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Our Town Classic Ed
 
 

Our Town Classic Ed [Paperback]

Thornton Wilder
4.0 out of 5 stars  See all reviews (72 customer reviews)

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"Taking as his material three periods in the history of a placid New Hampshire town, Mr. Wilder has transformed the simple events of human life into universal reverie. He has given familiar facts a deeply moving, philosophical perspective..."Our Town" is one of the finest achievements of the current stage."-- Brooks Atkinson

Product Description

First produced and published in 1938, this Pulitzer Prize--winning drama of life in the small village of Grover's Corners has become an American classic and is Thornton Wilder's most renowned and most frequently performed play.

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First Sentence
The first performance of this play took place at the McCarter Theatre, Princeton, New Jersey, on January 22, 1938. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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72 Reviews
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Average Customer Review
4.0 out of 5 stars (72 customer reviews)
 
 
 
 
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5.0 out of 5 stars A Poignant Drama, Aug 19 2001
This review is from: Our Town Classic Ed (Paperback)
When I first learned that I would be required to read "Our Town" as a part of a required reading assignment for English class, I didn't think that I was going to like it. As Wilder begins the play, the reader immediately notices that there is almost no action, suspense, characterization, or setting. The play is all about universality -- Wilder's lack of literary elements is actually a subliminal attempt to communicate the play's theme to everyone who reads it. The first act is a narrative of everyday events in a small New Hampshire town; Wilder titles this act "daily life" because it focuses on the monotony of trivial affairs. The second act is called "love and marriage," which discusses the process in which two people fall in love. The final act is based on "death" and it sums up the first two acts by casting them against the fact that everyone will die someday.

The main theme that Wilder tries to convey is that even the most insignificant, unimportant things in life need to be appreciated. The protagonist asks in the final act, "Do human beings ever realize life while they live it? Every, every minute?" The answer, of course, is 'no.' We all tend to rush through life like it is a giant marathon, and all too often, we trample on other people along the way. Also in the final act, the protagonist wishes that she would have been nicer to people while she had the chance; she wishes that she would've let the other characters know how much she loved and appreciated them. In writing this drama, Wilder wants to tell us that we should all live our lives to the fullest; we should take time every day to give thanks for all that we have; we should always tell our friends and family just how much they mean to us -- we can only do these things while we're living, and none of us know exactly how much longer that will be. Reading this play has really given me a "wake up call" and has allowed me to cherish everyday, ordinary things like the beauty of nature. I felt that the play was, in retrospect, brilliantly written, brief, and poignant. I recommend this play to everyone because it teaches a message that we all need to remember -- take time to savor the simple things, because they often carry the greatest rewards.

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4.0 out of 5 stars Our Town Is Your Town, Jun 5 2010
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Our Town showed me a warm conforting town where everyone was like family. It reminds me of the good things in life and how easy it is for that to change over time. Our Town was a magnificent book, with great descriptions. I like acting out along with it and I could always picture what the scene looked like. Thorton Wilder captured life and love in Our Town. I reccomend this book for ages 10 and up. Our Town will be a great read. I hope everyone gets a chance to read it just as I did.
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4.0 out of 5 stars Misunderstood classic, May 1 2004
By 
Steven Reynolds (Sydney, Australia) - See all my reviews
(REAL NAME)   
This review is from: Our Town Classic Ed (Paperback)
Superficially a folksy, American nostalgia piece, "Our Town" spans the first thirteen years of the twentieth century in the life of Grover's Corners, a small village in rural New Hampshire. It's the archetypal town of the American Mythology. A place where the names on the oldest gravestones are the same as those of the townspeople today. Where the doctor delivers twins before breakfast, and is home in time to shoot the breeze with the paperboy. Where the kids share an ice-cream soda, their mothers sing in the church choir, and a girl grows up and really does marry the boy nextdoor. The play's fond recollection of an America that never existed was nostalgic even in 1938, yet Wilder's Pulitzer Prize-winning drama became an instant classic and remains one of America's most loved and frequently performed plays. America today is the shambles of a destroyed hope, the stillborn ruins of the way of life "Our Town" imagines but which in reality was never achieved. For those immune to the appeals of the American Dream, or more familiar with the reality of the American Global Empire, the play may seem deliciously rich in unintended irony. You could be forgiven for thinking the American preference for escapist, self-aggrandizing fantasy might account for its enduring appeal. Yet you would be wrong. Scratch the surface and "Our Town" is no quaint tale of hayseed family life. Wilder was an intellectual, an admirer of the avant-garde and the experimental works of James Joyce. Steadfastly minimalist in its presentation, engagingly postmodern in its insistence that we see the cast as actors rather than characters, and more thematically challenging than we are initially led to expect, "Our Town" is a work of social criticism which indicts us with personal responsibility for the way we see our lives. Wilder turns our nostalgia against us, demolishing our vision of the past as a Golden Age, and demanding we live here and now, simply and fully. The play shows ordinary lives in pursuit of universal meaning, and by confronting us with our own mortality it challenges us to explore our small allotment of years in the same way. This isn't so much a play of memories as a play about memory - private and public. It evokes nostalgia to warn against it, and argues instead for an acceptance of transience, a celebration of life while it is lived, and a recognition of that small, unknowable fragment of the self that is eternal. It's with this universalizing, evident in the final act, that "Our Town" transcends twentieth-century America and becomes an enduringly relevant work of art - one about memory, fantasy, and the power and price of both.
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