Oracle Night: A Novel [Paperback]

"A Joseph Cornell box in the form of a novel, with the same wistful tone and sense of meanings just below the surface...It's urban mysticism, a poetry of the hidden and the almost forgotten, with the supernatural power deriving equally from the city and the novelist's imagination....A snow globe of a novel."
--John Homans, New York Magazine
"Beguiling...Auster is a natural story-teller, with a seemingly inexhaustible trove of yarns at his disposal. All of the stories within stories are compelling in their own right...a joy to read."
--The Economist
"Another complicated and suspenseful page-turner...Another tremendous and memorable effort by one of our most brilliant writers."
--Thomas Haley, Minneapolis Star-Tribune
"Austerland is tricky, filled with dark narrative alleyways and sidewinding plots. One might not wish to play cards with Paul Auster...It's a kind of seduction to dizzy the reader the way Auster does, layering, intermingling and cross-referencing the many stories until one forgets which is the primary and which secondary and who is telling any of them."
--Stacey D'Erasmo, The New York Times Book Review
"Compulsively readable yet wonderfully complex and unsettling."
--Eric Grunwald, Milwaukee Journal Sentinel
"As in New York Trilogy [Auster] subverts our expectations of what a mystery story should be, and the reading experience is far richer for it."
--Philip Connors, Newsday
"[Auster] shines as a fabulist and tale-teller, putting a high-modernist gloss on noir."
--The New Yorker
"Oracle Night is a triumph for novelist Auster. It cements his growing reputation as one of America's most inventive and original writers."
--Deloris Tarzan Ament, The Seattle Times

Several months into his recovery from a near-fatal illness, thirty-four-year-old novelist Sidney Orr enters a stationary shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality.
A novel that expands to fill volumes in the reader's mind, Oracle Night is a beautifully constructed meditation on time, love, storytelling and the imagination by one of America's boldest and most original writers.

PAUL AUSTER's most recent novel, The Book of Illusions, was a national bestseller, as was I Thought My Father Was God, the NPR National Story Project anthology, which he edited. He lives in Brooklyn, New York.

I had been sick for a long time. When the day came for me to leave the hospital, I barely knew how to walk anymore, could barely remember who I was supposed to be. Make an effort, the doctor said, and in three or four months you'll be back in the swing of things. I didn't believe him, but I followed his advice anyway. They had given me up for dead, and now that I had confounded their predictions and mysteriously failed to die, what choice did I have but to live as though a future life were waiting for me?
I began with small outings, no more than a block or two from my apartment and then home again. I was only thirty-four, but for all intents and purposes the illness had turned me into an old man---one of those palsied, shuffling geezers who can't put one foot in front of the other without first looking down to see which foot is which. Even at the slow pace I could manage then, walking produced an odd, airy lightness in my head, a free-for-all of mixed-up signals and crossed mental wires. The world would bounce and swim before my eyes, undulating like reflections in a wavy mirror, and whenever I tried to look at just one thing, to isolate a single object from the onrush of whirling colors---a blue scarf wrapped around a woman's head, say, or the red taillight of a passing delivery truck---it would immediately begin to break apart and dissolve, disappearing like a drop of dye in a glass of water. Everything shimmied and wobbled, kept darting off in different directions, and for the first several weeks I had trouble telling where my body stopped and the rest of the world began. I bumped into walls and trash bins, got tangled up in dog leashes and scraps of floating paper, stumbled on the smoothest sidewalks. I had lived in New York all my life, but I didn't understand the streets and crowds anymore, and every time I went out on one of my little excursions, I felt like a man who had lost his way in a foreign city.
Summer came early that year. By the end of the first week of June, the weather had turned stagnant, oppressive, rank: day after day of torpid, greenish skies; the air clogged with garbage fumes and exhaust; heat rising from every brick and concrete slab. Still, I pushed on, forcing myself down the stairs and out into the streets every morning, and as the jumble in my head began to clear and my strength slowly returned, I was able to extend my walks into some of the more far-flung crevices of the neighborhood. Ten minutes became twenty minutes; an hour became two hours; two hours became three. Lungs gasping for air, my skin perpetually awash in sweat, I drifted along like a spectator in someone else's dream, watching the world as it chugged through its paces and marveling at how I had once been like the people around me: always rushing, always on the way from here to there, always late, always scrambling to pack in nine more things before the sun went down. I wasn't equipped to play that game anymore. I was damaged goods now, a mass of malfunctioning parts and neurological conundrums, and all that frantic getting and spending left me cold. For comic relief, I took up smoking again and whiled away the afternoons in air conditioned coffee shops, ordering lemonades and grilled cheese sandwiches as I listened in on conversations and worked my way through every article in three different newspapers. Time passed.
On the morning in question---September 18, 1982---I left the apartment somewhere between nine-thirty and ten o'clock. My wife and I lived in the Cobble Hill section of Brooklyn, midway between Brooklyn Heights and Carroll Gardens. I usually went north on my walks, but that morning I headed south, turning right when I came to Court Street and continuing on for six or seven blocks. The sky was the color of cement: gray clouds, gray air, gray drizzle borne along by gray gusts of wind. I have always had a weakness for that kind of weather, and I felt content in the gloom, not the least bit sorry that the dog days were behind us. About ten minutes after starting out, in the middle of the block between Carroll and President, I spotted a stationery store on the other side of the street. It was wedged in between a shoe-repair shop and a twenty-four-hour bodega, the only bright façade in a row of shabby, undistinguished buildings. I gathered that it hadn't been there long, but in spite of its newness, and in spite of the clever display in the window (towers of ballpoints, pencils, and rulers arranged to suggest the New York skyline), the Paper Palace looked too small to contain much of interest. If I decided to cross the street and go in, it must have been because I secretly wanted to start working again---without knowing it, without being aware of the urge that had been gathering inside me. I hadn't written anything since coming home from the hospital in May---not a sentence, not a word---and hadn't felt the slightest inclination to do so. Now, after four months of apathy and silence, I suddenly got it into my head to stock up on a fresh set of supplies: new pens and pencils, new notebook, new ink cartridges and erasers, new pads and folders, new everything.

fs20A Chinese man was sitting behind the cash register in front. He appeared to be a bit younger than I was, and when I glanced through the window as I entered the store, I saw that he was hunched over a pad of paper, writing down columns of figures with a black mechanical pencil. In spite of the chill in the air that day, he was dressed in a short-sleeved shirt---one of those flimsy, loose-fitting summer things with an open collar---which accentuated the thinness of his coppery arms. The door made a tinkling sound when I pulled it open, and the man lifted his head for a moment to give me a polite nod of greeting. I nodded back, but before I could say anything to him, he lowered his head again and returned to his calculations.
The traffic out on Court Street must have hit a lull just then, or else the plate glass window was exceedingly thick, but as I started down the first aisle to investigate the store, I suddenly realized how quiet it was in there. I was the first customer of the day, and the stillness was so pronounced that I could hear the scratching of the man's pencil behind me. Whenever I think about that morning now, the sound of that pencil is always the first thing that comes back to me. To the degree that the story I am about to tell makes any sense, I believe this was where it began---in the space of those few seconds, when the sound of that pencil was the only sound left in the world.
I made my way down the aisle, pausing after every second or third step to examine the material on the shelves. Most of it turned out to be standard office- and school-supply stuff, but the selection was remarkably thorough for such a cramped place, and I was impressed by the care that had gone into stocking and arranging such a plethora of goods, which seemed to include everything from six different lengths of brass fasteners to twelve different models of paper clip. As I rounded the corner and began moving down the other aisle toward the front, I noticed that one shelf had been given over to a number of high-quality imported items: leather-bound pads from Italy, address books from France, delicate rice-paper folders from Japan. There was also a stack of notebooks from Germany and another one from Portugal. The Portuguese notebooks were especially attractive to me, and with their hard covers, quadrille lines, and stitched-in signatures of sturdy, unblottable paper, I knew I was going to buy one the moment I picked it up and held it in my hands. There was nothing fancy or ostentatious about it. It was a practical piece of equipment---stolid, homely, serviceable, not at all the kind of blank book you'd think of offering someone as a gift. But I liked the fact that it was cloth-bound, and I also liked the shape: nine and a quarter by seven and a quarter inches, which made it slightly shorter and wider than most notebooks. I can't explain why it should have been so, but I found those dimensions deeply satisfying, and when I held the notebook in my hands for the first time, I felt something akin to physical pleasure, a rush of sudden, incomprehensible well-being. There were just four notebooks left on the pile, and each one came in a different color: black, red, brown, and blue. I chose the blue, which happened to be the one lying on top.
It took about five more minutes to track down the rest of the things I'd come for, and then I carried them to the front of the shop and placed them on the counter. The man gave me another one of his polite smiles and started punching the keys on his cash register, ringing up the amounts of the various items. When he came to the blue notebook, however, he paused for a moment, held it up in the air, and ran his fingertips lightly over the cover. It was a gesture of appreciation, almost a caress.
"Lovely book," he said, in heavily accented English. "But no more. No more Portugal. Very sad story."
I couldn't follow what he was saying, but rather than put him on the spot and ask him to repeat it, I mumbled something about the charm and simplicity of the notebook and then changed the subject. "Have you been in business long?" I asked. "It looks so new and clean in here."
"One month," he said. "Grand opening on August ten."
As he announced this fact, he seemed to stand up a little straighter, throwing out his chest with boyish, military pride, but when I asked him how business was going, he gently placed the blue notebook on the counter and shook his head. "Very slow. Many disappointments." As I looked into his eyes, I understood that he was several years older than I'd thought at first---at least thirty-five, perhaps even forty. I made some lame remark about hanging in there and giving things a chance to develop, but he merely shook his head again and smiled. "Always my dream to own store," he said. "Store like this with pens and paper, my big American dream. Business for all people, right?"
"Right," I said, still not exactly sure what he was talking about.
"Everybody make words," he continued. "Everybody ...