The stars play an impoverished mother-to-be and a parish priest whose loyalties are tested by the sinister German forces that occupy their homeland during World War II.
The Allies had barely driven the Nazis out of Rome when Roberto Rosselini went to work on Open City, considered by most to be his greatest work. Shot on bits and short ends of scavenged film, this film helped define Italian neorealism. Audiences were convinced that the actors were all amateurs (they weren't) and the whole film was improvised (it wasn't; the three screenwriters included Federico Fellini). With its semidocumentary camera style and use of actual locations, the film does feel very real. Of course, so does the opening half-hour of Saving Private Ryan, and like that film Open City is at its heart a classic war yarn any Hollywood studio would feel at home with. The story involves members of the Italian underground trying to smuggle badly needed cash out of Nazi-occupied Rome to partisan fighters in the mountains, while the Nazis are hunting down one of the underground, a notorious freedom fighter and seditionist. Anna Magnani (an actor well established in her own country who became an international star with this film) is often singled out for her portrayal as the pregnant, unwed woman who gets caught up in the action on her wedding day, but the entire cast is topnotch. The sparse subtitles are both a blessing and a curse--there is less to read, which allows the viewer to concentrate on the visuals, but there are times when non-Italian-speakers will feel like they're missing out on some juicy dialogue. --Geof Miller
It is unfortunate that one of the milestone movies of international cinema receives such a terrible treatment in terms of subtitles and print transfer on the DVD. Read morePublished on Dec 19 2000
I agree with many reviewers here that this is truly a great film. Someone mentioned that the story is melodramatic or even propagandistic, which is true, but it is really beside... Read morePublished on Dec 11 2000 by "ilian73"
I agree with most of reviewer here that Roberto Rossellini's Open City is a great film - ground-breaking work that is yet entertaining in the most simple way. Read morePublished on Dec 11 2000 by "ilian73"
First off let me state that i have not actually viewed the DVD version of this film, but i read a review which warned viewers that about 20% of the dialogue was untranslated and... Read morePublished on Oct. 26 2000
Roberto RosselliniÕs classic 1945 movie masterpiece, Open City, was a sad story with a very sad ending, since the film's chief characters, Pina, Giorgio Manfredi, and Don Pietro... Read morePublished on Aug. 25 2000 by Ira Grossman
Italian film owes much to Roberto Rossellini. World film owes him more than he's worth, I'm afraid. Read morePublished on Aug. 5 2000 by "unhelpful"
A Great film ..filled with the emotion of the times. It was here that Rosselini hired an assistant named Frederico Fellini to help him with this film. Read morePublished on March 12 2000 by charles pope