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The Owl, The Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales
 
 

The Owl, The Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales (Hardcover)

de G. Ronald Murphy (Author) "The brothers Grimm thought of fairy tales as remnants of ancient faith expressed in poetry ..." En savoir plus
3.4étoiles sur 5  Voir tous les commentaires (5 évaluations de client)
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Review

"Fr Ronald Murphy has done the Bothers Grimm a great service. But he has done more than that. He has brought home to us the essientially hospitable nature of the stories."-- The Tablet


Review

"Fr Ronald Murphy has done the Bothers Grimm a great service. But he has done more than that. He has brought home to us the essientially hospitable nature of the stories."--The Tablet

"Grimm's fairy stories have almost never been considered from [the] perspective [of religious meaning]....Now along comes G. Ronald Murphy...ready to take the plunge into the deeps....Features a neat bit of literary detective work....My summary can only hint at the sparkling intelligence on display in Murphy's readings of the texts....He has added several dazzling layers of meaning to the tales."--Philip Zaleski, First Things

"Literary and cultural analysis of the highest order....Murphy shows in this book how thrilling it can be when our understanding of familiar stories that we enjoy and routinely share with our children is carefully--and lovingly--deepened and enriched by an astute guide."--Trenton Times

"Murphy's...finding of books in the Grimms' library is significant. Many previous scholars have acknowledged that fairy tales contain `fragments of ancient faith,' and with this new information, readers can appreciate `to what degree and in what particular direction' the Grimm tales were Christianized."--Philadelphia Inquirer

"Here is a fresh, erudite, and highly readable study of the beloved fairy tales of the brothers Grimm. Ronald Murphy advances our understanding of the Classical, Germanic, and Christian sources of these stories in a manner comparable to what Bruno Bettelheim did twenty-five years ago from the perspective of modern psychiatry. Murphy proves that the Grimms were deeply influenced by biblical faith and that this spiritual vision is the most important key for unlocking the rich meaning of their stories. The Owl, the Raven, and the Dove is a book not just for the sharp-toothed academic. I earnestly recommend it to parents and those who teach young people, or just anyone who loves fairy tales."--Vigen Guroian, author of Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination

"Wilhelm Grimm has found a worthy modern expositor- almost a brother- in Ron Murphy, whose gifts of research, sympathetic insight, and ecumenical religious imgination mirror those of the romantic literary genius, Wilhelm himself. Father Murphy's archival discoveries have allowed him to reconstruct Wilhelm's generous religious mentality, and his new readings of the tales in view of this mindset will come as a revelation to professional students of the Grimm's tales and to the general reader alike." -Joseph Harris, Harvard University

"Combining new documentation and an imaginative use of familiar sources, Ronald Murphy links Germanic myth to Christian liturgy in Wilhelm Grimm's editorial practice. The unexpected result is a striking reinterpretation of the most familiar Grimm tales- Hansel and Gretel, Little Red Riding Hood, Cinderella, Snow White, and Sleeping Beauty- as Christian narratives of encoded baptism and redemption."--Ruth B. Bottigheimer, State University of New York at Stony Brook

"IsHansel and Gretl a story about Christ's resurrection? DidLittle Red Riding Hoodwear red because she was a confirm and during the liturgical season of Pentecost? G. Ronald Murphy raises these fresh possibilities in The Owl, the Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales. According to Murphy, Wilhelm Grimm was 'more of a private, mystic soul' than a moralizer, and incorporated themes of pagan-Christian harmony into his imaginative fairy tales.Murphy debate[s] other literary perspectives throughout." -Publishers Weekly

"Murphy has added several dazzling layers of meaning to the tales."--First Things

"Murphy's work is a treasure-trove of examples for a unit on the role of religion in folk literature....[an] enlightening, compelling text."--RSiSS

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3.4étoiles sur 5 (5 évaluations de client)
 
 
 
 
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1.0étoiles sur 5 "Not withstanding" is right!, Oct. 31 2003
Par Un client
It is a REAL STRETCH to say that the Grimm faery tales origins were Christian. I can only speculate that the reason for this book is to make us Christians feel like we can read these stories to their children without fear, or regret. Really, it is quite bold to try to twist things to appear to be Christian so that Christians can claim them as their own. Unfortunatly Murphy perpetuates this behavier in this book. The origins of these tales are obviously Pagan, read up on the brothers Grimm and really study the tales they told. Everyone should be able to enjoy these faery tales without trying to make them acceptable first. Appreciate them for what they are, dont put a spin on them. Believe it or not, some things can be enjoyable without being of Christian origin.
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5.0étoiles sur 5 A Link in a Long Chain of Grace., Mai 1 2001
Par David Marshall (Nagasaki, Japan) - Voir tous mes commentaires
It was while reading the story of Jorinda and Joringal, a tale not mentioned in this book, that I began to wonder about the spirituality of the Brothers Grimm. Jorinda, a beautiful maiden, is transformed into a nightinggale and taken captive in a castle by a witch. One day, her lover, a shepherd, finds a red flower with a drop of dew in the center of it. When he touches the witch with with the flower, it deprives her of her evil power, and Joringal's beloved is set free. I had to wonder: "Did the Grimms know they were talking about Jesus?" Murphy answered this question for me: they did, indeed.

If I were going to pick a word to describe the overall impression the author gives me, I think it would be "kindly." At first I sometimes got the feeling I was listening in on someone else's conversation: Murphy forgets his readers and his partners in academic dialogue are strangers, and need to be introduced. But once everyone is seated for discussion, Murphy is generous not only to the Grimms (he sometimes tells how good a writer Wilhelm is, when he should be showing), he treats other scholars with respect (not a universal habit in academia), and describes the ironic skepticism or sexual crudities of rival versions of these tales without downplaying those approaches, yet bringing out the special depth of the Grimm's mythical imagination and spiritual feeling.

The main subjects of this book are Hansel and Gretel, Little Red Riding Hood, Snow White, Cindarella, and Sleeping Beauty. (But don't overlook Appendix A, a closer look at Wilhelm Grimm's New Testament, or Appendix C, the story of the Cross and the Christmas tree. It was the star on top of the latter that furnished the fifth star for this rating.)

The story Murphy tells is one link in a chain of grace that goes back thousands of years. Early Christian thinkers saw classical philosophy and myth as a "tutor" to bring the Western world to Christ. Dante and Michaelangelo picked up on the same theme in the Middle Ages. G. K. Chesterton described how, as a child, he learned reason and morality, and intimations of spiritual truth, from fairy tales, naming some of the stories in this book, but without talking about Christianity in particular. Later he wrote a book, Everlasting Man, in which he described pagan mythology in similiar sympathetic terms. This is the book that helped C. S. Lewis, who would become the most influential Christian writer of the 20th Century, to conclude that the Gospel was the answer to the question, "Where have all the hints of Paganism been fulfilled?" Later Lewis brought the story full circle with his own redemptive fairy tales, the Chronicles of Narnia. So the story Murphy tells is of interest historically, as well as for the remarkable light it sheds on our favorite fairy tales. It is one link in a chain of grace that no man on earth can fully know.

For those interested in the bigger picture, let me recommend some good books: City of God (Augustine); Contra Celsus (Origin); Everlasting Man and Orthodoxy (Chesterton); Eternity in Their Hearts (Don Richardson); Jesus Through the Centuries (Jaroslav Pelikan); The Crown of Hinduism (J.N.Farquhar); and Discovery of Genesis. (with reservations - see my Amazon review.) Also, of course, my own books, Jesus and the Religions of Man, and True Son of Heaven: How Jesus Fulfills the Chinese Culture.

My four year old boy spied the cover of this book, with its picture of Snow White and the owl, raven, and dove, and asked for an explanation. "The prince came and kissed Snow White and she came back to life," I told him. "Is (the prince) God?" He asked. Murphy shows that the Brothers Grimm still have the power to solicit deep spiritual questions from people of all ages.

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5.0étoiles sur 5 Magnificent achievement, Fév 4 2001
Par Un client
A groundbreaking analysis of Grimm's fairy tales. Ronald Murphy does a superb job of demonstrating how the Brother Grimm drew out the Christian meaning in the tales, often by adding symbolic or allegorical material. This is a tour-de-force of insightful scholarship and literary detective work.

I note that one of the other reviews of this book claims that Murphy says the tales are of Christian origin. But this is not the case; rather, he suggests that the tales contain elements of Greco-Roman, Egyptian, Germanic, and French folklore. The point is, as Murphy so masterfully demonstrates, that the Grimms took this material and exposed its latent Christian meaning.

This is one of the best books about Grimm's tales to come across in many year; highly recommended.

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1.0étoiles sur 5 not withstanding
All though the fairy tales certainly have the teeth marks of Christianity, I should point out that Grimm's fairy tales are undeniably of Heathen, NOT Christian origin. Read more
Publié le Janv. 30 2001 par Michael L. Rayborn

5.0étoiles sur 5 The Owl, the Raven, and the Dove: The Religious Meaning
The author has a pleasant surprise in store for his readers.

This book is NOT the typical, intellectual, academic variety. It is written in down-to-earth language! Read more

Publié le Juil 4 2000 par Lorraine Doan

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