Okay film. [...]Anyway, back to the movie...I was harsh on George Clooney when he had an ill performance in Batman and Robin. Since He made Out of Sight, Perfect Storm, From Dawn to Dusk, and Ocean's Eleven, George Clooney did what Will Smith could never do, the transformation of a tv star into a movie star. I hope he will choose more roles to help him to reach his potential, since I believe he will hit it big with the right roles. Other than that, Jennifer Lopez, as usual, is resplendent but wears off quickly since she only has the beauty of a face and body. If the audience was more than be fascinated about the chemistry between the two couple, the movie is basically flat. A gap here and there comes up. For example, [...] involve Michael Keaton in the movie since his role had absolutely nothing to do with the story, somewhat yeah contributes to the story but basically in a pointless way. Almost an all star cast here. Soderbergh's reason why he won the best picture for Traffic is because his style improved every film he did. From Sex, Lies, and Videotapes to Out of Sight to The Limey to Traffic, you can see how he experimented the style, what works and what doesn't work. This is an absolutely remarkable observation, granting the fact that he is a perfectionist. I absolutely love Soderberg's style in the film, but it seemed very young of maturity. [...]That is why I have this film a 6 because it looked great with a flat story. Samuel Jackson's cameo elevated the movie. Without that, there is no good ending for this one.