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One Bloody Thing After Another [Paperback]

Joey Comeau
3.8 out of 5 stars  See all reviews (4 customer reviews)
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Book Description

Mar 22 2010

Jackie has a map of the city on the wall of her bedroom, with a green pin for each of her trees. She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn't know what to do but she doesn't let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they're early.

Ann is Jackie’s best friend, but she’s got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? "Oh, sorry I've been so distant, Jackie. My mother has more teeth than she’s supposed to, and she won't eat anything that’s already dead." Ann and her sister Margaret don't have much of a choice here. Their mother needs to be fed. It isn't easy but this is family. It’s not supposed to be easy. It'll be okay as long as Margaret and Ann still have each other.

Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie’s own dead mother, and you'll find that One Bloody Thing After Another is a different sort of horror novel from the ones you're used to. It’s as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.


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Product Description

Quill & Quire

Following 2009’s Overqualified, Joey Comeau returns with another slim, quirky novel. The earlier volume contained a series of faux-confessional job application letters. Taking up where that book left off, One Bloody Thing After Another opens with a job interview gone horribly wrong. Not only does the applicant fail to get the job, she abruptly flees the interview after vomiting a “wet, bloody chunk of god knows what” onto the table of her would-be employers.

Meanwhile, Jackie, the novel’s adolescent protagonist, is struggling to deal with her violent tendencies and her mother’s ghost, all the while harbouring an unrequited crush on her best friend, Ann. Unbeknownst to Jackie, Ann keeps her own mother (the unfortunate job applicant from the opening scene) chained in the basement, for good reason. Her mother’s insatiable appetite for living flesh forces Ann to perform unspeakable acts on neighbourhood pets. When her sister succumbs to the same condition, Ann must go a step further, perpetrating an act of violence that the plot – half tongue-in-cheek though it may be – cannot quite sustain.   

The horror genre represents a departure for Comeau, but the themes here are strikingly similar to those he’s previously explored: anti-authoritarian rebellion and youthful romance overshadowed by a heartfelt sense of loss. The gore and supernatural elements are a fitting complement to his characteristic blend of pathos and black humour.

Comeau’s prose is simple and direct, and the short chapters – many less than a page – make for a quick read. Though the book contains a good deal of grue, the plot is more playful and inventive than horrific or suspenseful. The reader gets caught up in Jackie and Ann’s adolescent exuberance; elsewhere, the vandalism and violence appear as half-formed expressions of hollow desperation. By ending with a Grand Guignol punchline, however, Comeau undercuts the reader’s sympathy for the subtler, emotional suffering of the novel’s characters.

Review

"[Comeau] turns his adaptable talents to overt horror in this oddly touching novel of ghosts, friendship, bloody secrets, and family relationships. . . . A staccato structure allows for surprising intricacy in so few pages, and the crescendos of terror are leavened by moments of unexpected humor and warmth."  —Publishers Weekly



"The tone is poignant, sometimes wistful, and deadpan funny . . . The novel is more eccentric than gory, and what’s really shocking about it is that all the mayhem is finally about family ties, both severed and reconnected."  —Booklist



"Pilkey is a lively writer who manages over 230-plus pages to build a vivid sense of cop culture"  —Toronto Sun


"The gore and supernatural elements are a fitting complement to [Comeau's] characteristic blend of pathos and black humour."  —Quill & Quire



"Comeau isn’t writing for suspense. Dealing with a zombie mother is treated with the same tone as Jackie’s confusion and struggle over her love for Ann . . . The real monster tormenting Comeau’s characters is the desire for something they can’t have and the reluctance to accept what they do."  —Telegraph-Journal



"Comeau never trivializes his characters' emotions, and it's what carries the novel from first bloody page to last."  —Coast


"This is a remarkably tender novel. . . . Quirky to a marvelous fault, Comeau's fourth book is an intricate exercise in offbeat storytelling."  —Q Syndicate


"A really fascinating tale . . . the sort of book that Edgar Allan Poe might have enjoyed."  —Scene Magazine

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Customer Reviews

3.8 out of 5 stars
3.8 out of 5 stars
Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars One fabulous thing after another April 6 2010
Format:Paperback
First of all, I love the cover of the book. The picture on the front is unsettling, a wee bit creepy, and definitely intriquing. The title of the book is written in shiny letters, and the cover itself is a matte picture. It's really cool, you kind of have to move the book around to read it. Joey Comeau, the author, is also the creator of a web comic called A Softer World, which is one of my favourites. I didn't realize it until after I read the book, tho, so don't worry about any bias I might have had. I received this book through ECW Press, because i'm a Shelf Monkey.

The description of the book on Amazon gives a little too much away right off the bat, but this sentence, I think, describes things well, without going too far.

"...a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie's own dead mother, and you'll find that One Bloody Thing After Another is a different sort of horror novel from the ones you're used to. It's as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet."

This book had me from the prologue, the "title" of which is "Ann's mother isn't feeling so good today". We find out that Ann and Margaret's mother is going for a job interview, which didn't go so well, because Ann's mother coughed up something bloody. E[...] Really? Seriously? This introduction, written so matter of factly that you might have to read it twice to see if you really read what you thought you read, reminds me a bit of Stephen King. You know how he just drops in these gross bits of horror so casually into the 'conversation' that you're having with him, that its not until you've shaken his hand and said 'see ya later' that you realize how gross it truly was.

The book follows Ann, Jackie and Charlie, as well as their families, through a short period of time in their lives. A period of time when Ann finds out how far she'll go to support her mom and sister, a time when Jackie finds out how her mom's death affects her, and a time when Charlie experiences living with his dog, losing his dog, and getting reunited with his dog.

This book has more layers than I thought it would. The first aspect of the book is about love and committment. The way Ann sticks by her family, goes way out of her comfort zone to protect and care for them is understandable. It's rare that you feel sympathetic for someone who does the kinds of things she does, but I did. I empathized for Ann. I might be reading too much into this, but I think there are many people who will find an aspect of themselves in Ann. (But hopefully not a piece of themselves in her mom...)

Jackie is a young girl, discovering that she's different from her peers in so many ways, not the least of which is her emerging sexuality. Charlie is a man who loves his dog, and is charged with helping a neighbour find out about her daughter's demise. This aspect of the book really reminds me of the way Robert Wiersema writes. There's such a sense of family and connectedness in this book, you realy feel like these are people that you might know, and might care for, just a bit.

The other aspect of the book is the abject horror. Live animals being fed to ravenous beasts chained up in the basement. A young girl with the ability to call up the ghost of her dead mother to help her escape from police custody. A headless ghost with a message for a loved one.

I absolutely reccommend this book. Maybe it's a novella, I've never quite understood the difference. In any case, its a quick and horrifying read, something to make you shiver in the middle of a sunny day. I see that the author, Joey Comeau will be reading from his book on April 27, 2010. He's the inaugaral guest at the event series "The Toronto Literary Salon". Sounds like something I'd like to hear. But I'm just a little afraid of this man.
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5.0 out of 5 stars Excellent read Feb 22 2011
Format:Paperback|Amazon Verified Purchase
This is the kind of book you can put down and keeps you asking questions all the way through.

I borrowed from a friend and then had to buy it.
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4.0 out of 5 stars A horror novel with feelings Aug 6 2010
Format:Paperback
You know how in zombie movies a bunch of strangers are thrown together and behave terribly towards one another but then one of them gets bitten and for whatever stupid unexplained-to-the-audience loyalty reasons, the unbitten don't just shoot them in the head? You know how that makes no sense at all and you keep thinking, "Come on, what happened to Mr. Hard Times Ex-Con? Why isn't he doing what needs to be done? SHOOT THEM IN THE HEAD!"

One Bloody Thing After Another makes protecting your insane ravenous family members seem plausible. Even noble.

It's a horror novel with feelings other than fear and loathing and for that I love it.
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