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On Writing: 10th Anniversary Edition: A Memoir of the Craft Paperback – Jul 6 2010

4.6 out of 5 stars 598 customer reviews

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Product Details

  • Paperback: 288 pages
  • Publisher: Scribner; Anniversary edition edition (July 6 2010)
  • Language: English
  • ISBN-10: 1439156816
  • ISBN-13: 978-1439156810
  • Product Dimensions: 14 x 2 x 21.4 cm
  • Shipping Weight: 322 g
  • Average Customer Review: 4.6 out of 5 stars 598 customer reviews
  • Amazon Bestsellers Rank: #332 in Books (See Top 100 in Books)
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Product Description

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Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo --This text refers to the Hardcover edition.

From Publishers Weekly

As his diehard fans know, King is a member of a writers-only rock 'n' roll band (Amy Tan is also a member), and this recording starts off with a sampling of their music. It may sound unsettling to some, but King quickly puts listeners at ease with his confident, candid and breezy tone. Here, King tells the story of his childhood and early influences, describes his development as a writer, offers extensive advice on technique (read: write tight and no bullshit) and finally recounts his well-known experience of being hit by a drunk driver while walking on a country road in 1999 and the role that his work has played in his rehabilitation. While some of his guidance is not exactly revolutionary (he recommends The Elements of Style as a must-have reference), other revelations that vindicate authors of popular fiction, like himself, as writers, such as his preference for stressing character and situation over plot, are engrossing. He also offers plenty of commonsense advice on how to organize a workspace and structure one's day. While King's comical childhood anecdotes and sober reflections on his accident may be appreciated while driving to work or burning calories on a treadmill, the book's main exercise does not work as well in the audio format. King's strongest recommendation, after all, is that writers must be readers, and despite his adept performance, aspiring authors might find that they would absorb more by picking up the book. Based on the Scribner hardcover (Forecasts, July 31, 2000).

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
On Writing by Stephen King is an interesting autobiography that showed how the famous author got started writing. I feel like I know so much more about Stephen King and that writing takes a lot of practice to get it right. This book certainly gave me the motivation I needed to get started and practice writing.

It was a passion from his childhood, which was when he started writing stories. Like all beginning writers, he first copied his ideas from works he enjoyed, then later on formed his own stories.

The writing section in this book was extremely helpful as well, giving bits of advice that other writing books may not include.

Some advice includes:

- Writing a lot and reading a lot are a must for writers.
- Find a place that you will be able to concentrate on your writing, preferably a place with few distractions.
- Try to get the same number of pages or words competed per day and you may need a set time. Start off with a fewer number of pages so you do not become discouraged.
- Don't open your room door until you have completed your work.
- Don't tell people what you are working on and try to complete the novel as soon as possible or work on it daily so it stays fresh in your mind.
- Try to read everywhere you can, for example long line ups, the park, the waiting room.
- Novels consist of three parts: narration (situation comes before the characters prior to narrating), description, and dialogue. Plots are not important since life is plotless, and because spontaneity cannot be created with the use of plots.
- Whole novels can start from what if questions.
- Don't over-describe or under-describe.
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Format: Audio CD
I was very excited to get this book and learn the techniques and wisdoms of the craft from such an experienced master. I laughed and cried at his personal life stories. Few books have made be do that. But a master-class on writing this book is not, as it is ill defined in the description on the back cover. His advise to the writer was limited to write every day, don't create an outline, and read, read, read. There were some editing examples included, but not enough to understand the editing techniques a writer of fiction must have to be successful. Described as part autobiography and part master-class on writing, the fact is, 90% is autobiography, 2% useful master-class, and 8% other.
As in autobiography, I'd give it 10 stars!!! As a book on writing, sadly, only one star. There are much better and more detail manuscripts out there that serve this purpose much, much better. The marketing strategy is misleading and does little service to such a profound, prolific, and important writer of modern fiction. I still love King, and I loved reading about his life story -- the price of the book is well worth that! But if you are an aspiring writer, read it to understand the man, not to learn about writing.
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Format: Mass Market Paperback
To start, I'm an author. I need to preface this review with that fact, as I don't know how engaging this may have been, had I not had such an investment in the topic myself.

That being said, anyone with absolutely any interest in the craft of writing can surely benefit from the wisdom between these pages. Much less a 'how to write' book and so much more, as it says, 'a memoir of the craft,' King comes off as nuturing rather than preachy, and entertaining rather than dry.

His advice is sound. Think of the last book you read that left you feeling a little less than satisfied. After reading On Writing, I promise you can pick out exactly what made that book lackluster, as King is a master of analyzing not only the faults of others, but his own as well.

A window into King's otherwise fairly unobserved writing life, I highly reccomend this to any writers, King fans, or anyone just looking for a good non-fiction read.

Overall, 5/5.
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Format: Mass Market Paperback
The second greatest book I have ever read on the greatness of writing is actually the more practical of the two. While Zen in the Art of Writing provides the motivational jumpstart you require to get the creative juices flowing, this volume, also a collection of previously published essays, is the more nitty gritty one.

For On Writing by Stephen King paints a vivid picture of the how's and why's of his creative process. And when he explores all the facets he has gone through, you will walk away with a very profound feeling inside.

In the beginning, King gives you his autobiography, a cleansing of his soul, so we can understand the man he was, the man he became, and the man he is now. The earliest childhood recollections do possess a certain Stand By Me vibe, with some memorable traumas evoking sympathy for the man who scares us so much. After all these decades, it always felt like nothing could terrorize the horror master. But now we learn different.

On Writing churns through the rest of King's life. His first foray into alcohol, starting when he was a teen, with brutal effects. The massive love and admiration for his wife Tabitha, right from the moment he locked eyes on her. His first rocky years of adulthood and marriage and having children and low wage soul-sapping menial jobs. Poverty and misery was his existence. Pounding out story after story was his future.

At this point, the tangential connection of two very disparate ideas collide in Stephen King's mind. This spark of a random comment combined with an obscure article he remembered brings forth a few typed pages, which he then promptly tossed into the trash. Tabitha fished them out. Told him to finish it. To get it out of his system.
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