- Hardcover: 120 pages
- Publisher: Phaidon Press (Mar 9 2001)
- Language: English
- ISBN-10: 0714840580
- ISBN-13: 978-0714840581
- Product Dimensions: 25.8 x 25.8 x 1.8 cm
- Shipping Weight: 921 g
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: #982,543 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
From Amazon
You have never seen photographs like these before--black-and-white images of people who seem damaged and defective, yet oddly sympathetic, posed in ways that suggest the pitiless workings of heredity and environment. Using a shallow, stagelike space, Roger Ballen gets in close to his subjects--men, women, and children living in remote parts of South Africa.
A woman in a soiled dress shouts at a man whose back is turned--or at the barking dog rearing over his shoulder. A plump fellow in a security guard's uniform stares, wide-eyed, at the camera while one of his meaty hands pins a tiny puppy against the wall. On a patch of raked dirt, a sleeping baby in underpants lies across the intersection of two mysterious tangled lengths of string.
These photographs pose blacks and whites together in ways that suggest enigmatic playfulness or wordless acceptance. In one image, a white woman, blind in one eye, with a face like a rotten apple, wraps her arms around two pug dogs. Next to her, a black woman in a smock stands patiently. Above them, large portraits of children (where are they now?) hang on the dirty wall. It is a scene of care and neglect, loss and resignation.
Ballen's current work occupies an odd niche between documentary and staged photography. The sitters are real people, seemingly in their own environments, and the photographer dignifies them by using their proper names in the captions. But he poses them with live and inanimate objects--a fish, a hammer, a broken baby carriage--in ways that heighten the tension and ambivalence of their situations. Even electrical wire strung on the wall creates a nervous force field. It's as if Diane Arbus and Robert Frank had joined forces with a master of German expressionist theater. --Cathy Curtis
Book Description
You have never seen photographs like these before--black-and-white images of people who seem damaged and defective, yet oddly sympathetic, posed in ways that suggest the pitiless workings of heredity and environment. Using a shallow, stagelike space, Roger Ballen gets in close to his subjects--men, women, and children living in remote parts of South Africa.A woman in a soiled dress shouts at a man whose back is turned--or at the barking dog rearing over his shoulder. A plump fellow in a security guard's uniform stares, wide-eyed, at the camera while one of his meaty hands pins a tiny puppy against the wall. On a patch of raked dirt, a sleeping baby in underpants lies across the intersection of two mysterious tangled lengths of string. These photographs pose blacks and whites together in ways that suggest enigmatic playfulness or wordless acceptance. In one image, a white woman, blind in one eye, with a face like a rotten apple, wraps her arms around two pug dogs. Next to her, a black woman in a smock stands patiently. Above them, large portraits of children (where are they now?) hang on the dirty wall. It is a scene of care and neglect, loss and resignation.Ballen's current work occupies an odd niche between documentary and staged photography. The sitters are real people, seemingly in their own environments, and the photographer dignifies them by using their proper names in the captions. But he poses them with live and inanimate objects--a fish, a hammer, a broken baby carriage--in ways that heighten the tension and ambivalence of their situations. Even electrical wire strung on the wall creates a nervous force field. It's as if Diane Arbus and Robert Frank had joined forces with a master of German expressionist theater. --Cathy Curtis
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Most helpful customer reviews
5.0 out of 5 stars
Original and beautiful in an unusual way.....,
By Busy Bee (Los Angeles, CA USA) - See all my reviews
This review is from: Outland (Hardcover)
I just picked this book up today and was amazed at its sensitivity and beauty. Not everyone will enjoy it or understand this book but it has a feeling of Diane Arbus and the easiness of early Mary Ellen Mark with a kick of Ralph Eugene Meatyard. The compositions are beautiful and the inclusion of the animals are perfect.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
5.0 out of 5 stars (1 customer review) 3 of 3 people found the following review helpful
5.0 out of 5 stars
Original and beautiful in an unusual way.....,
By Busy Bee - Published on Amazon.com
This review is from: Outland (Hardcover)
I just picked this book up today and was amazed at its sensitivity and beauty. Not everyone will enjoy it or understand this book but it has a feeling of Diane Arbus and the easiness of early Mary Ellen Mark with a kick of Ralph Eugene Meatyard. The compositions are beautiful and the inclusion of the animals are perfect.
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