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If anything, Othello has increased its stature as one of Shakespeare's greatest tragedies ever since it was first written, between 1603 and 1604, due to the victimisation suffered by its tragic hero, Othello, as a result of his skin colour. Othello is a "noble Moor", a North African Muslim who has converted to Christianity and is deemed one of the Venetian state's most reliable soldiers. However, his ensign Iago harbours an obscure hatred against his general, and when Othello secretly marries the beautiful daughter of the Venetian senator Brabanzio, Iago begins his subtle campaign of vilification, which will inevitably lead to the deaths of more than just Othello and Desdemona.
An extraordinary play, both for its dramatic economy and power as well as its remarkable language, from Othello's bombastic "traveller's history" to Desdemona's elegiac "willow song", the play raises uncomfortable questions about ongoing questions of not only racial identity but also sexuality, as Othello and Desdemona's sexual relationship becomes the voyeuristic site of Iago's attempt to destroy them. Particularly fascinated with the question of what it means to "see", Othello also contains one of the greatest tragic death scenes in all of Shakespeare, with Othello's final identification with "a malignant and a turbaned Turk". --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
Gr 10 Up-Naxos AudioBooks' top-drawer Classic Drama Series blissfully continues with this exquisite rendition of Othello starring Hugh Quarshie, Anton Lesser, Emma Fielding, and a full cast of professional English actors with extensive credits in the Royal National Theatre, BBC Radio Drama Company, and the Royal Shakespeare Company. Shakespeare's most domestic tragedy is an exceedingly complex journey through jealousy, self-doubt, inadequacies, and societal acceptance. Passed over for military promotion, Iago, perhaps Shakespeare's most nefarious character, manipulates Othello's downfall, culminating in the murder of his beloved wife, Desdemona, and Othello's subsequent suicide. Under David Timson's stewardship as director, the story is beautifully and simply told, embellished only with intermittent brassy flourishes of classical music and a dramatic echo effect and throbbing heart beat to underscore Othello's chaotic descent and rage. While the entire cast is excellent, the trio of Quarshie (Othello), Lesser (Iago), and Fielding (Desdemona) are outstanding. An outline of each individual cassette, complete synopsis, full notes regarding the text, and cast biographies are included in a compact 24-page supplemental booklet. For all collections.-Barry X. Miller, Austin Public Library, TX
Copyright 2001 Cahners Business Information, Inc.See all Product Description
The layout of the No Fear Shakespeare book makes it so very easy to read and a nice quality book for a low price . What's not to love !Published 2 months ago by Margaret Brittain
I understood what they were saying for once! i liked it a lot and i recommened it iii i iPublished 24 months ago by Dante
Othello, comes out as a man wronged and tried to right a wrong and the only way in those days was by murder most foul, but it is the way of that world.Published on Dec 25 2012 by fileman
I never thought I would ever like to read Shakespear but after reading Othello I have been roped in. Now I want to read more works. Read morePublished on Sept. 4 2012 by chrystal blyth
Can't complain about the price, but the cover illustration is wrong (wrong publisher), there are no 'notes, 'sources', 'index' and too many more to mention, and the book is 92... Read morePublished on July 14 2009 by Michael from Montreal
Look, here it is. I know everyone says how great and everything Othello is and that this Shakespeare guy is like a genius. Read morePublished on Oct. 15 2003 by "shakespearesucks"
This full-cast dramatic recording of a classic Shakespeare takes the entire text and dramatizes the presentation, which results in a package capturing the excitement of both live... Read morePublished on Aug. 11 2001 by Midwest Book Review