- Paperback: 158 pages
- Language: English
- ISBN-10: 0330238930
- ISBN-13: 978-0330238939
- Product Dimensions: 17.4 x 10.8 x 1.4 cm
- Shipping Weight: 100 g
- Amazon Bestsellers Rank: #828,648 in Books (See Top 100 in Books)
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Whereas the themes of the stories are centred around memory and loss, the novel turns this on its head with a recycled plot about the inventor who accidentally destroys the world. In the novel's case, the basic idea is almost entirely ripped off Asimov's 'The Dead Past', in which a technology is unleashed on the world which allows everyone to spy on everyone else. In Shaw's novel, Alban Garrod's invention of a new form of glass which slows light, results eventually in the government deploying ubiquitous slow glass dust, turning everything into a potential surveillance device.
The emotional development of the novel is also poor, not to say thunderingly misogynistic (a trait to be found in many of Shaw's novels of this period). Alban Garrod is held back by his nagging wife, Esther, whose father initially provided him with seed capital. He finds freedom with a beautiful, compliant, and vaguely oriental-looking secretary, while Esther is left blinded by an accident at his home laboratory. This blindness means she is able to hold on to Garrod and force him to act as her eyes, by making him wear a pair of slow glass 'lenses' which she can then wear the next day, so he is almsost literally forced to live in the past. It is all very heavy-handed and unpleasant, and there are similar strains of misogyny in other Shaw novels, especially 'Orbitsville'. It is odd, because I had never noticed this in his short pieces, and it unfortunately tends to lessen my appreciation of Shaw as a writer.
Despite all this, there is an intriguingly poetic technology at the centre of this novel, and some insightful commentary on the politics of surveillance and privacy, and you still get the excellent original short stories included as 'sidelights' to the main plot.