an articulate and humorous book on helping the average man or woman to become the best writer they can.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
Want to see more reviews on this item?
 Go to Amazon.com to see all 1,091 reviews  4.6 out of 5 stars 
 
 
Most recent customer reviews











Only search this product's reviews



Listmania!


Look for similar items by category


Look for similar items by subject


Feedback


Amazon.ca Privacy Statement Amazon.ca Shipping Information Amazon.ca Returns & Exchanges