Our Hospitality

For some reason this film is less well-known than a lot of Buster Keaton's others...yet I find it a lot more satisfying than something like Steamboat Bill, Jr. or even Sherlock Jr.! It's got his fixation with trains in the first act, a very fun depiction of old narrow-gauge trains that, like most historical depictions in Keaton films, is based on actual accurate history (exaggerated for comic effect). It's got great comedy and suspense in the main plot, which involves Buster inadvertently stumbling into the home of a family, after falling for the girl who lives there, who are the Hatfields to his family's McCoys (or is that the other way around?), and relying on the family's strict Southern Hospitality rules to keep himself from being shot. Of course, if you know much about Keaton you probably already know this film, but if you've just seen a little, this is one of his best.

As for the Blu-Ray: the main musical option is the Thames Silents score by Carl Davis. This alone is reason to get this edition...his scores for this, Keaton's The General, and other silent era films are among the best...fun, tuneful, entirely appropriate yet exciting and never falling into hackneyed contrivances. The transfer is decent...a little more money might have allowed cleaning up the title cards, where the tiny and dense scratches of this print (not as pristine as the one used for Kino's The General Blu-Ray) are very obvious and kind of distracting over the black title card backgrounds. But luckily they don't really show up much in the actual scenes. The transfer is at 1080i - from reading around online that seems to be because this HD transfer was done a few years back before they'd decided 1080p was the way to go for releases, not for any reasons relating to frame rate or anything like that. But again, I'm sure money wouldn't allow a new HD transfer, and I doubt anyone could tell by watching it that it wasn't 1080p...it looks fine to me.

The extras are interesting and worth watching. One extra that needs a slight disclaimer is the unreleased earlier test version, "Hospitality," which seems to be a test cut with mostly just the dramatic scenes, speculation being that Keaton wanted to see if they played before adding in the funny business. It's a nice historical artifact to have, but the print is a very poor reduction print of an original which had suffered major nitrate damage. So, it's historically of interest and I'm glad it's on here, but it would take a fairly obsessed Keaton fan to actually watch more than a few minutes of it.

So: if you are at all a fan of Keaton, or of silent comedy in general, or you think you might be, make sure to snap this up and help assure that the rest of Keaton's library is financially worth putting out in HD! I keep mentioning finances, but silents aren't exactly big sellers, so you take what you can get, and overall this is a great release! If only some Spielberg-type would spend a couple bucks and pay for a fancy restoration/clean-up of one of these historic and still-entertaining films. Oh well.

PS: Yes, silent films can look great in HD! Film's resolution, even back then, was/is much higher than 1080p. This print isn't as wonderful as the one used for The General, but it's still quite an improvement over previous versions and is worth seeing in HD. Plus, Keaton (and other silent era filmmakers) worked in a purely visual medium - seeing a detailed, quality image is definitely worth it!

The picture quality of this film is superb, even better for that it is in HD. The Carl Davis score creates such a beautiful and climatic mood which this film requires. The extras are fantastic and the the film itself I have always enjoyed, but now with the Carl Davis score and the beautiful way it has been presented now shoots up amongst my favourite Keaton movies.

OUR HOSPITALITY (writ./dir. Buster Keaton, 1923, 73 minutes) is another favorite of mine given to us by the immortal Buster Keaton. I rank this with his The General (The Ultimate Two-Disc Edition) and Our Hospitality/Sherlock, Jr. (I recommend this awesome two-fer DVD set). HOSPITALITY is BK's first great feature-length film, though he had already done a couple of them.

Set in the Antebellum South (1830, Keaton was impossibly ahead of his time making this period authentic-looking) Buster plays Willie McKay, a New York-bred unwilling member of the old Canfield-McKay feud. (Yes, loosely based on the Hatfield-McCoy feud that really lasted only a few years.)

Returning to Kentucky to claim his inheritance (an "estate" that will make you howl with laughter when you see it), Willie soon falls right into the arms of the waiting Canfields. They are, of course, waiting to kill him. Luckily for him he is already sweet on the young Canfield girl (played by his 1st wife Natalie Talmage Keaton) and this will save him later. Uniquely, Buster's son Buster, Jr., plays him at age 1.

There is a waterfall scene in this, and all I'll tell you is Keaton designed and had built the entire thing on one of his lots. Goes to show you, alongside works like THE GENERAL, what Keaton was capable of achieving. You will marvel at Keaton's partly rebuilt, partly restored Stephenson's Rocket locomotive ... and yes, they really did ride those once upon a time.

Another bittersweet detail: Joe Roberts (Old Man Canfield), a dear friend and traditional heavy in Keaton's films, suffered a heart attack while filming. He insisted on returning to finish the film - and died very shortly after they wrapped. Keaton's films are filled with disasters, hair-raising, realistic and funny as hell. Just as often they are filled with tragedies: in this film, along with Roberts' heart attack, Keaton was brutally carried off by water and almost drowned. The scene remains in the film.

While this does not have the accolades of THE GENERAL (then again, how could it), no one can miss watching it. Here for the first time, Keaton experiments fully with his signature lighting, model sets and daring camera shots. The acting is refreshing and surprising: everyone seems extremely realistic except for good old Roberts, bless him. Once in a while Keaton had to have the Old Schoolers in there too. Although it certainly does not quite reach the heights of THE GENERAL, this is Buster Keaton at his prime!

How can anyone remotely interested in film miss this?!

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