From Booklist
Seen today,
Playboy's cartoons of the 1960s and 1970s are nearly as evocative of the magazine's heyday as risque advice columns, guides to bachelor living, and photos of airbrushed bimbos. In the foremost cadre of
Playboy cartoonists was Eldon Dedini, known for the satyrs, nymphs, and Rubensian women who populated his work, along with lecherous businessmen, gold diggers, and free-love-practicing libertines. Amid his talented peers, Dedini was distinguished by his lush watercolor technique and his artistic literacy--many of his drawings riffed on Japanese ukiyo-e prints. Visually stylish though the cartoons are, their humor is undeniably sexist, dated, and repetitious. It's fascinating to see the variations Dedini wrings out of a handful of motifs, especially since the 200 or so in this lavish volume are only a fraction of the 1,200 he published between 1959 and 2005. The collection harks back to an era when cartoons were an integral part of America's magazines, not just the famous feature of a few, such as the
New Yorker and . . .
Playboy.
Gordon FlaggCopyright © American Library Association. All rights reserved
Book Description
This first retrospective of Eldon Dedini's work gathers the most sophisticated, elegant and funny gag panels of the past six decades.
For over 45 years, Dedini has been one of Playboy magazine's most recognizable full-page gag cartoonists. Initially hired by Disney in the 1940s, but refusing to end up as another anonymous illustrator, Dedini worked nights and weekends to develop his own style. He sold dozens of cartoons to Esquire, then moved to Playboy in 1960.
Dedini's masterful watercolour technique burlesques a broad range of subjects, from urban hipster to classical Japanese erotic prints. His most personal cartoons rely on mythology and legend, evoking a bucolic sexually liberated paradise that leaves its readers lingering over the imagery long after the gag registers.